We show you the Hassell + Herzog & de Meuron design submission, however, there are six proposals. The six shortlisted proposals for the restoration of Flinders Street Station in Melbourne have been submitted to public vote yesterday. On Thursday 8 August, the Jury winner and the People’s Choice Award will be announced. Voting is open from Tuesday 23 July to Monday 5 August

Flinders Street Station. Melbourne, Australia. Competition 2012 - 2013, text by Architects

Flinders Street Station is located in the centre of Melbourne, sandwiched between the linear edge of the Central Business District (CBD) and the embankment of the Yarra River. The linear form of the existing Flinders Street Station Building was determined by the original layout of the tracks. The building separates the city from the railway and from the river. Our proposal respects this very specific linear nature and use of the site as a strong marker and element between the city grid and the river, but provides an urban response in this key location through public access and use of the entire site, affording various connections across the site and diverse public functions.

An important part of the original design for the Flinders Street Station from 1899 was a generous arched roof, adjacent to today’s existing heritage building, with 3 large vaults. This roof was never realized, and therefore, the station’s intended glory has never fully materialised. By tracing the arches and vaults in shape and scale from the existing heritage building, we define the main ingredient for the architectural expression of the new roof. Rather than creating one monumental gesture, we put the scale and proportion of the individual vault in direct relation with each passenger’s journey. Each vault precisely defines the space above each train and the passengers on the platform. Each vault is extruded along one track line; thus, the roof is a direct projection of the linear track field into the third dimension. The result is one generous, yet horizontal roof scape made up of individual smaller vaults introducing scale and individuality. Like a passe-partout, it frames the existing Flinders Street Station building - underlining and at the same time completing its iconic quality. The actual construction of the roof is a reinvention of the historic vaulted roofs of classic train stations. Woven structural bands create an articulated filigree roof that provides a weather protected environment, dispersing dappled natural light and ambience throughout the entire station.


Our proposal respects the heritage, improves all aspects of the transport hub, and underscores its central civic nature with new cultural and public functions for all residents and visitors to Melbourne.
 

To underscore the civic nature of the station, we propose to add cultural and other public program activities to the remainder of the site. By placing a gallery for Oceanic and Contemporary Art (OCA) above the Banana Alley Vaults at the western end of the station, we acknowledge the Freshwater Place and the Falls area that existed there before the station was built, and were significant to indigenous people and an important factor for the siting of the city. We extend the roof over the entire project perimeter; the station vaults become the gallery vaults. Scale and proportion change, but the concept of the vault extrusion following the track lines remains. Both end facades, station and gallery, each have a distinct and characteristic identity, yet they share the unifying vaulted expression. The concept for the galleries is simple with a regular pattern of intersecting vaulted spaces, resulting in calm and well-proportioned gallery spaces and courtyards allowing for diverse curatorial concepts, flows of circulation, and lines of sight. Education facilities, event spaces, workshops, a library, a small theatre, and a lecture hall provide a rich opportunity for programmatic and educational events. These spaces are located adjacent to and are directly accessible from the large circular plaza that is cut into the centre of the roof scape.

On the other side of this round plaza, the extended vaulted roof of the station concourse creates a large covered market area. The round plaza becomes literally the hinge of the entire building and precinct providing a completely new and contained civic environment to converge on and for use in many different ways such as festivals, weekly speciality markets, or other public activities. On the south side, it opens up to the Yarra River and a bowl like stair with steps for seating is folding down all the way to the river embankment. Together with a floating stage in the river, this amphitheatre can be used for performances of any kind activating the otherwise underused and somewhat unpopular north bank of the river.

The new Flinders Street Station will be a truly unique and fundamentally public place: a civic destination with a distinct architectural identity catering to multiple public activities, offering a holistic experience on many levels and times of the day and forming an urban linchpin in the heart of the city of Melbourne.

Herzog & de Meuron 2013

 

CREDITS

Herzog & de Meuron Team
Partners: Jacques Herzog, Pierre de Meuron, Ascan Mergenthaler (Partner in Charge)
Project Team: Yasmin Kherad (Associate, Project Manager, Project Architect), Christian Voss (Project Manager), Mai Komuro (Project Architect)

Farhad Ahmad, Edyta Augustynowicz (Digital Technology Group), Katarzyna Billik, Alexandra Butterworth, Ben Duckworth (Associate), Jennifer Gutteridge, Maria Krasteva, Christina Liao, Aron Lorincz, Martina Palocci, Catia Polido, Kai Strehlke (Digital Technology Group), Raha Talebi.

