Adam Bresnick's architecture studio was commissioned to renovate a 19th-century house built in the municipality of Los Molinos, located in the mountains of Madrid. Originally the house was one of the six "hotels" that a Baron had for his daughters. As if it were a Herreriano toy, the building is located on a sloping plot with two terraces surrounded by granite walls.

The house remained in a state of abandonment and showed signs of having suffered numerous alterations over time. The intervention has tried to be respectful, paying special care to the original materials and its spatial conception, to adapt it to a current program of uses. Special care has been taken in the reconstruction of the terraces of the historic garden, which are almost an exact replica of the original.
The home renovation in Los Molinos, designed by the Adam Bresnick studio, carries out a differentiated treatment between the original elements and the new ones, among which the relocation of the staircase stands out, creating a double height at the main entrance, which contrasts with the original interior brick wall as a historical element and articulator of the space. The wall divides the ground floor into two bays, generating an open floor plan that unites the different rooms.
 
The careful execution of the concrete staircase connects with the first floor, where a steel sheet walkway gives access to the 3 bedrooms with their respective individual bathrooms. The difference between the new and the old is accentuated in the articulation of the carpentry of the two large windows that opened in the middle of the last century, which are located on the interior beams.


Housing in Los Molinos by Adam Bresnick. Photograph by Amores pictures.
 

Project description by Adam Bresnick

The house was built at the end of the 19th century as one of six hotels for the daughters of a Baron. Almost a Herrerian toy, it is a 26 x 11.5m rectangle of granite masonry, topped by a four-sided tile roof. The entrance door is framed by two Tuscan pilasters crowned with two obelisks.  The house is linked to the sloping plot by two terraces enclosed by granite walls, stairs, and balusters, leaving the rest of the plot gently sloping to the south.

Abandoned and occupied, the house had undergone many modifications over the years. The intervention has been careful in material and conceptual terms, relying on the existing stock to adapt the house to the 21st century. To this end the staircase was relocated, creating a triple height with zenithal light at the entrance, a vertical dilation that organizes circulations while marrying the geometries and axes of the primary house. This gesture of verticality allows natural ventilation as a chimney.
 


Housing in Los Molinos by Adam Bresnick. Photograph by Amores pictures.
 
The granite box is cleaned and insulated, and the central brick wall is left exposed, a witness to the passage of time. The first floor is sole in polished concrete, only the thresholds of passage in the brick wall are marked with limestone slabs of campaspero, while black plaster walls allow the passage of the facilities. The monolithic staircase of the same concrete emerges from the floor, connecting the first floor with the second floor where a steel sheet walkway gives access to the 3 bedrooms in suite with their bathrooms. Inside the rooms, saw-cut oak flooring dialogues with the materiality of the brick wall and the white stained pine floor slab.
 
The first floor is a single space, a living room occupies the entire garden bay, a kitchen on one side of the entrance hall, music room on the other. Two large windows were opened in the middle of the last century, and are articulated with their joinery to interior beams to emphasize the fact that they are later interventions. They are two modern eyes, view and access. The second of these openings, a large pivoting window connects through a terrace of metal profiles and tramex directly with the garden.


Housing in Los Molinos by Adam Bresnick. Photograph by Amores pictures.
 
The fate of a historic garden was treated with care and an integrative project, using a palette of soapstone, granite, and native plants. The two terraces above are almost a reconstruction of the original, while in the garden below a meander is traced incorporating trees, well, and existing views to create a new route that moves away from the austerity and geometry of the house to enter a dreamlike world, ending in a pool and pavilion.

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Architects
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Project team
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Adam Bresnick Hecht, Miguel Peña Martínez-Conde, Pablo Sebastian Baldo, Mireya Fernández Velasco, Carolina Gómez Perona, Jorge Ferrer Arapiles.

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Collaborators
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Emi, Jose, David surveyor.
Landscaping.- Citherea, Ana Luengo.
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Builder
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MACE 2000.
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Dates
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Year.- 2023.

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Location
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Madrid, Spain.
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Photography
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Adam Bresnick architects is an international design practice. Based in Madrid, Spain for over twenty-five years their work encompasses residential and commercial, interiors and landscape, furniture design and historic preservation, with a focus on a comprehensive approach to design. This range of scales includes urbanism and city planning, building and interior design and construction itself, where ideas are transformed into reality. The interdependence of these different scales makes their work unique.

They have worked on many international projects, including Russia, Romania, Switzerland, Italy, Portugal, Spain, Turkey and the United States and their projects are widely known thanks to international publications and web sites.

Adam Bresnick attended the University of Maryland for his bachelor of science in architecture, received his master degree in Architecture from Princeton University, and his PhD from the Polytechnic University in Madrid. A book based on his thesis was published under the title La Diva en Casa: arquitectura para artistas, in 2011.

Adam Bresnick has taught Interior Design at the Instituto Europeo di Design (1996-2006), set design and its history at Madrid’s Royal School for Dramatic Arts (2010-2013), studio at the Architecture School of the Universidad CEU San Pablo (2006-to the present), and currently coordinates the Master Degree in Retail Interior Design at the Escuela Superior de Diseño, Madrid, where he teaches interior design (2013-to the present).

He has been a visiting critic at the University of Pennsylvania (Abril 1999) and the University of Syracuse, NY (May 2012), has lectured at the School of Architecture of Toledo, Universidad de Castilla la Mancha (Feb 2013), Universidad de Sevilla (Abril 2015), the Shchusev Museum of Architecture, Moscow (Oct 2014), and Detalli Design School, Moscow (Nov 2017).
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Published on: October 14, 2023
Cite: "Carefully recover the memory of a "house". Housing in Los Molinos. Adam Bresnick" METALOCUS. Accessed
<https://www.metalocus.es/en/news/carefully-recover-memory-a-house-housing-los-molinos-adam-bresnick> ISSN 1139-6415
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