The Catalonia Film-archive houses the exhibition designed by the architectural studio Taller Pontí, Cine Papel, an exhibition dedicated to the filmmaker Érik Bullot. The exhibition is open to the public until January 28, 2024, and is curated by Marina Vinyes Albes.

With the main motto of the exhibition “Dreaming a movie”, the fragments of a film that is yet to come and that is imaginary are displayed in space. To do this, a linear development, the usual program of museum walls, is renounced, using a common tool almost since the beginning of cinema, drift.
Cine Papel, Érik Bullot designed by the Taller Ponti architecture studio, is an exhibition designed from critical thinking that gives prominence to the participation and interaction that the visitor carries out through the exhibition. A random tour where the viewer constructs his interpretation and story, through the fragments that he mentally reconstructs as he drifts.

The exhibition renounces subjecting the experience of the space to a given line of discourse; the device entrusts the viewer to recognize its syntax and synthesize its story as a result of the experience that the exhibition space generates.

The main elements of the exhibition design are the three pre-existing concrete pillars in the room. With these three, an orthogonal matrix of non-structural pillars is drawn around it that dilutes the perspective.

Other works by Ramón y Cajal, August Strindberg, Vicente Huidobro, Roland Sabatier, and Jakob Mohr, among others, are exhibited in the four cardinal points of the plot.


Cinema Paper, Érik Bullot by Taller Ponti.  Photograph by José Hevia.
 

Descripción del proyecto por Taller Pontí

Dreaming up a film. Setting out the fragments of an upcoming, imaginary film in space. But, how to spread out the linearity of the film in the three dimensions of space? How to create, from the drift, the experience of a narration? Unfinished? Infinite? Alive?

The exhibition renounces the linear development, typical of the museum wall, in favor of the drifting, free, and patterned, typical of the hypostyle room. Instead of subjecting the experience of space to a given line of discourse, the device entrusts the syntax of its narrative to the experience of the same space it generates, to the experience of its drift.

The starting point is the three pre-existing concrete pillars. The proposal superimposes an orthogonal matrix of fake columns that incorporates and dilutes them. Outside, at the four cardinal points of the weave, there are four prisms (three tables and a bench) where -with works by Ramón y Cajal, August Strindberg, Vicente Huidobro, Roland Sabatier or Jakob Mohr, among others- four of the possible readings of the exhibition are grouped.

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Architects
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Taller Pontí. Architect.- Jaume Coscollar.
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Author
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Érik Bullot.
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Comissioner
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Marina Vinyes Albes.
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Dates
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September 28, 2023 to January 28, 2024.
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Location
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Plaza de Salvador Seguí, 1, Ciutat Vella, 08001 Barcelona, Spain.
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Photography
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Taller Pontí is an architecture studio founded by Jaume Coscollar in 2018 with headquarters in Sant Pol de Mar (Barcelona). His practice aims at an elemental and concrete architecture. He concentrates his experience in the field of rehabilitation, also of buildings of historical interest. He regularly participates in artistic projects.
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