Three years ago, in 2018 Diller Scofidio + Renfro and Woods Bagot's design proposal was selected as the winning entry for the Aboriginal Art and Cultures Centre (AACC), design competition.

New concept renderings have now been released, which will take cues from traditional indigenous shelters, as first step to be built at Lot Fourteen, Australia.

Once complete, the 11,500-square-metre cultural centre will host a mix of exhibition and event spaces to celebrate the "past, present and future" of Australia's First Nations.
Centre will showcase world's "oldest living cultures" and it is developed together with the Aboriginal Reference Group (ARG). Diller Scofidio + Renfro and Woods Bagot are working to ensure the centre will be both contemporary and representative of more than 65,000 years of First Nations cultures across Australia with the deep Aboriginal connection to Country being woven into the iconic reference design.
 
Both architecture firms describe the center as a "new cultural paradigm that showcases the past, present, and future of Aboriginal cultures while supporting contemporary art practices and events across disciplines."

Premier Steven Marshall said the striking reference design, with overlapping layers surrounding a central gathering space, embodied the vision of the AACC as a gateway to the oldest living cultures in the world by incorporating the elements of earth, land and sky.

Compared to the original project in 2018 when they won the competition, the look appears to have gone through a set of changes in the overall look of the facade and woven skin concept. The project's expected completion date is 2025.
 

Project description by Diller Scofidio + Renfro Studio

A New Paradigm

Designed by Diller Scofidio + Renfro in collaboration with Woods + Bagot , the Aboriginal Art and Cultures Centre (AACC) is a new paradigm that showcases the past, present and future of Aboriginal cultures while supporting contemporary art practices and events across disciplines.
Connection to the Elements: Earth, Land, & Sky

Grounded on Kaurna land, the design of the 11,500 square metre building originates from the Aboriginal conception of the elements that link us to place: earth, land and sky. The design narrative for the building is based on the deep Aboriginal connection to country, place and kin, with connected layers being the foundation of the design. Lower level galleries and terraced landscapes are carved from the earth, providing indoor exhibition spaces, performance spaces and a gathering area for Welcome to Country ceremonies – within the outdoor amphitheatre. Reveals in the upper galleries frame views oriented to the sky and natural surroundings, while also exposing the activity within - depicting truth-telling and transparency. The AACC offers 7,000 square metres of diverse exhibition spaces – ranging in size, height and light quality, each offering views of the natural surroundings – seamlessly blending inside with outside, natural with built. Between these exhibition levels is a radically welcoming arrival ground plane that extends to the land in all directions and reorients the building and its entry to Kainka Wirra (Adelaide Botanic Garden.) An additional 8,100 square-metres of public realm welcomes visitors with a gentle slope of native at North Terrace, providing seamless access.

A Space for Gathering and Storytelling

At the heart of the building is a flexible, three-story gathering and performance space that visitors spiral around as they make their way to different levels. For the structure and building skin (façade) the design team drew inspiration from the temporary shelterstructures created by Aboriginal peoples across Australia, known by names such as “wurlie” and “humpy.” A basket-like nest of columns shapes the central space and anchors the entire building, placing storytelling at the heart of the building. Draped onto this structure is a softly shimmering woven skin that tilts open to connect Aboriginal art and cultures back to the public and to Country. AACC will be a building of the 21st century, flexing to curation, use and time.

“We’re thrilled to be part of this ground-breaking vision to create a place of pride that authentically honours the oldest living cultures on the planet. This first-of-its-kind project has taken on a new life with our continued collaboration with the Aboriginal community and other stakeholder groups, as well as our Australian design partner Woods Bagot. The AACC will welcome visitors through a radically open ground floor, into a safe space with storytelling at its heart. It will be a building of the 21st century, while remaining agile enough to allow future generations to evolve their own storytelling.”

Charles Renfro

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Dates
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Competition.- 2018.
Commission.- 2021.
Expected Completion.- 2025.
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Area
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GSF.- 123,800 sqm.
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Location
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Adelaida, Australia Meridional, Australia.
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Diller Scofidio + Renfro Studio. Founded in 1981, Diller Scofidio + Renfro (DS+R) is a design studio whose practice spans the fields of architecture, urban design, installation art, multi-media performance, digital media, and print. With a focus on cultural and civic projects, DS+R’s work addresses the changing role of institutions and the future of cities. The studio is based in New York and is comprised of over 100 architects, designers, artists and researchers, led by four partners--Elizabeth Diller, Ricardo Scofidio, Charles Renfro and Benjamin Gilmartin.

