Foster + Partners to transform the Snowdon Aviary by Cedric Price at the London Zoo

Norman Robert Foster (Reddish, Greater Manchester, United Kingdom, 1 June 1935) is a British architect, founder of Foster + Partners, and one of the leading figures in contemporary architecture. His career is closely associated with the development of high-tech architecture, structural innovation, and the integration of environmental considerations into buildings and infrastructure.

He studied architecture and urban planning at the University of Manchester, graduating in 1961. He subsequently received a Henry Fellowship to continue his education at Yale University in the United States, where he earned a master's degree in architecture and met Richard Rogers. In 1963, he co-founded Team 4 with Rogers, Su Rogers, Georgie Wolton, and Wendy Cheesman. Following the group's dissolution, he established Foster Associates in London in 1967 with Wendy Cheesman. The practice was later renamed Foster + Partners and is now headquartered in London, with offices worldwide.

His early work explored technological innovation, prefabrication, and spatial flexibility, influenced in part by his collaboration with Richard Buckminster Fuller. Notable early projects include the Willis Faber & Dumas headquarters in Ipswich (1975) and the Sainsbury Centre for Visual Arts in Norwich (1978). His international reputation grew with the Hongkong and Shanghai Banking Corporation headquarters in Hong Kong (1985), Stansted Airport in London (1991), and the Commerzbank Tower in Frankfurt (1997).

His career encompasses architecture, urban planning, and infrastructure projects across numerous countries. Among his best-known works are the reconstruction of the Reichstag in Berlin (1999), the Great Court of the British Museum (2000), the Millennium Bridge (2000), and London City Hall (2002). Other major projects include the Bilbao Metro, Canary Wharf Underground Station, 30 St Mary Axe in London (2004), the Millau Viaduct in France (2004), the Hearst Tower in New York (2006), Terminal 3 at Beijing Capital International Airport (2008), Apple Park in Cupertino (2017), and Bloomberg's European headquarters in London (2017).

Alongside his architectural practice, Foster has pursued research and educational initiatives focused on the future of cities. In 1999, he established the Norman Foster Foundation, whose headquarters opened in Madrid in 2017. The foundation promotes interdisciplinary research in architecture, urbanism, technology, and infrastructure, preserves his professional archive, and develops international educational programmes. In 2024, the Norman Foster Institute began its academic activities, focusing on the study of sustainable cities.

His numerous honours include the Royal Gold Medal from the Royal Institute of British Architects (1983), the Gold Medal from the American Institute of Architects (1994), the Pritzker Architecture Prize (1999), the Praemium Imperiale for Architecture (2002), and the Prince of Asturias Award for the Arts (2009). He was knighted in 1990 and appointed a life peer in 1999, taking the title Lord Foster of Thames Bank.

Cedric Price (1934–2003) was an architect, thinker and above all an Englishman of extraordinary generosity towards his subject. He had an independence of mind the like of which can only come from a fondness for humans and a fascination for human nature. For Price, the moral and ethical principles implied in any design speculation are privileged over and above variations on the artefactual by-product. In this respect the role of the many rich collaborations over his lifetime, conversations and talks amongst audiences, engaging with the media as a means of initiating discussion, and the more personal dialogue presented in his notebooks were all critical in developing his design thinking on the themes of participation, anticipation, indeterminacy and delight. The films and drawings from Price’s personal notebooks that appear in the exhibition present Price doing what he did best over a period of 40 years – constantly challenging our understanding of what architecture might be, in discussions with students, colleagues, strangers and himself.