"The Hospital of the Future," a 12-minute short film produced by OMA / Reinier de Graaf, has been released as part of the exhibition “Twelve Cautionary Urban Tales” at Matadero Madrid Centre for Contemporary Creation. It will be on display in the exhibition until January 31 2021.

With the title 'The hospital of the future', Matadero has incorporated a new fable to this exhibition, but it is not just another fable: this project, led by Reinier de Graaf, from the OMA architecture studio, addresses the theme of the city and health, and reflects on the medicalization of future cities, a topic of enormous relevance in the framework of the Covid-19 health crisis.
The film emerges from a research project led by Reinier de Graaf together with Hans Larsson and Alex Retegan on the future of healthcare, which started in 2019. This work, produced with the support of Matadero Madrid. Center for Contemporary Creation, can be seen online on the center's website until April 2021.

The Hospital of the Future is a visual manifesto that questions the prevailing conventions in the field of healthcare design, not only in terms of how hospitals are built but also why they are built the way they are built. It investigates the role that disease has played in shaping cities and concludes with a speculative exploration into the future of healthcare design.
 
“It is necessary to provide the hospital with a new definition. Our knowledge about the institution is becoming ever more developed, yet we seem further away than ever from imagining the right type of building for it. In exploring and visualizing a number of speculative futures, this short film hopes to offer a small contribution.”
Reinier de Graaf, OMA Partner.
 
“The Hospital of the Future is a precious addition to the Twelve Cautionary Urban Tales exhibition. Instead of trying to give answers, it poses vital questions about the future of the city in terms of health, economy, space, and automation.”
Ethel Baraona Pohl, curator of the exhibition.

 

Description of project by OMA / Reinier de Graaf

Hospital of the Future

After years of steady gains in life expectancy, it seemed we could declare an age of good health. Thanks to improvements in sanitation, nutrition, and medicine, most of us would live to see 73. Infectious diseases were done away with, and some believed that we no longer needed to prepare for epidemics at all.

And then, on the last day of 2019, the world changed. In a very short time, an outbreak became an epidemic, and before long, the epidemic became a pandemic. It soon became clear that precisely the people that medical progress had managed to keep alive were the ones to fall victim. The chronic suddenly became acute.

The hospital as we know it is dead.

The hospital of the future will be in constant flux, like a theater, transforming its space to the event. If organs can be 3D printed, could the hospital be 3D printed? Using its waste as resource, could it rebuild itself perpetually?

The hospital of the future will be self-sufficient. Like a greenhouse, producing its own crop. If we revive old remedies for common afflictions, could we grow just what the doctor prescribes? The hospital of the future will take your order, like a logistics centre, sorting and sending.

The hospital of the future is a place you will never go. Using its data, the hospital of the future will act remotely, treat each patient individually, monitoring one’s health and operating where needed.

The hospital of the future will give way to the machine, liberating its staff from routine tasks, and leaving precision in the hands of accurate devices.

If it became automatic, could the hospital of the future be more human?

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Architects
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Project team
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Reinier de Graaf, Hans Larsson, Alex Retegan, Adam Kouki, Magdalena Narkiewicz, Jonas Trittman, Lucas Piquemal, Santiago Palacio Villa, Anton Anikeev, Anahita Tabrizi, Helena Gomes, Nuria Ribas Costa, Claire Jansen, Isabella Rossen, Matthew Bovingdon-Downe, Sofia Hosszufalussy, Elisa Versari.
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Collaborators
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Partner in Charge.- Reinier de Graaf. Concept.- Hans Larsson, Alex Retegan. Film.- Adam Kouki, Magdalena Narkiewicz, Max ten Oever, Camille Filbien. Research.- Yeliz Abdurahman, Anton Anikeev, Matthew Bovingdon-Downe, Serah Calitz, Niccolo' Cesaris, Nuria Ribas Costa, Helena Gomes, Sofia Hosszufalussy, Claire Jansen, Arnaud Latran, Lucas Piquemal, Anahita Tabrizi, Alex Tintea, Jonas Trittman, Elisa Versari, Santiago Palacio Villa, Yushang Zhang.
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Duration
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12 minutes.
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Dates
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In Matadero Madrid.- 07.01.2021> 31.01.2021. Online content until April 30, 2021.
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Location
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Shed 16 of Matadero Madrid. Paseo de la Chopera 14, 28045 Madrid, Spain.
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Imágenes
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Images courtesy OMA/ Lifemark and Lindamood.
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Office for Metropolitan Architecture (OMA) is an international practice operating within the traditional boundaries of architecture and urbanism. AMO, a research and design studio, applies architectural thinking to domains beyond. OMA is led by eight partners – Rem Koolhaas, Reinier de Graaf, Ellen van Loon, Shohei Shigematsu, Iyad Alsaka, Chris van Duijn, Jason Long, and Managing Partner-Architect David Gianotten – and maintains offices in Rotterdam, New York, Hong Kong, Doha, and Australia. OMA-designed buildings currently under construction are the renovation of Kaufhaus des Westens (KaDeWe) in Berlin, The Factory in Manchester, Hangzhou Prism, the CMG Times Center in Shenzhen and the Simone Veil Bridge in Bordeaux.

