Architect Jiakun Liu, principal of Jiakun Architects and winner of the 2025 Pritzker Prize, designed the redesign of the Confucius Temple and Chenghuang Temple districts, centers of public and spiritual activities in the heart of Songyang County, China. Highlighting and respecting the value of the existing buildings, the proposal presents a continuous historical narrative that reflects the different times and memories of the site.

As a primary objective, the project proposes to carefully address the relationship between the old and the new, responding to the needs of contemporary life. Moving away from the original vitality that long characterized it, this ancient spiritual and cultural center seeks to integrate architectural and environmental elements from different eras, restoring the popularity of this ancient city and overcoming the environmental chaos that led to its commercial decline.

The renovation project designed by Jiakun Architects is in constant dialogue with local residents. The renovation opens up the neighborhood and connects it to the urban environment through an open corridor that integrates with a series of surrounding paths, organizing movement flows and connections. These actions activate dynamics that enhance the resurgence of cultural life, focusing the proposal on the regeneration of the existing public space around the two temples.

The new steel corridor becomes the umbilical cord that snakes through the deconstructed neighbourhood, reviving perspectives and activities that facilitate the connection of the preserved buildings while allowing them to be identified as a cohesive whole. Narrow spaces function as corridors, while wider ones house new commercial businesses. Old and new collide; they are no longer completely separate, but merge, transforming the Songyang neighborhood once again into a spiritual and cultural center.

Neighborhood Songyang Three-Temple Cultural Communication Center by Jiakun Architects. Photograph by Arch-Exist.

Neighborhood Songyang Three-Temple Cultural Communication Center by Jiakun Architects. Photograph by Arch-Exist.

Project description by Jiakun Architects

Site Original Situation
Situated right in the center of Songyang County, the Confusion Temple and Chenghuang Temple district has been a public activity center and spiritual center for Songyang people since the ancient time, which contains characterized buildings of different historical periods. However, this once spiritual and cultural center was deprived of vitality for decades due to environmental chaotic and business declining.

Reorganizing Site
The architectural and environmental elements from different ages are precious traces of time, which have witnessed and shaped the functional evolution and life scenarios of this old city. When the transformation begins, how to deal with the relationship between the new and the old so that the former spiritual and cultural center will re-link contemporary life, becomes the focus of design.

Neighborhood Songyang Three-Temple Cultural Communication Center by Jiakun Architects. Photograph by Arch-Exist.
Neighborhood Songyang Three-Temple Cultural Communication Center by Jiakun Architects. Photograph by Arch-Exist.

This project aims to present a complete and continuous historical segment. It carefully evaluates conditions as well as accommodability of the existing buildings, and protects them correspondingly with hierarchical strategies, so that the remains of different time and space and the memory of the site can blend and coexist.

Design Strategy – “Loach Tofu Soup”
1. Sort Out & Open Up. Through the repeated negotiation with local residents, the boundary of the site was defined by the means of the one-foot-one-inch advance and retreat. The design restores the original urban texture and focuses on regenerating the public space around two temples and opening up surrounding pathways into the city circulations.

2. Updated System. An updated system —a corridor with weathering resistant steel— is embedded into the newly arranged site. With different breadths, the corridor makes a deliberate concession to the existing plantation and the retained relics. The narrower sections act as hallways connecting preserved buildings while the wider ones turn into rooms accommodating new business. The whole building complex is therefore transformed into an open modern garden yet still holds a traditional flavor.

Neighborhood Songyang Three-Temple Cultural Communication Center by Jiakun Architects. Photograph by Arch-Exist.
Neighborhood Songyang Three-Temple Cultural Communication Center by Jiakun Architects. Photograph by Arch-Exist.

The corridor meanders through the deconstructed neighborhood, just like the cooking process of "Loach Tofu Soup". The deconstructed neighborhood is 'thick' and 'loose', serving as a substrate while the newly intervened corridor is more flexible, opening up connections and protruding tentacles at the street interface. The new and the old collide with a natural form of "emptiness", recording the trace of the dynamic generation. The growth and entanglement of vines, trees, grass and moss blur the boundary between the corridor and the open space, or the buildings remained. The interface of the old and the new is no longer completely separated, but fuses together.

Exhibit / Booth
The height of the newly-built corridor is slightly lower than the cornice of preserved existing buildings, like the 'booth' serves as a foil to the 'exhibit'. The new and the old coexist with an authentic illustration. The updated system is like the floating boat to water, lightly placed on the site as the whole, avoiding possible damages of historical relics.

Neighborhood Songyang Three-Temple Cultural Communication Center by Jiakun Architects. Photograph by Arch-Exist.
Neighborhood Songyang Three-Temple Cultural Communication Center by Jiakun Architects. Photograph by Arch-Exist.

Implanting Format
The new system continues the local context of the temple culture and the civil culture, and enriches the original business with programs such as bookstore, cafe, museum, and intangible cultural heritage workshops, in order to offer flexible space to hold public events ranging from community activities to international seminars.

