With an air reminiscent of a proposal by Kenzo Kuma, at least in these first images, and after beating out KPMB Architects, SANAA, Tod Williams Billie Tsien and DS+R to win the project back in April of 2014, Herzog & de Meuron have now released the first look at their design for the new Vancouver Art Gallery, a significant update on the Gallery's old neoclassical building and the firm's first in Canada.

The new Gallery bulding will not only double the amount of exhibition space to over 7,897 square meter, but also relocate the institution a few blocks into a quickly-developing sector of Vancouver's downtown. The formal update is pretty extreme – the prior Gallery's columns, front steps and flanking lions bestowed a formal, traditional vibe, while Herzog & de Meuron's stack of wooden and transparent volumes is top-loaded so that "the modest, almost domestic scale will enhance the character of openness and visibility for everyone," according to Jaques Herzog in a statement.

The Conceptual Design of the new Vancouver Art Gallery

In the 85 years since its inception the Vancouver Art Gallery has grown and expanded at a considered pace, responding to the changing needs of our city, region and province; of the artists who continue to inspire us; and of the members, students, families and individuals who share our belief that art is an engaging and meaningful part of contemporary life.

In this room we present the conceptual design for the new Vancouver Art Gallery. The architectural model, videos and renderings reveal an exciting vision for the Gallery's dynamic new presence in Vancouver. The rich design offers appealing public spaces, thoughtfully integrated with a unique and compelling building which is designed to house and display the most significant public collection of art in Western Canada, and to captivate our audiences through exhibitions, education programs and public events.

Within the building design process the "concept" is the initial design idea for the building. This is a preliminary stage that is intended to describe the context for the Gallery within the city and the character and capacity of the Gallery's interior and exterior spaces. The large plinth in the centre of this room holds a model of the conceptual design for the new Vancouver Art Gallery and describes its dynamic position in the city, on a site that embodies Vancouver's rich history and is strategically situated to substantially contribute to its future growth. Three large architectural renderings provide a cogent insight into the context, the public spaces and the viewpoints that define the new Gallery's design and its place in Vancouver. Floorplans and section views offer a preliminary layout of the key spaces within the Gallery, and the videos provide a further range of images of the building and insight into the research that led to this design.

The conceptual design was conceived by Herzog & de Meuron, the design architects for the new Vancouver Art Gallery. They are internationally renowned for their innovative and elegant buildings and their contribution to the design of contemporary museums. Their focused attention to materials, surface, the existing landscape, cultural history and environmental conditions has defined a practice that is astonishingly subtle and complex. For the Vancouver Art Gallery project, Herzog & de Meuron are collaborating with Vancouver-based Perkins + Will who were selected by the Gallery in 2014 to serve as the local Architect of Record.

Cradle rooms arise in second level with separate kitchen and hoist connected to the kitchen on the first level. Like wise with connection via ramp that traverses the project, which, in turn, serves as bracing structure.

The materials were chosen based on its noble quality; resistance, economy, durability and low maintenance, the absence of coating finishes, veneers or coupled to the structure elements. Basically the outside are granted as a building structural work.

 

Venue.-750 Hornby St, Vancouver, BC V6Z 2H7, Canadá
Dates.- September 30, 2015 to January 24, 2016.

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Herzog & de Meuron Architekten is a Swiss architecture firm, founded and headquartered in Basel, Switzerland in 1978. The careers of founders and senior partners Jacques Herzog (born 1950), and Pierre de Meuron (born 1950), closely paralleled one another, with both attending the Swiss Federal Institute of Technology (ETH) in Zürich. They are perhaps best known for their conversion of the giant Bankside Power Station in London to the new home of the Tate Museum of Modern Art (2000). Jacques Herzog and Pierre de Meuron have been visiting professors at the Harvard University Graduate School of Design since 1994 (and in 1989) and professors at ETH Zürich since 1999. They are co-founders of the ETH Studio Basel – Contemporary City Institute, which started a research programme on processes of transformation in the urban domain.

Herzog & de Meuron is a partnership led by five Senior Partners – Jacques Herzog, Pierre de Meuron, Christine Binswanger, Ascan Mergenthaler and Stefan Marbach. An international team of 38 Associates and about 362 collaborators.

Herzog & de Meuron received international attention very early in their career with the Blue House in Oberwil, Switzerland (1980); the Stone House in Tavole, Italy (1988); and the Apartment Building along a Party Wall in Basel (1988).  The firm’s breakthrough project was the Ricola Storage Building in Laufen, Switzerland (1987).  Renown in the United States came with Dominus Winery in Yountville, California (1998). The Goetz Collection, a Gallery for a Private Collection of Modern Art in Munich (1992), stands at the beginning of a series of internationally acclaimed museum buildings such as the Küppersmühle Museum for the Grothe Collection in Duisburg, Germany (1999). Their most recognized buildings include Prada Aoyama in Tokyo, Japan (2003); Allianz Arena in Munich, Germany (2005); the new Cottbus Library for the BTU Cottbus, Germany (2005); the National Stadium Beijing, the Main Stadium for the 2008 Olympic Games in Beijing, China; VitraHaus, a building to present Vitra’s “Home Collection“, Weil am Rhein, Germany (2010); and 1111 Lincoln Road, a multi-storey mixed-use structure for parking, retail, a restaurant and a private residence in Miami Beach, Florida, USA (2010), the Actelion Business Center in Allschwil/Basel, Switzerland (2010). In recent years, Herzog & de Meuron have also completed projects such as the New Hall for Messe Basel Switzerland (2013), the Ricola Kräuterzentrum in Laufen (2014), which is the seventh building in a series of collaborations with Ricola, with whom Herzog & de Meuron began to work in the 1980s; and the Naturbad Riehen (2014), a public natural swimming pool. In April 2014, the practice completed its first project in Brazil: the Arena do Morro in the neighbourhood of Mãe Luiza, Natal, is the pioneering project within the wider urban proposal “A Vision for Mãe Luiza”.

Herzog & de Meuron have completed 6 projects since the beginning of 2015: a new mountain station including a restaurant on top of the Chäserrugg (2262 metres above sea level) in Toggenburg, Switzerland; Helsinki Dreispitz, a residential development and archive in Münchenstein/Basel, Switzerland; Asklepios 8 – an office building on the Novartis Campus in Basel, Switzerland; the Slow Food Pavilion for Expo 2015 in Milan, Italy; the new Bordeaux stadium, a 42’000 seat multifunctional stadium for Bordeaux, France; Miu Miu Aoyama, a 720 m² boutique for the Prada-owned brand located on Miyuki Street, across the road from Prada Aoyama, Tokyo, Japan.

In many projects the architects have worked together with artists, an eminent example of that practice being the collaboration with Rémy Zaugg, Thomas Ruff and with Michael Craig-Martin.

Professionally, the Herzog & de Meuron partnership has grown to become an office with over 120 people worldwide. In addition to their headquarters in Basel, they have offices in London, Munich and San Francisco. Herzog has explained, “We work in teams, but the teams are not permanent. We rearrange them as new projects begin. All of the work results from discussions between Pierre and me, as well as our other partners, Harry Gugger and Christine Binswanger. The work by various teams may involve many different talents to achieve the best results which is a final product called architecture by Herzog & de Meuron.”

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