The architecture studio Urbanitree has been in charge of the project “African Flow”, a children's school located in Soa, Cameroon. The studio proposes a space in which the educational method is the connection of children with the building.

The building is designed from the craftsmanship and local resources, without using high technology and with materials such as wood or earth pressed from the environment itself.

The Urbanitree school, promoted by the Missionary Daughters of the Holy Family of Nazareth, creates a circulation of children throughout the day, where at each moment they pass through different spaces of the project, generating a fluid circulation over time, and giving the possibility to experience the different rooms so that students connect with them.

The floor plan organization is based on the use of 4 ecosystems represented in each of the rooms surrounding the central courtyard, which together with the corridor, serves as an organizing space. These spaces are intended to be recognized by the children to connect with their roots, so the concepts of Mountain, designed as a grotto for introspection, Village, raised as a space for sharing, Savannah, which allows incorporating educational formats through the bleachers, and the Forest, which communicates with the outside and has a tree that allows to inhabit and be used.

African Flow by Urbanitree. Photography by Adrià Goula.

African Flow by Urbanitree. Photography by Adrià Goula.

Project description by Urbanitree

The design of the African Flow kindergarten stems from the desire to develop new educational methods in Africa. This school facility, initiated by the Missionary Daughters of the Holy Family of Nazareth and located in Soa, near Yaoundé, the capital of Cameroon, is organized as a continuous system of ecosystems—mountain, savanna, village, and forest—that connect children with their origins and culture.

In school, children move throughout the day through a fluid transition between different spaces, where they develop skills in varied contexts and interact with their peers and the school community across multiple scales of relationship

African Flow by Urbanitree. Photograph by Adrià Goula
African Flow by Urbanitree. Photograph by Adrià Goula.

The school is built around a central courtyard, where the interior spaces—organized into four ecosystems—are connected by a corridor. Every ecosystem has components that the kids can recognize and that aid in organizing their everyday school activities:

- Mountain: A place for inspiration and creation, featuring a grotto that enables children to isolate themselves and engage in introspective moments.

- Village: A space for exchange and social interaction, including a chapel designed as an abstract environment where light and perforated walls encourage silence and communal reflection.

- Savanna: A large linear area that facilitates grouping children in an educational format reminiscent of a “campfire,” allowing them to play on the floor and on stepped seating.

- Forest: A transitional space between interior and exterior, featuring a constructed tree built similar to a Lego structure that can be inhabited, situated next to a small natural forest.

African Flow by Urbanitree. Photograph by Adrià Goula.
African Flow by Urbanitree. Photograph by Adrià Goula.

Throughout the day, the children participate in activities that respond to the spaces in with they are housed. These activities include the general assembly, where they convene with the teachers; stimulation through information bits; exercise using brachiation bars and ladders; reflection in a space that inspires spirituality; playtime in the central courtyard; exploration in small groups; experimentation in the materials laboratory; and music sessions using local instruments.

The design of the school is influenced by simple construction systems and primitive geometric patterns that naturally arise from the application of the chosen materials. Moreover, the site's original topography has enabled the construction of a second level, which will initially function as the residence for the community responsible for African Flow.

African Flow by Urbanitree. Photograph by Adrià Goula.
African Flow by Urbanitree. Photograph by Adrià Goula.

An Innovative Approach to Construction Utilizing Local Materials

Building a project in an African country that has been designed by a European team can only be approached as a process of mutual learning. The objective was to ascertain how a modest project could simultaneously inspire the local community, impart new construction techniques, and resonate on a global scale. In the contemporary global economy, the term "progress" frequently refers to the deployment of industrialized processes, systems, and materials that are designed to standardize results.

In this instance, the objective was to not only design and construct a building but also to reinvent the construction process in Cameroon. This involved the use of low-carbon local materials, the establishment of agreements with suppliers to market their products locally, the training of workers, and the education of teachers to present the project as part of a social pedagogy that reinforces collective empowerment.

African Flow by Urbanitree. Photograph by Adrià Goula.
African Flow by Urbanitree. Photograph by Adrià Goula.

To construct African Flow, a comprehensive investigation was conducted to engage local manufacturers who typically export their products to Europe or China. Subsequently, the structure was constructed from azobé, a locally sourced, high-density wood that is distinguished by its termite resistance. The construction was accomplished by local laborers who lacked prior experience with wood, thereby fostering a collective learning process that can be replicated in future projects and promote low-emission construction in the context of rapid urbanization.