Embracing Neighborhood
The renovation restores and strengthens the traditional pattern where Qingyun Road is the central axis and two temples are the wings. The newly built open corridor threads and pierces through surrounding pathways and joins once closed neighborhood to the urban environment. The old temples are reactivated, becoming the cultural lounge for varies folk activities. The new and the old interfaces intertwine through daily scenes; the picture of local life is slowly unfolding, reuniting this old city's popularity. The whole architecture complex is transformed into a pan-museum displaying dynamic cultural life and buildings with hundred - of - year history. It embraces the surrounding neighborhood with an open attitude and has once again become the spiritual center of Songyang.

More information

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Architects
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Jiakun Architects. Lead Architect.- Jiakun Liu.

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Project team
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Kan Chen, Ying Yang, Can Zhang, Su Liu, Qiang He, Huizhong Yi, Wenting Li.

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Collaborators
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Lighting.- Dept. of Lighting Planning & Design, Tsinghua Tongheng Urban Planning & Design Institute.

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Client
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Beijing Tongheng Sicheng Investment Co.Ltd, Songyang Sicheng Wenli Cultural Development Co.Ltd.

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Area
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2,378 sqm.

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Dates
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2020-2022.

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Location
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Lishui, China.

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Photography
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Liu Jiakun born in 1956 in Chengdu, People’s Republic of China, he spent much of his childhood in the corridors of Chengdu Second People’s Hospital, founded as Gospel Hospital in 1892, where his mother was an internist. He credits the environment of the Christian medical institute for cultivating his lifelong inherent religious tolerance. Although nearly all of his immediate family members were physicians, he displayed an interest in creative arts, exploring the world through drawing and literature, eventually prompting a teacher to introduce architecture as a profession.

At seventeen, Liu was part of China’s Zhiqing a program of “educated youth” assigned to vocational peasant farming in the countryside. Life, at the time, felt inconsequential, until he was accepted to attend the Institute of Architecture and Engineering in Chongqing (renamed Chongqing University) in 1978. Admittedly, he didn’t fully comprehend what it meant to be an architect but, “like a dream, I suddenly realized my own life was important.”

Liu graduated with a Bachelor of Engineering degree in Architecture in 1982 and was amongst the first generation of alumni tasked with rebuilding China during a transformative time for the nation. Working for the state-owned Chengdu Architectural Design and Research Institute in his early career, he volunteered to temporarily relocate to Nagqu, Tibet (1984–1986), the highest region on earth, because, “my major strength of the time seemed to be my fear of nothing, and, in addition, my painting and writing skills.” During those years and the several that followed, he was an architect by day, but an author by night, deeply engrossed in literary creation.

He nearly relinquished his architecture career until attending the 1993 solo architectural exhibition of Tang Hua, a former classmate from university, at the Shanghai Art Museum, reigniting his passion for the profession and fueling a new mindset that he, too, could deviate from prescribed societal aesthetics. He considers this transformational realization—that the built environment could serve as a medium for personal expression—as the moment that his architectural career truly began. He would soon experience his most formative years of intellectual growth, debating the purpose and power of architecture with contemporaries, including artists Luo Zhongli and He Duoling, and poet Zhai Yongming. 

Liu Jiakun founded JIAKUN Architects in 1999. Since then Liu has been featured in international exhibitions including Experimental Architecture by Young Chinese Architects - The 20th UIA World Congress of Architects (1999, Beijing, China); TU MU Young Architecture From China (2001, Berlin, Germany); Urban Creation, Shanghai Biennale (2002, Shanghai, China); the 1st, 3rd and 7th Bi-City Biennale of Urbanism/Architecture (2005, 2009 and 2017, Shenzhen, China); the 11th and 15th International Architecture Exhibition of La Biennale di Venezia (2008 and 2016, Venice, Italy); the 56th International Art Exhibition of La Biennale di Venezia (2015, Venice, Italy); Now and Here - Chengdu | Liu Jiakun: Selected Works (2017, Berlin, Germany); and Super Fusion - Chengdu Biennale (2021, Chengdu, China).

Currently, he is a visiting professor at the School of Architecture Central Academy of Fine Arts (Beijing, China), and has previously lectured at Cité de l’architecture et du patrimoine (Paris, France), Massachusetts Institute of Technology (Cambridge, Massachusetts, United States of America), Royal Academy of Arts (London, United Kingdom), and leading institutions in China. Awards have included the Far Eastern Architectural Design, Outstanding Award (2007 and 2017); ASC Grand Architectural Creation Award (2009); Architectural Record China Awards (2010); WA Awards for Chinese Architecture (2016); Building with Nature, Architecture China Award (2020); Sanlian Lifeweek City for Humanity Awards for Public Contribution (2020); and UNESCO Asia-Pacific Awards for Cultural Heritage Conservation, New Design in the Heritage Contexts (2021).

Liu continues to practice and reside in Chengdu, China, prioritizing the everyday lives of fellow citizens through his works.

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Published on: September 9, 2025
Cite:
metalocus, AGUSTINA BERTA
"Embracing the Testimonies of Time. Renovation of the Songyang Cultural Neighborhood by Jiakun Architects" METALOCUS. Accessed
<https://www.metalocus.es/en/news/embracing-testimonies-time-renovation-songyang-cultural-neighborhood-jiakun-architects> ISSN 1139-6415
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