As part of the "Open Doors" initiative, the Bank of Spain is launching a wide range of tours to visit the most emblematic architectural spaces at its headquarters, sharing its valuable heritage with the public.

Listed as a Site of Cultural Interest in 1999, in the Historic Monument category, the building located in Plaza de Cibeles has housed an important art collection over its more than two centuries of existence, which can now be shared with the public.

The Imperial Staircase, the Cash Patio, currently the Library restored by Matilde Peralta del Amo, the Collectors' Hall, recently renovated by Paredes Pedrosa, and the Operations Patio are some of the unique spaces that visitors can explore along the tour. Additionally, visitors can enjoy works by Goya or royal portraits commissioned by the famous photographer Annie Leibovitz, located in the Governing Council Room.

Architecture: Unity and Diversity of Styles for a Historic Headquarters
Founded in the 18th century, the national central bank is one of the oldest financial institutions in the world. The current headquarters, located at the intersection of Paseo del Prado and Calle de Alcalá, is considered one of the great examples of late 19th-century eclectic architecture.

Designed by Eduardo de Adaro and Severiano Sainz de la Lastra, the building was conceived to respond to institutional and functional demands, which required greater visibility for the institution and the strategic grouping of its functions.

The Library. Photograph by Luis Asín. Courtesy by the Bank of Spain.

The Library. Photograph by Luis Asín. Courtesy by the Bank of Spain.

Throughout its long history, the building has been expanded several times, including the renovation carried out by Rafael Moneo in 2006, which incorporated a series of meeting rooms and an auditorium, which respect and enhance the historic building. The current appearance of the Bank of Spain is the result of a coherent architectural evolution that respects the stylistic unity of the complex.

The Restoration of the Collectors' Hall
This space, recently restored by Paredes Pedrosa Arquitectos, is distinguished by the high historical and artistic value of its Neo-Arabic-inspired architecture. The horseshoe arches that make up the courtyard and the use of geometric tiles in its decoration are clear examples of Alhambra inspiration implemented by Eduardo de Adaro, the architect responsible for the design of the 19th-century headquarters.

Basement corridor. Photograph courtesy by the Bank of Spain.

Basement corridor. Photograph courtesy by the Bank of Spain.

This is a unique space where traditional artisanal ceramics merge with the use of the most advanced technology at the time of its construction: the cast iron of its structure and the translucent glass of the roof. A truly Spanish history and industrial technology combine to reflect the European technical progress of the time.

The Collection: From the Enlightenment to the Present
A broad collection of works of diverse artistic and historical value make up the Bank of Spain Collection. Its origins date back to the commissions placed by the former Banco de San Carlos by a young Francisco de Goya in 1783. At the height of the Enlightenment boom, the collection's first steps coincide with the birth of the Bank of Spain.

Goya Room. Photograph courtesy by the Bank of Spain.

Goya Room. Photograph courtesy by the Bank of Spain.

The vast collection encompasses various disciplines: painting, sculpture, drawing, photography, and engraving, as well as other works related to the decorative arts: tapestries, carpets, clocks, and various furniture.

Visit Options
The program for visiting the Bank of Spain will begin in October and consists of three different visit options:

1/ Weekend Openings
Fridays from 4:00 p.m. to 8:00 p.m. and Saturdays and Sundays from 10:00 a.m. to 2:00 p.m. and from 4:00 p.m. to 8:00 p.m. Led by specialized personnel, these visits will last 90 minutes and are open to a maximum of 30 people.

2/ Visits for groups from educational centers.
Wednesdays and Thursdays at 4:00 p.m. Intended for groups of students from secondary education (3rd and 4th year of compulsory secondary education), high school, vocational training courses, and university. Led by specialized personnel, these visits will be carried out with the corresponding curricular adaptations for each group.

3/ Visits led by the Bank's volunteer team
Mondays and Tuesdays at 4:00 p.m. These visits offer a different perspective on the building's artistic and architectural heritage thanks to the direct knowledge of professionals (both retired and active) from the institution itself, allowing us to understand its value and function not only as a place of representation but also as a workspace.

Collectors' Hall. Photograph courtesy by the Bank of Spain.

Collectors' Hall. Photograph courtesy by the Bank of Spain.

