Office for Metropolitan Architecture, OMA, is commissioned to design a dining and kitchen space, for research and culinary experimentation, through the intervention and rehabilitation of a building belonging to the modern movement located in a space full of vegetation in Dempsey Hill, Singapore.

For the project, the existing nature and the CSC Dempsey Club House are key, so a path is created that connects the project with the existing nature of the place, evoking the natural topography of the land. In addition, a cylinder is created in the back, far from the front façade, that functions as a link and indicates the coexistence of the old and the new.
Through this project OMA seeks to reflect on the experience around the table, food, and the environment. From this thought, a space where visitors can learn how food grows and taste the harvest, where they can walk and where different events are held, is created, starting from a key pre-existence and an area of 4,000 sqm of green space.

The contrast of nature with The CSC Dempsey Clubhouse leads the studio to question what to preserve and what to transform and adapt. Finally, the first level, originally closed, becomes a semi-outdoor dining space. On the second level, glass replaces the original facade to create an interior area overlooking the grass, creating a more intimate space for visitors optimal for experimenting with ingredients.


AIR, Circular Campus and Cooking Club by OMA / David Gianotten and Shinji Takagi. Photograph by Kris Provoost
 

Project description by OMA

How do we transform fine dining from an exclusive, passive consumption experience into an active and shared journey? Can fine dining go beyond pleasure and inspire broader thinking about food and the environment, on topics such as responsible ingredient sourcing and food waste? OMA was tasked to design the dining and cooking space for AIR in Singapore – where these questions are addressed.

AIR is located on Dempsey Hill. Now a frequented art and lifestyle quarter, it was a nutmeg plantation in the mid-nineteenth century, and a barrack complex between the 1860s and 1990s. The site of AIR is defined by its 4,000 sqm green space, and the modernist CSC Dempsey Clubhouse – built in the 1970s for the sports and leisure activities of the civil servants. Here, nature is prominent and precious: all the trees with girths over one meter must be conserved according to the local authority. The CSC Dempsey Clubhouse – considered to have no specific historical value – can be freely reconfigured. This contrast prompted us to ask: Should we only preserve what is deemed significant and change everything else? Can architectural interventions articulate the cherished nature and the insignificant building into equally valuable elements? In the course, minimal changes can be made to the building to minimize construction waste.

In our design, the existing nature and the CSC Dempsey Clubhouse are the main components. A key architectural intervention is the 100-meter walkway – a new footpath between the clubhouse and one of Dempsey Hill’s main parking lots. This footpath replaces the originally narrow and hidden route that made the clubhouse inaccessible. Organic in form, it evokes the natural topography, while loosely defining the expansive green space into two zones: the garden on one side and the lawn on the other. From the walkway, the visitors can go directly into the clubhouse, which has now been transformed into the home to AIR. The visitors can also detour into the meandering paths of the garden – AIR’s farm where the visitors can learn about how food grows and taste the harvest. Alternatively, they can wander into the lawn, where picnics and a variety of events take place. Along the walkway are patios that become sitting-out areas complementing the lawn.


AIR, Circular Campus and Cooking Club by OMA / David Gianotten and Shinji Takagi. Photograph by Kris Provoost

The clubhouse is a modernist double floor building defined by ribbon windows. On the first floor, the walkway extends into the interior to define the circulation space. The main dining space faces the lawn. Through an operable front façade, the originally enclosed first floor becomes a semi-outdoor dining space with extended terraces connected to the lawn for meals in a causal atmosphere. At the rear is the open kitchen, where the processes of making dishes become transparent to everyone. On the second level, glass replaces the original façade to create an indoor area overlooking the lawn. The visitors find here a more intimate dining area, and the research space for experimentations on ingredients – sometimes unsuspected. The cooking school at the rear of this level allows all the visitors to share cooking skills and knowledge on the ingredients from the garden.

Another intervention to the building is the cylinder. It consolidates the front-of-house and back- of-house programs, including the staircases for the guests and the staff, a bar, a kitchen, and a machine room. Positioned at the rear – away from the front façade – the newly installed cylinder indicates the coexistence of the old and the new.

