The winners of the 9th European Prize for Urban Public Space 2016 today, which include Caldes De Montbui in Spain and Przelomy Centre for Dialogue in Solidarnosc Square Szczecin in Poland as joint winner.
The irrigation system in the thermal allotments in Caldes de Montbui (Spain), by Marta Serra and Elena Albareda (Ciclica) and Jordi Calbetó (Cavaa), and the Przelomy Centre for Dialogue in Solidarność Square in Szczecin (Poland), by Robert Konieczny (KWK Promes), have been awarded joint first prize in the 9th European Prize for Urban Public Space, promoted by the CCCB together with six European institutions. The winners were announced at the official award ceremony, which took place at the CCCB on Monday 4 July 2016.

Recovery of the Irrigation System at the Thermal Orchards  
Caldas de Montbui (Spain), 2015
  
The orchards around the town are the focus of an integral project of restoration which restores the old irrigation system of thermal waters, reactivates agricultural activity and opens up a network of pedestrian pathways.
 
Developers.- Conselleria de Sostenibilitat i Espais publics, Ajuntament de Caldes de Montbui.
Authors.- Elena Albareda Fernandez, Jordi Calbetó Aldomà, Marta Serra Permanyer

During the twentieth century uncontrolled urban development of the periphery of Caldes de Montbui seriously damaged the Hortes de Baix (Lower Orchards), more than three hectares ancient agricultural land which, for centuries, had been irrigated by the town’s surplus thermal waters. Bad smells and health risks resulting from the contamination of the irrigation system by sewage, together with partial covering of the main canal, inaccessibility of the orchards and bad management of waste water from private spas ended up causing a rupture among the community of farmers using the irrigated land and the eventual collapse of the agricultural system.

However, after 2012, the town council introduced a participative process which brought together more than seventy horticulturalists. With their agreement, the sewage was properly channelled, the old irrigated land was supplied with clean water and a new network of accessible paths connected the orchards with the old centre of town. The land is now once again a productive space, keeping the horticultural tradition of Caldes de Montbui alive, contributing towards its food sovereignty and raising awareness among the town’s inhabitants concerning the importance of democratic management of the public good of water resources.

(Decision of the Jury):  Many  elements  come  together  in  this  project  of  conserving  a  traditional  system of food production at the edge of the town, extending  its public space and using recycled  thermal  spring  water.  In  Caldes  de  Montbui,  the  irrigation  system  for  the  historic  orchards had become inaccessible and polluted with  sewage, a situation which led to  the breakdown of the irrigation community. The orig inal irrigation path has now been  given  a  double  use  in  becoming  a  public  walkway  in  this  low-budget,  minimal  intervention conserving the previous agricultural s tructure while also generating a new  relationship with the town centre. The town and its  surrounds are connected with a  boardwalk  over  the  old  irrigation  canals.  In  this  r ural  setting,  seventy  local  farmers,  private  landholders,  have  worked  together  in  this  o verlap  of  commons  and  private.  More  than  concerns  about  design,  the accent  is  on understanding  community  irrigation processes and  how  to  recover them as  an integral  part of  this  new  intervention. The  solutions  adopted show how small- town populations  can  work  together towards productive and environmental susta inability.

Dialogue Centre “Przełomy” at Solidarność Square    
Szczecin (Poland), 2015
 
A place where sixteen demonstrating workers were killed in the 1970s has become the new Solidarity Square while also forming the roof of an underground museum on the recent history of a city which was seriously damaged during the Second World War.
 
Developers.- Muzeum Narodowe w Szczecinie
Authors.- KWKPromes Robert Konieczny
 
Solidarność (Solidarity) Square was a physical expression of the historic fracture in Szczecin after the Second World War.  Named  in  memory  of  sixteen  workers  who  were  killed  in 1970  when  they  demonstrated  against  the Soviet regime, the  square  had  little  relevance beyond this purely commemorative function. Its urban surrounds,  anonymous and  featureless,  had not recovered from the massive destruction of allied  bombing  attacks  at  the  end  of  the  Second  World  War, after which the city went from German to Polish con trol,  whereupon its  entire population  was  replaced,  with all the  tragic  effects  of  such a change. The  square, which recently recovered its lost centrality with the  construction  of  the  new  Szczecin Philharmonic  Hall, has  been  completely  refurbished.  It  is  now  the  site  of  the  underground  “Przełomy”  Centre  for  Dialogue,  a  branc h  of the National Museum, which aims to heal the wounds of  collective  memory.  Meanwhile  the  sloping  contours  of  its  roof  offer  the  city  a  public space for intensive, vibrant use in its ever yday life.