"Open Doors" Program
The implementation of the "Open Doors" program reflects the Bank of Spain's commitment to cultural mediation and dissemination. This initiative illustrates the desire to reach out to citizens by promoting access to the institution's historical, artistic, and architectural heritage.

More information

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Architects
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Original building.- Eduardo de Adaro, Severiano Sainz de la Lastra.
Extensions, restorations.- Rafael Moneo (2006), Paredes Pedrosa Architects (2016), Matilde Peralta del Amo (2018).

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Developer
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Bank of Spain, Eurosistema.

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Dates
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October 2025.
Weekend open.- Fridays from 4:00 p.m. to 8:00 p.m. and Saturdays and Sundays from 10:00 a.m. to 2:00 p.m. and 4:00 p.m. to 8:00 p.m.
Visits for groups from educational centers.- Wednesdays and Thursdays at 4:00 p.m. These are open to groups of students from secondary education (3rd and 4th year of compulsory secondary education), high school, vocational training, and university.
Visits led by the Bank's volunteer team.- Mondays and Tuesdays at 4:00 p.m.
Free admission to all visits.

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Location
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Bank of Spain, Calle de los Madrazo, 29 28014 Madrid, Spain.

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Photography
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Photographs of spaces.- Luis Asín, Rubén P. Bescós, Joaquín Cortés Noriega, Román Lores Riesgo, Fernando Maquieira, Candida Höfer, Manolo Laguillo. Courtesy by the Bank of Spain.

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Matilde Peralta del Amo was born in Madrid, in 1966, in a family dedicated to puppets. At eleven the was already part of the family company, with which she toured, many theaters in Spain and Europe. She studied architecture at the Escuela Técnica Superior de Arquitectura de Madrid, where she later did the master’s degree in Bioclimatic Architecture and Environment.

Matilde Peralta has had great teachers, worked with Víctor López Cotelo and for sixteen years in the office of Mansilla y Tuñón, architects. She has been a professor at the Toledo School of Architecture at the University of Castilla La Mancha and at the Superior School of Design in Madrid.

She has been commissioned with projects and rehabilitation works mainly, such as the Navalmoral de la Mata Market Theater (Cáceres), the Reading Room of the Bank of Spain and the Archive of San Fernando (currently under construction) and many competitions of architecture.

She coordinates her work in the architecture office with other experiences in the field of architecture, design and research with fabrics and tapestries. Between 2005 and 2012 he has taken summer courses on textiles at Central Saint Martins College of Arts and Design (London).
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Ángela García de Paredes (1958) and Ignacio García Pedrosa (1957) are architects from the Architecture School of Madrid, where they teach. Invited professors in other Spanish and foreign universities for teaching, critics and speakers. They founded Paredes Pedrosa Studio in 1990, after collaborating with José María García de Paredes for several years.

They are authors of, among other works, the Valdemaqueda Town Hall, Valle Inclán Theatre in Madrid, the Archaeological Museum of Almería, Peñíscola Auditorium, La Olmeda Roman Ville, Ceuta Library or the Lugo Auditorium. Their work has been recognized with the 2007 Spanish Architecture National Award, ar+d Award, Europan II and IV, Europa Nostra, Madrid Architecture Award, Mansilla Award, Gold Medal International Prize for Sustainable Architecture, Mediterranean Sustainable Architecture Award and 'Golden Medal for the Merit in Fine Arts' 2014, given by the Culture and Sports Spanish Ministery. Their work has been exhibited in many national and international architecture biennials.

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José Rafael Moneo Vallés (born May 9. Tudela, Navarra,1937) is a Spanish architect. He was won the Pritzker Prize for architecture in 1996. He studied at the ETSAM, Technical University of Madrid (UPM) from which he received his architectural degree in 1961. From 1958 to 1961 he worked with the architect Francisco Javier Sáenz de Oiza in Madrid and from 1961-62 in Hellebaeck, Denmark with Jørn Utzon. In 1963 he was awarded a fellowship at the Spanish Academy in Rome. Upon his return to Spain in 1965, he opened his office in Madrid and began teaching at the Escuela Técnica Superior of Madrid.

