Artist Janet Echelman (her last sculpture in Sapin, was 1.78 Madrid, in 2018) has installed a woven sculpture composed of blue fibres overlooking the Pier District in St Petersburg, Florida, USA, with history that traces back to the American Civil Rights Movement, in 1957.

«Bending Arc» is an aerial sculpture, a permanent work suspended above a grassy park, spanding 424 feet and measures 72 feet at its tallest point. Its shape constantly changes as it ripples with the movement of wind.
Janet Echelman, born in Florida, was inspired by historical postcards depicting blue and white striped beach parasols together with the geometric forms made by colonies of barnacles growing on the underside of the pier itself. The sculpture’s design in aerial view can be read as three barnacle-like parasols nestled together.

To create the piece the artist used polytetrafluoroethylene (PTFE), an engineered fibre, a rope made of fiber 15 times stronger than steel by weight and used by NASA to tether the Mars Rover.
 

Description of project by Janet Echelman

Composed of 1,662,528 knots and 180 miles of twine, the aerial sculpture spans 424 feet and measures 72 feet at its tallest point. Echelman's art embraces change. The monumental sculpture gently billows above the Pier District, allowing the wind to create a choreography of constantly changing shape in the sculpture's soft surface. The sculpture’s color also transforms at every moment while its surface interplays with natural and projected light. In the daytime the sculpture casts shadow drawings on the park and people below, and at night it transforms into a glowing beacon of magenta and violet light.

The internationally-renowned artist was inspired by historical postcards depicting blue and white striped beach parasols together with the geometric forms made by colonies of barnacles growing on the underside of the pier itself. The sculpture’s design in aerial view can be read as three barnacle-like parasols nestled together.

As she continued her design process, she learned of the site’s important Civil Rights Movement significance, as the place where local citizens began peacefully challenging racial barriers, leading to the 1957 US Supreme Court case ruling which upheld the rights of all citizens to enjoy use of the municipal beach and swimming pool without discrimination. The sculpture’s geometry in section is composed of multiple arcs, which gently billow in the wind. The artist titled the sculpture Bending Arc in reference to MLK’s words: “The arc of the moral universe is long, but it bends toward justice.”

A public-private partnership, the fiber sculpture was funded entirely by private donors, and the cost of its related infrastructure and park was covered within the city’s $92 million Pier District project. Made entirely of lightweight fiber, the monumental sculpture is engineered to withstand 150 mph winds, and the maximum force applied to its masts is 65 tons. The rope is made of fiber 15 times stronger than steel by weight and was used by NASA to tether the Mars Rover. The net in plan covers 47,500 square feet. The net and ropes weigh a total of 5,330 pounds.

Echelman’s artwork offers visitors an oasis where they can seek a moment of calm sensory experience and heightened awareness of nature and our place within it.

“The sky is the canvas for my artwork, and because this art is outside in the fresh air. During this pandemic, it offers a place for people to share an authentic experience while staying safe.”

Janet Echelman
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Artist
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Project team
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Studio Echelman Team.- Melissa Henry, Danial Smith, Jamie Li, Daniel Zeese.
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Collaborators
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Sculpture Engineering.- Arup: Clayton Binkley.
Lighting Design.-: Arup: Christoph Gisel.
Landscape Architecture.- W Architecture: Barbara Wilks and David Ostrich.
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Measurements
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Composed of 1,662,528 knots and 180 miles of twine, the aerial sculpture spans 424 feet and measures 72 feet at its tallest point.
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Dates
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2020
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Photography and Videography
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City of St. Petersburg, Brain Adams, Raul Quintana, Joe Sale.
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Janet Echelman. American artist Janet Echelman reshapes urban airspace with monumental, fluidly moving sculpture. Echelman first set out to be an artist after graduating college. She moved to Hong Kong in 1987 to study Chinese calligraphy and brush-painting. Later she moved to Bali, Indonesia, where she collaborated with artisans to combine traditional textile methods with contemporary painting.

When she lost her bamboo house in Bali to a fire, Echelman returned to the United States and began teaching at Harvard. After seven years as an Artist-in-Residence, she returned to Asia, embarking on a Fulbright lectureship in India.

Recipient of the Guggenheim Fellowship, the Harvard University Loeb Fellowship, a Fulbright Lectureship, and the Aspen Institute Crown Fellowship, her TED talk “Taking Imagination Seriously” has been translated into 35 languages with more than one million views.

She built her studio beside her hundred-year-old house, where she lives with her husband David Feldman and their two children.
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Published on: July 26, 2020
Cite: "Memory of municipal beach and swimming pool without discrimination. Bending Arc Installation by Janet Echelman" METALOCUS. Accessed
<https://www.metalocus.es/en/news/memory-municipal-beach-and-swimming-pool-without-discrimination-bending-arc-installation-janet-echelman> ISSN 1139-6415
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