(Decision of the Jury):  This  intervention  is  notable  for  its  several  layers, namely  a  museum,  memorial  and  square in a city, much of which was destroyed in the war. After World War II, when it  was  incorporated  into  Poland  as  a  result of  the Yalta  Agreement,  the  German  population was replaced by a Polish population and,  as a result, the social fabric and  the city’s identity were distorted. However, the se nse of borders is still strong.

Later,  in  the  1970s,  it  was  a  site  of  demonstration s  where  shipyard  workers  were  killed. In this innovative project, the square —renamed Solidarity Square and located  in  front of  the  emblematic  Philharmonic  Hall—  is  in tegrated  with  the  museum of  modern history of  the  city  in  an  undulating  topogra phy  which,  with  one  lifted  side,  screens out traffic, while the other side rises to  provide space to accommodate the  museum.  

Local  residents  can  have  a  sense  of  roots  here  as  their  history  is  in  this  place.  The  square is used for ceremonies but is also compatibl e with everyday activity. This is a  space with highly symbolic value, a monument in its elf.

 This year’s Prize jury also awarded four special mentions to the projects Barkingside town centre improvements in London (Great Britain), the Multipurpose Hall in MolenBeek-Saint-Jean (Belgium), Ring of Memory: International Memorial of Notre-Dame-de-Lorette in Ablain-Saint Nazaire (France), and the Garden of the Heavenly Hundred in Kiev (Ukraine), as well as a special recognition to the city of Copenhagen in acknowledgment of its public policies to improve the quality of life in public spaces.  

The Prize is an initiative of the Centre de Cultura Contemporània de Barcelona (CCCB), jointly with The Architecture Foundation (London), the Architekturzentrum Wien (Vienna), the Institut français d’architecture / Cité de l’architecture et du patrimoine (Paris), the Museum of Finnish Architecture (Helsinki), the Deutsches Architekturmuseum (Frankfurt) and the Museum of Architecture and Design (Ljubljana).

Special Mention.- Ablain-Saint-Nazaire, Ring of Memory: International Memorial of Notre-Dame-de-Lorette Ablain-Saint-Nazaire (France), 2014 by Philippe Prost.

Since the end of the First World War, France’s biggest burial ground has been on the hill of Notre-Dame-de-Lorette, a scene of terrible massacres which now enjoys special natural and heritage protection. In 2014 the “Ring of Memory” was constructed as an international monument commemorating the hundredth anniversary of the outbreak of the war. It consists of an oval-shaped passageway which, along its more than three hundred metres, shows the names of more than half a million soldiers who lost their lives in the Nord-Pas-de- Calais region during the war. Its ring-like structure brings old enemies together in a unitary embrace, in alphabetical order and without distinction of military rank or nationality and, projected over the landscape of Artois, forms a cantilever of more than sixty metres which serves as a reminder of the fragility of peace in Europe. 

Special Mention.- Molenbeek-Saint-Jean Polivalent Halle (Belgium), 2015 by Baukunst. 

In the urban fabric of Brussels, Molenbeek-Saint-Jean has stood out for its particularly dense nature, the fact that it is beset by social conflict and, more recently, stigmatised by terrorist attacks in Paris and Brussels. While it lacked spaces that might have endowed the zone with some identity, between its buildings it is full of interstitial areas which are either closed off or used for sometimes questionable purposes. 

One of these was the garden of a courtyard in a block on rue des Quatre- Vents, a residual space delimited at the rear by a public school, a church and a residential building. In 2015, as a result of a municipal plan for opening up and activating this and other similar wasteland spaces, the garden was equipped with a monumental porch. Its roof now provides shelter for parents and children leaving the school and, after school hours, offers this rather battered neighbourhood a decent and emblematic meeting space to be used for residents’ get-togethers, theatre, film screenings, concerts, workshops and barbecues.

Special Mention.- Kiev -Heavenly Hundred- Garden (Ukraine), 2016 by NGO "Misto-sad"

In February 2014, in the cruellest days of the Revolution of Dignity, some activists took down the fence surrounding an abandoned lot in the old city centre in order to put up barricades and defend themselves from the police. A week later, local residents decided to occupy the land as a meeting place where they could discuss what democratic reforms Ukraine needed. Helped by people who came from all over the world, they cleaned up the site and planted a self-managed garden, which was to become a memorial to the “heavenly hundred” shot down by the police. 