In 1970 he won a teaching chair in architectural theory at the Escuela Técnica Superior of Barcelona. From 1980 to 1985 he was chaired professor of composition at the Escuela Técnica Superior of Madrid. He has taught architecture at various locations around the world and from 1985 to 1990 was the chairman of Harvard Graduate School of Design, where he is the first Josep Lluís Sert Professor of Architecture. In 1991 he was named Josep Lluís Sert Professor of Architecture at Harvard University Graduate School of Design where he continues to lecture as Professor Emeritus. He became Academic Numerary in the Academia de Bellas Artes de San Fernando in Madrid in May 1997.

Spanish constructions of his design include the renovation of the Villahermosa Palace (Thyssen-Bornemisza Museum) in Madrid, the National Museum of Roman Art in Mérida, an expansion of the Madrid Atocha railway station, the Diestre Factory in Zaragoza, Pilar and Joan Miró Foundation in Majorca the headquarters of the Bankinter (again, in Madrid), Town Hall in Logroño. He also designed the annex to the Murcia Town Hall, which was completed in 1998. His latest works are the enlargement of the Prado Museum, the extension of the Bank of Spain, an almost totally mimetic reproduction of the existing building and the extension of the Madrid Atocha railway station 2011.

Some of Moneo's prominent works in the US include the Cathedral of Our Lady of the Angels in Los Angeles, the Davis Art Museum at Wellesley College in Massachusetts and the Audrey Jones Beck Building (an expansion of the Museum of Fine Arts, Houston). Moneo also designed the Chace Center, a new building for the Rhode Island School of Design. Moneo's most recent work is the Northwest Corner Building (formerly the Interdepartmental Science Building) at Columbia University in New York City, which first opened in December 2010.

Moneo is in possession of prestigious international awards including the Prize of architecture Arnold W. Brunner Memorial (1993) of the American Academy of Arts and Letters, the Schock Prize in Visual Arts (1993) in Stockholm, the Pritzker Prize (1996), the Antonio Feltrinelli (1998) of the National Academy of Lincei in Rome and Mies van der Rohe (2001) of Barcelona.

Biography Dates

 1937Born in Tudela, Navarra Spain
 1958-61Worked at the office of Francisco Javier Sáenz de Oiza
 1961Obtained degree from the Escuela Técnica Superior, Madrid
 1962Worked at the office of Jǿrn Utzon, Denmark
 1963Spent two years at the Spanish Academy, Rome
 1967Diestre Factory, Zaragoza, Spain
 1976Bankinter (Bank) in Madrid
 1981City Hall of Logrono, Spain
 1985-90Dean at the Harvard University Graduate School of Design
 1986National Museum of Roman Art, Mérida, Spain
 1987L’Illa Diagonal, Barcelona, Spain, in collaboration with Manuel Solà-Morales
 1990Kursaal Auditorium and Congress Center, San Sebastián, Spain
 1991Murcia City Hall Extension, Spain
San Pablo Airport, Seville, Spain
 1992Madrid Atocha railway station
The Pilar and Joan Miro Foundation, Palma de Mallorca, Spain
 1996Pritzker Architecture Prize
Souks, Beirut, Lebanon
 1998Moderna Museet and Swedish Centre for Architecture and Design, Stockholm, Sweden
 2000Audrey Jones Beck Building, Houston, Texas
 2001Iesu Church, San Sebastián, Spain
 2002Cathedral of Our Lady of the Angels, Los Angeles, California
 2003RIBA Royal Gold Medal
 2005Northwest Corner Building, Columbia University, New York, USA, in collaboration with Moneo-Brock Studio
 2007Museo del Prado extension, Madrid, Spain
Neuroscience Institute and Department of Psychology, Princeton University, USA
 2009New Library of the University of Deusto, Bilbao, Basque Country, Spain
 2012Thomas Jefferson Medal in Architecture
Prince of Asturias Award for the Arts
 2015
2017
Museum University of Navarra, Pamplona, Spain
Praemium Imperiale
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Published on: October 4, 2025
Cite:
metalocus, AGUSTINA BERTA
"A historical and artistic tour of a unique building: the Bank of Spain opens its doors" METALOCUS. Accessed
<https://www.metalocus.es/en/news/historical-and-artistic-tour-unique-building-bank-spain-opens-its-doors> ISSN 1139-6415
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