OMA completes an apartments building in a dark crystallographic volume in Manhattan. The housing block marks OMA's first ground-up structure in New York City.

The "prismatic corner" of building have triangular windows fold up its corner creating a singular residential project with a design unique, a pattern which links with the neighbouring façades, making rhythm, structure and limits adjust to the zoning law.
OMA completed its milestone project, 121 East 22nd Street, on an L-shaped property in Manhattan that spans Lexington Avenue, 23rd Street and 22nd Street.

The building comprises two volumes with a new courtyard slotted in the middle. The larger of the two volumes fronts the corner of 23rd Street and Lexington Avenue and is detailed with a series of triangular windows that tuck in and out along the corner edge. The smallest volume faces the 22nd Street.
 

Description of project by OMA

The design was conceived from its site which straddles two separate and different neighborhoods: a quiet residential area surrounding Gramercy Park, an enclosed and private garden, and the bustling commercial space around Madison Square Park, a public park that hosts an array of activities.

The L-shaped site posed an opportunity to be informed by the two neighborhoods while activating three street fronts. The concept emerges from this dualistic condition, referencing Cubist artwork, in which objects are viewed from a multitude of viewpoints rather than a single one to represent the subject in a greater context. As such, the North Tower conveys the meeting of the two neighborhoods, realized through two interlocking planes that come together at 23rd and Lexington to form a distinct, three-dimensional corner.

This articulation evokes a collage assembled from various reflections of its surroundings. Vertically, the corner planes bend in and out, creating unique views from the interiors up to the sky and down to the streets. On the street level, the corner is carved inwards, to widen the sidewalk and establish a clear entry point to the ground floor retail. From the expressive corner, the building’s two facades become more contextual as it nears its neighboring pre-war buildings. Its precast panels become bolder as the façade transitions away from the corner, seamlessly establishing a visible gradient from new to historic. The black concrete highlights the windows to accentuate the graduation.

The three-dimensional articulation continues on the 13-story South Tower, which features an undulating grid of punched windows overlooking 22nd Street. The tower houses the main residential entry and a funnel-shaped lobby within leads to an enclosed breezeway and central valley that connect the two towers.

The valley is a calm oasis amidst the busyness of 23rd Street and Lexington and is centered around residential amenities and balconies, establishing an inside-outside living within the complex. The interior façade of the two towers facing the courtyard resonate with the three-dimensionality of the exterior façade—a ribbon of volumetric balconies provide a sculptural view up to the sky. Although similar in form, the valley’s materiality of light, perforated aluminum enhances daylight while giving the courtyard its own unique identity.

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Architects
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OMA. Lead Architects.- OMA New York. Partner in Charge.- Shohei Shigematsu
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Concept to design development
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Yolanda do Campo, Lawrence Siu, Sunggi Park, Daniel Quesada Lombo, Jackie Woon Bae, Juan Lopez, Jorge Simelio, Andrea Zalewski, Nathalia Camacho, Leen Katrib, Nils Sanderson, Carly Dean, Nicholas Solakian
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Construction documentation to construction administration
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Christine Yoon, Yolanda do Campo, Darby Foreman, Marki Becker, Nils Sanderson, Andrea Zalewski
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Collaborators
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Executive architect.- SLCE Architects LLP. Interior architect.- Incorporated Architecture & Design PLLC. Construction management.- CM&A. Structural engineer.- WSP. Mechanical and electrical engineer.- Stantec. Façade engineer.- Gilsanz, Murray, Steficek, LLP. Zoning.- Development Consulting Services. Pool consultant.-: Bradford Products. Acoustic engineer.- AKRF, Inc
Landscape.- LDGN Landscape Architects. Lighting consultant.- Ventresca Design
Parking consultant.- Klaus Parking. Renderings.- By-Encore


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Client
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Toll Brothers City Living
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Area
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25584.29m² / 275387.0 ft²
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Dates
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2019
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Venue
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121 E 22nd St, New York, NY 10010, United States
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Office for Metropolitan Architecture (OMA) is an international practice operating within the traditional boundaries of architecture and urbanism. AMO, a research and design studio, applies architectural thinking to domains beyond. OMA is led by eight partners – Rem Koolhaas, Reinier de Graaf, Ellen van Loon, Shohei Shigematsu, Iyad Alsaka, Chris van Duijn, Jason Long, and Managing Partner-Architect David Gianotten – and maintains offices in Rotterdam, New York, Hong Kong, Doha, and Australia. OMA-designed buildings currently under construction are the renovation of Kaufhaus des Westens (KaDeWe) in Berlin, The Factory in Manchester, Hangzhou Prism, the CMG Times Center in Shenzhen and the Simone Veil Bridge in Bordeaux.

