Let’s keep the culture life alive! These are difficult times, and METALOCUS are supporting the “event” that Architects not Architecture - AnA are adding to our schedule: HOME Edition 2020.

On October 3rd, 2019, Daniel Libeskind was one of speakers in first AnA series in Rotterdam. The event was held on the stage of Kunsthal in Rotterdam.

The series are including, Sheila O’Donnell, Peter Cook, Tatiana Bilbao, Mario Botta, Richard Rogers, Ben van Berkel, Benedetta Tagliabue, Daniel Libeskind, Sadie Morgan, Dan Stubbergaard, Manuelle Gautrand, or Kjetil Thorsen... and other.
Daniel Libeskind is a US-American architect and urban planner of Polish-Jewish origin. He studied music in Israel and New York and also worked as a professional musician since he was a kind of child prodigy on the accordion. Later he opted for architecture and graduated from Cooper Union in New York and the University of Essex.

In 1989, Daniel Libeskind moved to Berlin with his family and founded the architecture studio “Studio Daniel Libeskind”. After winning the bid to rebuild the World Trade Center in February 2003, he relocated the headquarter to New York City.

Studio Libeskind quickly became involved with designing and realizing a large number of commercial centers, such as Westside in Bern, the Crystals at City Center in Las Vegas, and Ko-Bogen in Düsseldorf, as well as residential towers in Busan, Singapore, Warsaw, Toronto, Manila and Sao Paulo.

He lives in New York with his wife and business partner, Nina Libeskind.

About Architects not Architecture

Founded in Hamburg in 2015, Architects, not Architecture. aims to bring to the stage what usually goes unseen. For each event they invite three well-known architects, who instead of talking about their award-winning international projects, are asked to talk about themselves. They speak about their path, their influences and experiences, and dive deeper into their intellectual biography. This enables a better understanding of their work, without them even mentioning it.

Most of us find it difficult to speak about the relevant experiences and the impact they had on us. But isn’t it the encounters, the unique experiences, the harsh times, the wild years at university, that one friend, teacher or family member that shaped our values and thus the person we are today? And isn’t it these values that influence how and what we create?

At least this is what Architects, not Architecture. (AnA) believes, which is why they created the event format that has expanded to multiple European cities over the past five years. Each architect is asked to talk about themselves and their individual path without mentioning their work. It is admittedly hard to do so in front of hundreds of unfamiliar faces when you are only used to talking about architecture in such a setting.

We are used to seeing talks about their work, now we will have the opportunity to get to know their architecture from a very different and personal perspective.
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Daniel Libeskind (Łódź, Poland, 12 May 1946) is an American architect and urban planner of Polish-Jewish descent. The son of Holocaust survivors, he emigrated with his family to the United States as a teenager and settled in the Bronx. Memory, history and absence are recurring themes in a body of work also shaped by his longstanding interest in music, philosophy and literature.

Libeskind initially trained as a musician. He studied in New York and Israel on a scholarship from the American-Israel Cultural Foundation and reached a high level as a performer before turning to architecture. In 1970, he graduated from Cooper Union for the Advancement of Science and Art in New York and, in 1972, completed postgraduate studies in History and Theory of Architecture at the School of Comparative Studies, University of Essex.

In 1989, he founded Studio Libeskind in Berlin after winning the competition to design the city's Jewish Museum. Opened in 2001, the building established his international reputation and became one of his most representative works. In 2003, after being selected as master planner for the reconstruction of the World Trade Center site in New York, the studio relocated its principal office to the city.

Studio Libeskind has since developed cultural, civic, commercial and residential projects in different countries, including museums, concert halls, convention centres, university buildings, hotels and residential towers. In 2013, Libeskind was also selected to design the Ohio Statehouse Holocaust Memorial in Columbus, Ohio.

His musical background has remained a constant presence in his understanding of architecture and in his interest in rhythm, perception and the physical experience of space. Hand drawing continues to be an essential tool within his design process. Much of his work addresses the relationship between architecture and memory, seeking to translate historical events and collective experiences into spatial and material form.

Alongside his professional practice, Libeskind has developed an extensive academic and teaching career. He was the first holder of the Frank O. Gehry Chair at the University of Toronto and has lectured and taught at academic institutions in numerous countries. His work and ideas have been the subject of numerous exhibitions and publications.

Among the distinctions he has received are the Hiroshima Art Prize in 2001 — awarded for the first time to an architect — the Goethe Medal, the Dresden Peace Prize and the European Civil Rights Prize of the Sinti and Roma. In 2011, he delivered the eighth Auschwitz Never Again Lecture in Amsterdam and received the Annetje Fels-Kupferschmidt Award from the Dutch Auschwitz Committee.

In 2018, he published Edge of Order, in which he reflects on his architectural philosophy, creative process and professional career.

Libeskind lives between New York and Berlin with his wife and professional partner, Nina Libeskind. Studio Libeskind maintains its principal office in New York.

Among his current projects is the Albert Einstein Discovery Center in Ulm, Germany, Einstein's birthplace. Conceived to communicate the physicist's scientific discoveries while also addressing his commitment to pacifism, the project extends Libeskind's longstanding interest in the relationships between history, memory and the future.

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Published on: May 16, 2020
Cite:
metalocus, ANA DIOSDADO
"D A N I E L L I B E S K I N D" METALOCUS. Accessed
<https://www.metalocus.es/en/news/d-a-n-i-e-l-l-i-b-e-s-k-i-n-d> ISSN 1139-6415
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