Dutch architecture studio Mecanoo unveils its renovation project for Boijmans van Beuningen Museum in Rotterdam, The Netherlands. Its idea will allow visitors to try a new experience, connecting the parts of the building that currently lack of logistics.

The intervention proposes the creation of a new pavilion that will appear as a transparent passage and whose function will be both as a connecting element between public and private fronts and as catalysis of the park, allowing to establish a clear and logical circulation destined to all types of users.
Mecanoo adds sustainable components such as more water and more biodiversity in the museum park, as well as facilities to give the park an inviting appeal and convert it in a suitable place for any user, in order to host any type of cultural activity.

The key element of the proposal is the new pavilion which will be created in the parking lot in Westersingel. This will not only create a new entrance to the museum park but will also generate a new experience for visitors, since the art can already be seen from the public passage.

Project description by Mecanoo

Museum Boijmans Van Beuningen has a unique international collection. Boijmans considers the wings of the architects Van der Steur (1935, national monument) and Bodon (1972, national monument in proceedings) as part of the collection. Both wings are restored to their original strength and with the addition of the Mecanoo wing, the Museum Boijmans Van Beuningen ensemble is transformed into a beautifully clear complex with good logistics for both visitors and the back of house. The Museum Garden is also undergoing a metamorphosis.

Over the years, the museum has become a maze due to the many renovations. The entrance is difficult to find, the public has poor orientation and gets lost. The logistics of the back of house have always been very problematic. There is overdue maintenance and a lot of asbestos in challenging places. Boijmans has no front and the Museum Garden in the Museum Park feels like it is positioned at the rear.

Museum public passage

Mecanoo introduces a transparent passage, meandering organically between the buildings of Van der Steur and Bodon. A public passage from city to park and from park to city. Boijmans is transforming from introvert to extrovert, from closed to open, from a castle to a museum, where inside and outside intertwine. It therefore feels natural and organic. It is precisely in contrast that it enters into a harmonious composition with the wings of Van der Steur and Bodon.

The passage starts on Museumparkstraat as a horizontal and transparent element. With a generous entrance and the museum shop on Museumparkstraat, the Mecanoo wing subsequently fans out into a multifunctional foyer on the Buitenhof site. It is the foyer for visitors to the exhibition spaces in the Bodon and Van der Steur wings and also gives access to the Buitenhof.

Boijmans: a collection of various exhibition spaces

The Mecanoo passage creates a new Museum Park entrance with the introduction of a Park Pavilion in the current parking lot of the villas on the Westersingel. This Park Pavilion will have a partly double-height exhibition space. It is a new experience for visitors: from above you can experience art from the public passage without a ticket. This gives Museum Boijmans a diverse range of spaces in its total complex: round, oval, rectangular, organic with various heights and with different forms of daylight. With the new Mecanoo passage, there’s even the possibility of a sensory experience: artists can design temporary installations where a play with light, sound and even smell is possible. The Park Pavilion also houses the restaurant with a view over the Museum garden.

Listening to the logic of the building

Mecanoo's restoration vision listens to the logic of the building with optimal anchoring in the context. The ideas of Bodon and Van der Steur are respected, restored and if possible even strengthened. A number of surgical interventions are needed to make the museum accessible to all target groups and to improve the logistics of the back of house. The daylight museum that the architects Van der Steur and Bodon wanted to create is being revived. Mecanoo is collaborating with BBM for the restoration.

The foundations and basements from the expansion of Robbrecht and Daem in 2003 are used. Research has shown that the building of Robbrecht & Daem is not only very problematic from a spatial point of view, but also from a technical construction perspective. For these reasons, it was decided to renovate this part of the complex. This makes the Bodon and Van der Steur wings visible again, making walking routes clear and logical. A clear and inviting entrance to the city can be realized. Research showed that the pavilion by the architect Hubert Jan Henket from 1991 is very easy to disassemble. Along with the relocation of the Henket Pavilion, the beautiful sightlines with the Museum Garden and the restored G.J. de Jong monument, this also makes Museum Boijmans Van Beuningen easy to experience from the Museum Park. Several beautiful locations are possible for the reuse of the Henket pavilion.

Logistics

A good logistics network is essential for a museum with a top international collection. This network must function as a well-oiled machine and be entirely at the service of the museum. Mecanoo's vision enables a clear and safe approach route via the Westersingel, out of sight of the visitors. Via a central address for all logistics flows, a new logistics axis is made at the basement level of Bodon. The landscape design at ground level will be incorporated in such a way that the logistics intervention will go unnoticed.

Museum Boijmans Van Beuningen as a catalyst for the Museum Park

The new Boijmans is a catalyst for a stronger connection and cooperation with the surrounding institutions in the Museum Park: Depot, Nieuwe Instituut, Kunsthal, Natural History, Chabot Museum and Arminius. Certainly also for the visitors, staff and students of the Erasmus Medical Center. Larger numbers of visitors and more joint activities and programming lead to more liveliness of the entire area. For visitors, there is a clear distinction between Museum Garden and Museum Park. The Museum Garden is Boijmans' outdoor room. Inviting sightlines emerge from Boijmans to the other institutions. The Museum Garden is freely accessible to the public. The park-like, transparent and organic Mecanoo wing has an inviting appeal with the possibility of all kinds of cultural activities, in line with the formal and informal culture of the entire Museum Park.