More information

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Architects
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OMA.
Partner in Charge.- David Gianotten.
Associate in Charge.- Shinji Takagi.
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Project team
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Marina Bonet, Helena Daher Gomes, Raffaele Guercia, Suet Ying Yuen, Maria Aller Rey.
Model Making.- Arthur Wong, Matteo Fontana, Marc Heumer, Alisa Kutsenko.
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Collaborators
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Local Architect: Zarch Collaboratives.
Product Design: Andreu Carulla Studio.
Lighting Design: Switch.
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Client
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Potato Head.
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Area
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700 sqm.
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Dates
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2024.
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Location
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Dempsey Hill, Singapore.
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Photography
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Office for Metropolitan Architecture (OMA) is an international practice operating within the traditional boundaries of architecture and urbanism. AMO, a research and design studio, applies architectural thinking to domains beyond. OMA is led by eight partners – Rem Koolhaas, Reinier de Graaf, Ellen van Loon, Shohei Shigematsu, Iyad Alsaka, Chris van Duijn, Jason Long, and Managing Partner-Architect David Gianotten – and maintains offices in Rotterdam, New York, Hong Kong, Doha, and Australia. OMA-designed buildings currently under construction are the renovation of Kaufhaus des Westens (KaDeWe) in Berlin, The Factory in Manchester, Hangzhou Prism, the CMG Times Center in Shenzhen and the Simone Veil Bridge in Bordeaux.

OMA’s completed projects include Taipei Performing Arts Centre (2022), Audrey Irmas Pavilion in Los Angeles (2020), Norra Tornen in Stockholm (2020), Axel Springer Campus in Berlin (2020), MEETT Toulouse Exhibition and Convention Centre (2020), Galleria in Gwanggyo (2020), WA Museum Boola Bardip (2020), nhow RAI Hotel in Amsterdam (2020), a new building for Brighton College (2020), and Potato Head Studios in Bali (2020). Earlier buildings include Fondazione Prada in Milan (2018), Garage Museum of Contemporary Art in Moscow (2015), De Rotterdam (2013), CCTV Headquarters in Beijing (2012), Casa da Música in Porto (2005), and the Seattle Central Library (2004).

AMO often works in parallel with OMA's clients to fertilize architecture with intelligence from this array of disciplines. This is the case with Prada: AMO's research into identity, in-store technology, and new possibilities of content-production in fashion helped generate OMA's architectural designs for new Prada epicenter stores in New York and Los Angeles. In 2004, AMO was commissioned by the European Union to study its visual communication, and designed a colored "barcode" flag, combining the flags of all member states, which was used during the Austrian presidency of the EU. AMO has worked with Universal Studios, Amsterdam's Schiphol airport, Heineken, Ikea, Condé Nast, Harvard University and the Hermitage. It has produced Countryside: The Future, a research exhibited at Solomon R. Guggenheim Museum in New York; exhibitions at the Venice Architecture Biennale, including Public Works (2012), Cronocaos (2010), and The Gulf (2006); and for Fondazione Prada, including When Attitudes Become Form (2012) and Serial and Portable Classics (2015). AMO, with Harvard University, was responsible for the research and curation of the 14th Venice Architecture Biennale and its publication Elements. Other notable projects are Roadmap 2050, a plan for a Europe-wide renewable energy grid; Project Japan, a 720-page book on the Metabolism architecture movement (Taschen, 2010); and the educational program of Strelka Institute in Moscow.

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David Gianotten is the Managing Partner – Architect of OMA globally, responsible for the overall organizational and financial management, business strategy, and growth of the company in all markets, in addition to his own architectural portfolio.

As Partner-in-Charge, David currently oversees the design and construction of various projects including the Taipei Performing Arts Centre; the Prince Plaza Building in Shenzhen; the KataOMA resort in Bali; the New Museum for Western Australia in Perth; the masterplan of Rotterdam’s Feyenoord City and the design of the new 63,000 seat Stadium Feijenoord; and Amsterdam’s Bajes Kwartier, a conversion of a large 1960s prison complex into a new neighborhood with 1,350 apartments.

David led the design and realization of the MPavilion 2017 in Melbourne and the Shenzhen Stock Exchange headquarters. He was also responsible for the end stages of the CCTV headquarters in Beijing. David’s work has been published worldwide and several of his projects have received international awards, including the 2017 Melbourne Design Awards and the CTBUH Awards in 2013. David gives lectures around the world mainly related to his projects and on topics such as the future development of the architectural profession, the role of context within projects, and speed and risk in architecture.

David joined OMA in 2008, launched OMA's Hong Kong office in 2009, and became partner in 2010. He became OMA’s global Managing Partner – Architect in 2015 upon his return to the Netherlands after having led OMA’s portfolio in Asia for seven years. Before joining OMA, he was Principal Architect at SeARCH in the Netherlands.

David studied Architecture and Architectural Engineering at the Eindhoven University of Technology, where he has also served as a professor in the Architectural Urban Design and Engineering department since 2016. Additionally, he serves on the board of the Netherlands Asia Honors Summer School.

 
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Published on: March 7, 2024
Cite: "From contemplation to culinary experimentation. AIR, Circular Campus and Cooking Club by OMA" METALOCUS. Accessed
<https://www.metalocus.es/en/news/contemplation-culinary-experimentation-air-circular-campus-and-cooking-club-oma> ISSN 1139-6415
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