DS+R completed two of the largest architecture and planning initiatives in New York City’s recent history: the adaptive reuse of an obsolete, industrial rail infrastructure into the High Line, a 1.5 mile-long public park, and the transformation of Lincoln Center for the Performing Arts’ half-century-old campus. The studio is currently engaged in two more projects significant to New York, scheduled to open in 2019: The Shed, the first multi-arts center designed to commission, produce, and present all types of performing arts, visual arts, and popular culture, and the renovation and expansion of The Museum of Modern Art (MoMA). Most recently, the studio was also selected to design: Adelaide Contemporary, a new gallery and public sculpture park in South Australia; the Centre for Music, which will be a permanent home for the London Symphony Orchestra; and a new collection and research centre for the V&A in Queen Elizabeth Olympic Park.

Recent projects include the 35-acre Zaryadye Park adjacent to the Kremlin in Moscow; the Museum of Image & Sound on Copacabana Beach in Rio de Janeiro; The Broad, a contemporary art museum in Los Angeles; the Berkeley Art Museum and Pacific Film Archive at the University of California, Berkeley; the Roy and Diana Vagelos Education Center at Columbia University in New York; and The Juilliard School in Tianjin, China.

DS+R’s independent work includes the Blur Building, a pavilion made of fog on Lake Neuchâtel for the Swiss Expo; Exit, an immersive data-driven installation about human migration at the Palais de Tokyo in Paris; Charles James: Beyond Fashion at the Metropolitan Museum of Art in New York; Arbores Laetae, an animated micro-park for the Liverpool Biennial; Musings on a Glass Box at the Fondation Cartier pour l’art contemporain in Paris; and Pierre Chareau: Modern Architecture and Design at the Jewish Museum in New York. A major retrospective of DS+R’s work was mounted at the Whitney Museum of American Art in New York. Most recently, the studio designed two site-specific installations at the 2018 Venice Biennale and the Costume Institute’s Heavenly Bodies: Fashion and the Catholic Imagination exhibition at the Metropolitan Museum of Art in New York. DS+R also directed and produced The Mile-Long Opera: a biography of 7 o’clock, a free, choral performance featuring 1,000 singers atop the High Line, co-created with David Lang.

DS+R has authored several books: The High Line (Phaidon Press, 2015), Lincoln Center Inside Out: An Architectural Account (Damiani, 2013), Flesh: Architectural Probes (Princeton Architectural Press, 2011), Blur: The Making of Nothing (Harry N. Abrams, 2002), and Back to the Front: Tourisms of War (Princeton Architectural Press, 1996).

DS+R has been distinguished with the first MacArthur Foundation fellowship awarded in the field of architecture, Time Magazine's "100 Most Influential" list, the Smithsonian Institution's 2005 National Design Award, the Medal of Honor and the President's Award from AIA New York, and Wall Street Journal Magazine's 2017 Architecture Innovator of the Year Award. Ricardo Scofidio and Elizabeth Diller are fellows of the American Academy of Arts and Letters and the American Academy of Arts and Sciences, and are International Fellows at the Royal Institute of British Architects (RIBA).
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Woods Bagot is a People Architecture company. They place human experience at the centre of their design process in order to deliver engaging, future-oriented projects that respond to the way people actually use space. They do this as a global design and consulting studio with a team of over 850 experts working across 17 studios in Australia, Asia, Europe, the Middle East and North America.

Their Global Studio model allows them to work collaboratively across time zones and borders, using the latest technology to share design intelligence and strengthen their knowledge base around the world.
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Published on: February 17, 2021
Cite: "New step to build the Adelaide Center for Aboriginal Arts and Cultures by Diller Scofidio + Renfro and Woods Bagot " METALOCUS. Accessed
<https://www.metalocus.es/en/news/new-step-build-adelaide-center-aboriginal-arts-and-cultures-diller-scofidio-renfro-and-woods-bagot> ISSN 1139-6415
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