OMA’s completed projects include Taipei Performing Arts Centre (2022), Audrey Irmas Pavilion in Los Angeles (2020), Norra Tornen in Stockholm (2020), Axel Springer Campus in Berlin (2020), MEETT Toulouse Exhibition and Convention Centre (2020), Galleria in Gwanggyo (2020), WA Museum Boola Bardip (2020), nhow RAI Hotel in Amsterdam (2020), a new building for Brighton College (2020), and Potato Head Studios in Bali (2020). Earlier buildings include Fondazione Prada in Milan (2018), Garage Museum of Contemporary Art in Moscow (2015), De Rotterdam (2013), CCTV Headquarters in Beijing (2012), Casa da Música in Porto (2005), and the Seattle Central Library (2004).

AMO often works in parallel with OMA's clients to fertilize architecture with intelligence from this array of disciplines. This is the case with Prada: AMO's research into identity, in-store technology, and new possibilities of content-production in fashion helped generate OMA's architectural designs for new Prada epicenter stores in New York and Los Angeles. In 2004, AMO was commissioned by the European Union to study its visual communication, and designed a colored "barcode" flag, combining the flags of all member states, which was used during the Austrian presidency of the EU. AMO has worked with Universal Studios, Amsterdam's Schiphol airport, Heineken, Ikea, Condé Nast, Harvard University and the Hermitage. It has produced Countryside: The Future, a research exhibited at Solomon R. Guggenheim Museum in New York; exhibitions at the Venice Architecture Biennale, including Public Works (2012), Cronocaos (2010), and The Gulf (2006); and for Fondazione Prada, including When Attitudes Become Form (2012) and Serial and Portable Classics (2015). AMO, with Harvard University, was responsible for the research and curation of the 14th Venice Architecture Biennale and its publication Elements. Other notable projects are Roadmap 2050, a plan for a Europe-wide renewable energy grid; Project Japan, a 720-page book on the Metabolism architecture movement (Taschen, 2010); and the educational program of Strelka Institute in Moscow.

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Reinier de Graaf (1964, Schiedam) is a Dutch architect and writer. Reinier de Graaf joined OMA in 1996. He is responsible for building and masterplanning projects in Europe, Russia, and the Middle East, including Holland Green in London (completed 2016), the new Timmerhuis in Rotterdam (completed 2015), G-Star Headquarters in Amsterdam (completed 2014), De Rotterdam (completed 2013), and the Norra Tornen residential towers in Stockholm. In 2002, he became director of AMO, the think tank of OMA, and produced The Image of Europe, an exhibition illustrating the history of the European Union.

He has overseen AMO’s increasing involvement in sustainability and energy planning, including Zeekracht: a strategic masterplan for the North Sea; the publication in 2010 of Roadmap 2050: A Practical Guide to a Prosperous, Low-Carbon Europe with the European Climate Foundation; and The Energy Report, a global plan for 100 percent renewable energy by 2050, with the WWF.

De Graaf has worked extensively in Moscow, overseeing OMA’s proposal to design the masterplan for the Skolkovo Centre for Innovation, the ‘Russian Silicon Valley,’ and leading a consortium which proposed a development concept for the Moscow Agglomeration: an urban plan for Greater Moscow. He recently curated two exhibitions, On Hold at the British School in Rome in 2011 and Public Works: Architecture by Civil Servants (Venice Biennale, 2012; Berlin, 2013). He is the author of Four Walls and a Roof, The Complex Nature of a Simple Profession.
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Published on: January 8, 2021
Cite: "Hospital of the Future by OMA / Reinier de Graaf. Film Premiers at Matadero Madrid" METALOCUS. Accessed
<https://www.metalocus.es/en/news/hospital-future-oma-reinier-de-graaf-film-premiers-matadero-madrid> ISSN 1139-6415
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