Known as Chapex, the Charleroi Exhibition Palace is a collaborative project between the architectural firms of Jan de Vylder and Inge Vinck and AgwA. The revitalization of this iconic building, the result of a competition held in 2015, includes the renovation of the exhibition halls, the relocation of offices, the creation of parking facilities and landscaping, and the construction of a conference center.

By integrating heritage preservation with the functional reintegration of a modern building, the history of the Charleroi convention center reflects the city's historical and economic evolution, its resilience, and its place within an industrial area linked to coal mining in the Pays Noir region.

Architecten Jan de Vylder Inge Vinck and AgwA, radically redesigned the building, originally conceived in 1948 as part of the post-World War II reconstruction and inaugurated in 1954. Their approach, guided by a respectful reuse strategy, aimed to reveal and enhance the existing structure.

The building they encountered had been constructed in a sunken area in the western part of the city, on the site of a former glass factory designed by the architect Joseph André. It's 60,000 square meters, comprising two large volumes connected by a grand lobby with a sweeping staircase and a large glass dome, housed extensive exhibition halls (one with a 60-meter span) that hosted a wide range of events, from trade fairs and domestic exhibitions to car shows and dog shows. The lower floors had previously been used for sports facilities and a fire station.

Charleroi Palais des Expositions by architecten jan de vylder inge vinck and AgwA. Photograph by Filip Dujardin.

Charleroi Palais des Expositions by architecten jan de vylder inge vinck and AgwA. Photograph by Filip Dujardin.

The rehabilitation project proposed by Jan de Vylder, Inge Vinck, and AgwA involved stripping the existing building. It removed the exterior walls of the lobby, transforming it into a transitional space between interior and exterior, with a series of urban platforms on three levels featuring covered viewing platforms, all within a zero-energy structure. The intervention includes a large atrium open to the lower level, which illuminates the dark ground floor with natural light and exposes previously hidden elements, such as the chimneys of the former power plant.

A very tight budget, tied to the European Regional Development Fund (ERDF) recovery programs, and the realization that, despite the initial proposal, only a third of the original surface area was needed, led to a rethinking of the functional program. The proposed underground parking was transformed into a multi-story parking garage in the south wing, taking advantage of the existing structure and reducing the required insulating envelope to just 25,000 m². Only the two lower floors of the north wing require climate control.

Charleroi Palais des Expositions by architecten jan de vylder inge vinck and AgwA. Photograph by Filip Dujardin.

Charleroi Palais des Expositions by architecten jan de vylder inge vinck and AgwA. Photograph by Filip Dujardin.

The spoil heap on which the building stands was exposed and planted with native species to create a landscape of great ecological richness. Furthermore, during construction, the need arose to integrate a convention center.

The intervention adheres to current regulations, such as doubling the green railings to meet safety standards. Demolished elements were repurposed as street furniture. The old concrete was protected with white, anti-carbonation paint. Surfaces were repainted white or with the color codes of previous uses (for example, green for the tennis courts), restoring familiarity and helping people reconnect with the building in its new form. Natural ventilation was maximized. The materials are durable and simple; the vegetation requires minimal maintenance. The building's original flexibility is enhanced and projected into the future. This renovation is not a final stage, but rather allows the building to evolve and take on new life.

Charleroi Palais des Expositions by architecten jan de vylder inge vinck and AgwA. Photograph by Filip Dujardin.

Charleroi Palais des Expositions by architecten jan de vylder inge vinck and AgwA. Photograph by Filip Dujardin.

The reflections surrounding this project led to the creation of the Oversize workshops, a multidisciplinary and inter-university initiative that lasted 3 years, between UCLouvain, KU Leuven, ULiège, ULB and TU WIEN. 

The project is one of the 7 finalists for the EUmies / Mies van der Rohe Awards 2026.

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Architects
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Project team
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Harold Fallon, Benoit Vandenbulcke, Marie Pirard, Julien Delmotte, Benoît Suzanne, Marine Demanet, Nicky Vancaudenberg, Sophie Hazebrouck, Elise Helm, Pierre Gréaume, Juliette Lucarain, Pauline Degrand-Guillaud, Yannick Vergnaud, Era Merkuri, Damir Draganic, Dorothée Fontignie, Hélène Joos, Ali Ismail.

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Collaborators
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Interior Design.- Doorzon
Building physics.- Bureau Greisch. 
Structure.- Bureau Greisch. 
Fire Safety and Accessibility.- Delta GC. 
Acoustics.- PROGRS.
Landscape.- Denis Dujardin. 

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Client
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Charleroi District Créatif. City of Charleroi / c/o IGRETEC.

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Builder
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Association of Construction Companies: Bémat-Moury-Koeckelberg-Duchêne

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Area
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Site area.- 37,700 m².
Total gross floor.- 47,000 m².

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Dates
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Competition.- 2015. Design.- 2018.
Completion.- 19/11/2024.

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Venue / Location
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21, Avenue de l'Europe. 6000 Charleroi, Belgium.

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Cost
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Budget (€, excl. VAT and fees).- 43.500.000 € / 1,075 €/m². 

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Photography
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"Since spring 2019 Jo Taillieu, Inge Vinck and Jan De Vylder go their own way with jo taillieu architecten and architecten jan de vylder inge vinck. architecten de vylder vinck taillieu stays the joint and active platform for a part of the ongoing projects and future perspectives. After ten successful years, the time has come for new challenges, new projects and new perspectives for the future."

Architecten De Vylder Vinck Taillieu have built a solid work ranging from reform of housing and family houses to public and institutional buildings. The studio formed by Jan De Vylder (1968), Inge Vinck (1973) and Jo Taillieu (1971) belongs to the new generation of Belgian architects who has done a generational change in Belgian architecture, becoming one of the most interesting national architectures the current scene.

They became internationally known from various reforms carried out almost entirely in the Flemish city of Ghent: Verzameld Werk gallery, the Twiggy store, or houses 43, Rot-Ellen-Berg and Rampelken. His work cleverly combines respect for preexistences with a lyrical way of understanding architecture as DIY, as a construction inside buildings in a kind of game of Russian dolls. In his projects there are strange games of transparency, reflection (by using reflective materials), irony (with the use of local materials and techniques), optical illusions of duplicating and copying existing buildings ... and all this results in an extremely personal architecture.

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AgwA. It is an architecture studio founded by Benoît Vandenbulcke and Harold Fallon in Brussels, Belgium. The firm has five partners: Benoît Vandenbulcke, Harold Fallon, Benoît Burquel, Hélène Joos and Nicky Vancaudenberg. The office is located in an old industrial complex, a project that itself was the result of a Neighbourhood Contract, like many of the first projects of the practice, which were the result of Neighbourhood Contracts, challenging the architects to work with very tight budgets on small urban infill sites.

They are slowly taking on larger projects and tackling more ambitious ones with great national and international recognition.
 
 
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Published on: February 5, 2026
Cite:
metalocus, ANTONIO GRAS
"CHAPEX. Charleroi Palais des Expositions by architecten jan de vylder inge vinck and AgwA" METALOCUS. Accessed
<https://www.metalocus.es/en/news/chapex-charleroi-palais-des-expositions-architecten-jan-de-vylder-inge-vinck-and-agwa> ISSN 1139-6415
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