A city park of this era

The history of the Land of Hoboken, Witteveen, Van der Steur and Yves Brunier can be felt in the Museum Park. Mecanoo adds sustainable components: more water, more nature and more biodiversity. In a contemporary city park, users and visitors want to be able to move, relax, play and meet. There are facilities for this, such as a Park Pond with fountains, seating and play elements that connect the Museum Garden with the park.

It is logical and beautiful to connect the sculpture route of the Westersingel via a passage between the villas to the Museum Park. This has been a longstanding desire of Rotterdam urban planners, which can now become a reality.

Museum of the future

With its Museumpark, Museum Boijmans Van Beuningen will become a place for people of Rotterdam and visitors to the city. A place where people of all generations and cultural backgrounds like to go, stay and relax. So much is happening that there is always a reason to go. Rotterdam, tough and surprising, with both monumental and temporary art, informal street art, pop-ups and events. This is how Rotterdam presents its culture park at an international level. With the renewed Museum Boijmans Van Beuningen as a central player and in the role of connector.

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Francine Houben (Holland 1955) began formulating the three fundamentals of her lifelong architectural vision while studying at the Delft University of Technology. It was in this crucible of higher learning that she began an architectural practice with two fellow students with the design of a groundbreaking social housing development. As a result, she graduated as architect with cum laude honours in 1984 and officially founded Mecanoo architecten with these same partners.

Francine has remained true to her architectural vision, Composition, Contrast, Complexity throughout her career. Always looking for inspiration and the secret of a specific location, Francine bases her work on both analyses and intuition. She enjoys interweaving social, technical, playful and humane aspects together in order to form a unique solution to each situation. Francine Houben combines the disciplines of architecture, urban planning and landscape architecture in an untraditional way; with sensitivity for light and beauty.

Her use of material is expressive. She is known as one of the most prolific architects in Europe today. Her wide-ranging portfolio comprises an intimate chapel built on the foundations of a former 19th century chapel in Rotterdam (2001) to Europe’s largest library in Birmingham (2013). Francine Houben’s work reveals a sensory aspect determined by form and space, a lavish use or subtle combinations of the most diverse materials, as well as planes of saturated colour. Francine’s contribution to the profession of architecture is widely recognized. She was granted lifelong membership to the Akademie der Künste, Berlin in 2010.

In 2008, she received the Veuve Clicquot Business Woman of the Year Award. Honorary fellowships to the American Institute of Architects and the Royal Architectural Institute of Canada, and an international fellowship to the Royal Institute of British Architects were granted to her in previous years. The past three decades have seen her cumulative effect on the profession of architecture. Francine lectures all over the world and takes part as a jury member in prestigious competitions.

Her commitment to research and education is evidenced in her instatement as professor in Architecture, Chair of Aesthetics of Mobility at the Delft University of Technology (2000), her professorship at the Universitá della Svizzera Italiania, Accademia di architettura, Switzerland (2000) and her appointment as visiting professor at Harvard (2007). Dedication to her alma mater is reflected in generous sponsorship of the UfD-Mecanoo Award for the best graduating student of the Delft University of Technology.

Francine Houben lives in Rotterdam, a modern city where the skyline is dotted with buildings designed by world renowned architects; including her award winning Montevideo Skyscraper (2005). It was in this dynamic city that she directed and curated the First International Architecture Biennale Rotterdam (2003), with the theme, ‘Mobility, a room with a view’. She has realised numerous signature projects throughout the Netherlands and Europe including Philips Business Innovation Centre, FiftyTwoDegrees in Nijmegen, (2005-2006), La Llotja Theatre and Conference Centre in Lleida, Spain (2009) and the Delft University of Technology Library (1999). Currently, she is expanding her architectural vision to other continents with the design of Taiwan’s largest theatre complex, The Wei-Wu-Ying Center for the Arts in Kaohsiung (2014), Dudley Municipal Center in Boston (USA) and Shenzhen Cultural Center (China). In 2011 the book Dutch Mountains was released, a chronicle of Francine Houben and eight special projects in five different countries.

Francine maintains an active presence in academia and culture, regularly publishing and giving lectures worldwide. She has performed in many academic and professional capacities throughout her career, including Chair of Architecture and Aesthetics of Mobility at Delft University of Technology, visiting professor at Harvard Graduate School of Design, and as director of the First International Architecture Biennale in Rotterdam.

Francine has received honorary fellowships from the Royal Institute of British Architects, the American Institute of Architects and the Royal Architectural Institute of Canada. In 2014 Francine was named Woman Architect of the Year by the Architects’ Journal and in November 2015 Queen Máxima of The Netherlands presented Francine with the Prins Bernhard Cultuurfonds Prize for her wide-ranging career. Francine was awarded Honorary Doctorates from the Université de Mons, Belgium (2017) and the Utrecht University (2016).

“Architecture must appeal to all the senses. Architecture is never a purely intellectual, conceptual, or visual game alone. Architecture is about combining all the individual elements into a single concept. What counts in the end is the arrangement of form and emotion.”

Francine Houben, architect/creative director Mecanoo Architecten.

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Published on: June 7, 2020
Cite: "Mecanoo Wing: catalyst and connector in Museum Boijmans van Beuningen" METALOCUS. Accessed
<https://www.metalocus.es/en/news/mecanoo-wing-catalyst-and-connector-museum-boijmans-van-beuningen> ISSN 1139-6415
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