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Herzog & de Meuron Architekten is a Swiss architecture firm, founded and headquartered in Basel, Switzerland in 1978. The careers of founders and senior partners Jacques Herzog (born 1950), and Pierre de Meuron (born 1950), closely paralleled one another, with both attending the Swiss Federal Institute of Technology (ETH) in Zürich. They are perhaps best known for their conversion of the giant Bankside Power Station in London to the new home of the Tate Museum of Modern Art (2000). Jacques Herzog and Pierre de Meuron have been visiting professors at the Harvard University Graduate School of Design since 1994 (and in 1989) and professors at ETH Zürich since 1999. They are co-founders of the ETH Studio Basel – Contemporary City Institute, which started a research programme on processes of transformation in the urban domain.

Herzog & de Meuron is a partnership led by five Senior Partners – Jacques Herzog, Pierre de Meuron, Christine Binswanger, Ascan Mergenthaler and Stefan Marbach. An international team of 38 Associates and about 362 collaborators.

Herzog & de Meuron received international attention very early in their career with the Blue House in Oberwil, Switzerland (1980); the Stone House in Tavole, Italy (1988); and the Apartment Building along a Party Wall in Basel (1988).  The firm’s breakthrough project was the Ricola Storage Building in Laufen, Switzerland (1987).  Renown in the United States came with Dominus Winery in Yountville, California (1998). The Goetz Collection, a Gallery for a Private Collection of Modern Art in Munich (1992), stands at the beginning of a series of internationally acclaimed museum buildings such as the Küppersmühle Museum for the Grothe Collection in Duisburg, Germany (1999). Their most recognized buildings include Prada Aoyama in Tokyo, Japan (2003); Allianz Arena in Munich, Germany (2005); the new Cottbus Library for the BTU Cottbus, Germany (2005); the National Stadium Beijing, the Main Stadium for the 2008 Olympic Games in Beijing, China; VitraHaus, a building to present Vitra’s “Home Collection“, Weil am Rhein, Germany (2010); and 1111 Lincoln Road, a multi-storey mixed-use structure for parking, retail, a restaurant and a private residence in Miami Beach, Florida, USA (2010), the Actelion Business Center in Allschwil/Basel, Switzerland (2010). In recent years, Herzog & de Meuron have also completed projects such as the New Hall for Messe Basel Switzerland (2013), the Ricola Kräuterzentrum in Laufen (2014), which is the seventh building in a series of collaborations with Ricola, with whom Herzog & de Meuron began to work in the 1980s; and the Naturbad Riehen (2014), a public natural swimming pool. In April 2014, the practice completed its first project in Brazil: the Arena do Morro in the neighbourhood of Mãe Luiza, Natal, is the pioneering project within the wider urban proposal “A Vision for Mãe Luiza”.

Herzog & de Meuron have completed 6 projects since the beginning of 2015: a new mountain station including a restaurant on top of the Chäserrugg (2262 metres above sea level) in Toggenburg, Switzerland; Helsinki Dreispitz, a residential development and archive in Münchenstein/Basel, Switzerland; Asklepios 8 – an office building on the Novartis Campus in Basel, Switzerland; the Slow Food Pavilion for Expo 2015 in Milan, Italy; the new Bordeaux stadium, a 42’000 seat multifunctional stadium for Bordeaux, France; Miu Miu Aoyama, a 720 m² boutique for the Prada-owned brand located on Miyuki Street, across the road from Prada Aoyama, Tokyo, Japan.

In many projects the architects have worked together with artists, an eminent example of that practice being the collaboration with Rémy Zaugg, Thomas Ruff and with Michael Craig-Martin.

Professionally, the Herzog & de Meuron partnership has grown to become an office with over 120 people worldwide. In addition to their headquarters in Basel, they have offices in London, Munich and San Francisco. Herzog has explained, “We work in teams, but the teams are not permanent. We rearrange them as new projects begin. All of the work results from discussions between Pierre and me, as well as our other partners, Harry Gugger and Christine Binswanger. The work by various teams may involve many different talents to achieve the best results which is a final product called architecture by Herzog & de Meuron.”

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