On an adjoining flank wall they painted a portrait of the first person to be killed and planted trees brought from different parts of the country in homage to all the other victims. They also made a communal garden planted with ecological products, and installed a playground and a shed for storing tools and children’s toys. In the last two years some fifty open-air events have been held on the site, including concerts, lectures, exhibitions, educational games, performances and a film festival. Hence, it is by way of creative activities rather than candles and tears that the people have wanted to keep alive the memory of those who were killed when they called for more democracy.

Special Mention.- London Barkingside Town Centre, London (UK), 2015 by DK-CM. 

Barkingside is a suburb in the easternmost outskirts of London, close to the metropolitan Green Belt. In the 1960s, in an attempt to compensate for the deficits brought about by overly rapid urban development, some facilities were installed, including a complex consisting of a public library and a municipal sports centre. Despite this effort and its proximity to a busy main street, the windowless facades of the complex and neglect of the surrounding spaces drained the space of the vitality proper to a highly populated neighbourhood with imminent prospects of further growth. 

Hence, in 2015, the council gave its support to a strategic intervention which joined a loggia to the bare facade of the complex. Its conspicuous but welcoming presence, the greenery of the new Virginia Gardens and renovated shop fronts in the main road have succeeded in giving the Barkingside town centre the civic representativeness it formerly lacked.

The City Of Copenhagen (Denmark) -Special Recognition.- Cykelslangen cycle bridge Copenhagen (Denmark), 2014

The jury members stated that for its enlightened policy-making and seriousness in its present and future vision of the city. Reflecting this enlightenment is the fact that, among the 25 finalist works of the 2016 European Prize for Urban Public Space, several are from Copenhagen and its metropolitan area. All of them show great determination to encourage a comfortable presence of people in their urban surroundings. 

Special Recognition: Cykelslangen cycle bridge Copenhagen (Denmark), 2014

A commitment to the quality of life in urban public space throughout the city is expressed in innovative interventions related with such important issues as mobility or water management. The city has invested in democratic, sustainable mobility with an emphasis on public transport and bicycle traffic rather than cars, while also highlighting proper use and enjoyment of its water resources. With this Special Recognition, the Jury recognises the reconquest of the city as a role model which could be taken up worldwide.

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Robert Konieczny. An architect, graduate of Architecture at Silesian University of Technology in Gliwice. In 1996 he received the certificate of New Jersey Institute of Technology. A leader and a founder of KWK Promes architecture studio established in 1999. In 2012 he became an independent expert for the Mies van der Rohe Foundation. Konieczny was a nominate of the European Award of Mies van der Rohe Foundation eight times. Moreover he is a holder of the prestigious award for the House of the Year 2006, winning with the Aatrial House as the best housing project in a competition organized by World Architecture News.

In 2007 the KWK Promes office was listed among 44 best young architects of the world published by 'Scalae'. Same year the 'Wallpaper' magazine issued Konieczny's practice as one of the 101 most exciting architecture studios in the world. Year 2008 brought him another prize of The European Center for Architecture Art Design and Urban Studies and The Chicago Athenaeum 'European 40 under 40'.
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Marta  Serra  Permanyer (1981)  is a  Phd  architect, founding member of the Cíclica [space, community & ecology], and expert in participation,  public space and ecological urbanism. She  coordinates action-research processes and collaborative practices to promote new perception frameworks for  sustainability,  and  the  active role  and  self-management  capacities  of  public space users. Serra is also assistant professor at the Department of Architectural Composition of the Technical Architecture School of Vallès, in the Polytechnic University of Catalonia (ETSAV– UPC).
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Elena Albareda Fernández (1981), is an  architect, founding  member  of  the  Cíclica  [space,  community  &  ecology]  studio, and  expert  in  ecologic al  urbanism,  ecologic  landscape  and  territorial sustainable management. She coordinates  projects integrating the transformation of  social  metabolism  into  urban  planning,  especially  in public  spaces,  green  spaces  and  in  the  countryside.   Elena is also a researcher and teach ing associate at the Superior Technical School of  Architecture  of  Barcelona,  in  the  Polytechnic  University  of  Catalonia  (ETSAB-UPC).
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Jordi  Calbetó  Aldomà  (1976) is  an  architect, founder,  in 2009, of the CAVAA architecture studio together with Oriol Vañó. He has collaborated with diverse architecture studios and related institutions such as  Toni  Fiol  Architect  and  the Department of Planning and  Urban Development of  the  Glories  Area in Barcelona. Apart from the design of both public and private residential buildings, his work has been pa rticularly focused on territorial planning and  the design of public spaces.
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