The enclosures are made of rammed earth bricks (unfired) that employ various patterns, allowing light to filter between interior and exterior. Consequently, there is a continuity between the local reddish earth and the building that rests upon it. A local supplier of earth bricks was selected, using very basic manufacturing technology.

African Flow by Urbanitree. Photograph by Adrià Goula.
African Flow by Urbanitree. Photograph by Adrià Goula.

Inside, local woods such as iroko, sapele, doussie, and movingui are used. Internationally, these are classified as tropical hardwoods and are generally costly; however, they are frequently employed as building materials in Cameroon.

The water tower of the complex, which is typically built of concrete, was reimagined as a spatial wooden structure that is overlaid with a photovoltaic surface. This guarantees the building's uninterrupted electricity and water supply in an environment characterized by frequent power outages.

The outcome is a space that is easily identifiable by the community, constructed using ancestral architecture that has been adapted to the local environment. The design incorporates local materials and local culture, and it employs geometric patterns and construction systems that are remarkably straightforward.

In the years ahead, the complex will expand to offer a complete educational cycle, spanning from kindergarten to secondary education.

More information

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Arquitectos
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Project team
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Elisabet Fàbrega.

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Collaborators
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BAD Architects.- Ali Basbous.
Arquivio.- Daniel Fraile.
Communication.- Pati Nuñez Agency.

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Builder
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Gic ma’asapkeng.

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Developer
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Community of Nazareth.

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Client
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Missionary Daughters of Nazareth.

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Area
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1,600 sqm.

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Dates
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2024.

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LocatioN
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Soa, Cameroun.

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Budget
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$ 900,000.00

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Manufacturers
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Carpenters.- Alexandre Onguene, Tchawe Fabrice Ronelle, Germain Atanga.

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Photography
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Urbanitree is an architecture and research studio founded in Barcelona in 2022 and with offices in Boston and Shenzhen, by Daniel Ibañez and Vicente Guallart.

Vicente Guallart (Valencia, 1963) is a licensed architect with registration number COAC 19721, an urbanist, and a researcher. He served as the Chief Architect of the city of Barcelona from 2011 to 2015. He is a co-founder of the Institute of Advanced Architecture of Catalonia and the Fab Lab Barcelona, with which he has undertaken projects such as the Media House Project (2001) in collaboration with the MIT Media Lab, the Fab Lab House (2010). Currently, he leads the Master’s program in Advanced Ecological Buildings at Valldaura Labs, where he conducts research in wooden construction.

In his professional practice, Vicente Guallart works as a director at Urbanitree, where he has designed numerous eco-friendly buildings in Europe and Asia. Notable projects include post-COVID housing in Xiong’an, China, and “Terrazas para la Vida,” the tallest industrially-manufactured solid wood social housing building in Spain.

Guallart has participated in the Venice Biennale four times and was selected for the exhibition of Spanish architecture at the MOMA in New York.

Daniel Ibañez (Madrid, 1981) is a licensed architect with registration number COAM 17812, as well as a Spanish urbanist and educator. He holds a doctorate in design from Harvard University. He currently serves as the director of the Institute of Advanced Architecture of Catalonia and is also the director of Urbanitree. His research primarily focuses on the utilization of biogenic and renewable materials in architecture, while his professional practice centers on the design and development of eco-friendly buildings.

Daniel is currently overseeing the construction of “Terrazas para la Vida,” the tallest industrially-manufactured solid wood social housing building in Spain. He is the author of the installation “Mass is More” at the Mies Van der Rohe Pavilion and co-author of the book “Wood Urbanism: From the Molecular to the Territorial” (Actar, 2019).

Furthermore, Daniel holds the position of senior consultant at the World Bank, where he advises governments and international institutions on architecture and industrialized wood-based urban development.

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Published on: July 10, 2025
Cite:
metalocus, CARLOS GARCÍA BAENA, PABLO GARCÍA-BLANCO MANSILLA
"Connecting with space to educate. African Flow by Urbanitree" METALOCUS. Accessed
<https://www.metalocus.es/en/news/connecting-space-educate-african-flow-urbanitree> ISSN 1139-6415
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