OMA’s completed projects include Taipei Performing Arts Centre (2022), Audrey Irmas Pavilion in Los Angeles (2020), Norra Tornen in Stockholm (2020), Axel Springer Campus in Berlin (2020), MEETT Toulouse Exhibition and Convention Centre (2020), Galleria in Gwanggyo (2020), WA Museum Boola Bardip (2020), nhow RAI Hotel in Amsterdam (2020), a new building for Brighton College (2020), and Potato Head Studios in Bali (2020). Earlier buildings include Fondazione Prada in Milan (2018), Garage Museum of Contemporary Art in Moscow (2015), De Rotterdam (2013), CCTV Headquarters in Beijing (2012), Casa da Música in Porto (2005), and the Seattle Central Library (2004).

AMO often works in parallel with OMA's clients to fertilize architecture with intelligence from this array of disciplines. This is the case with Prada: AMO's research into identity, in-store technology, and new possibilities of content-production in fashion helped generate OMA's architectural designs for new Prada epicenter stores in New York and Los Angeles. In 2004, AMO was commissioned by the European Union to study its visual communication, and designed a colored "barcode" flag, combining the flags of all member states, which was used during the Austrian presidency of the EU. AMO has worked with Universal Studios, Amsterdam's Schiphol airport, Heineken, Ikea, Condé Nast, Harvard University and the Hermitage. It has produced Countryside: The Future, a research exhibited at Solomon R. Guggenheim Museum in New York; exhibitions at the Venice Architecture Biennale, including Public Works (2012), Cronocaos (2010), and The Gulf (2006); and for Fondazione Prada, including When Attitudes Become Form (2012) and Serial and Portable Classics (2015). AMO, with Harvard University, was responsible for the research and curation of the 14th Venice Architecture Biennale and its publication Elements. Other notable projects are Roadmap 2050, a plan for a Europe-wide renewable energy grid; Project Japan, a 720-page book on the Metabolism architecture movement (Taschen, 2010); and the educational program of Strelka Institute in Moscow.

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Office for Metropolitan Architecture (OMA) is a leading international partnership practicing architecture, urbanism, and cultural analysis. OMA's buildings and masterplans around the world insist on intelligent forms while inventing new possibilities for content and everyday use. OMA is led by ten partners – Rem Koolhaas, Ellen van Loon, Reinier de Graaf, Shohei Shigematsu, Iyad Alsaka, David Gianotten, Chris van Duijn, Ippolito Pestellini Laparelli, Jason Long and Michael Kokora – and maintains offices in Rotterdam, New York, Beijing, Hong Kong, Doha and Dubai.

Responsible for OMA’s operations in America, OMA New York was established in 2001 and has since overseen the successful completion of several buildings across the country including Milstein Hall at Cornell University (2011); the Wyly Theater in Dallas (2009); the Seattle Central Library (2004); the IIT Campus Center in Chicago (2003); and Prada’s Epicenter in New York (2001). The office is currently overseeing the construction of three cultural projects, including the Musée National des Beaux-arts du Québec and the Faena Arts District in Miami Beach – both scheduled for completion in 2016 – as well as a studio expansion for artist Cai Guo Qiang in New York. The New York office has most recently been commissioned to design a number of residential towers in San Francisco, New York, and Miami, as well as two projects in Los Angeles; the Plaza at Santa Monica, a mixed use complex in Los Angeles, and the Wilshire Boulevard Temple.

OMA New York’s ongoing engagements with urban conditions around the world include a new civic center in Bogota, Colombia; a post-Hurricane Sandy, urban water strategy for New Jersey; the 11th Street Bridge Park and RFK Stadium-Armory Campus Masterplan in Washington, DC; and a food hub in West Louisville, Kentucky.

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Shohei Shigematsu born in Fukuoka Prefecture, Japan in 1973. In 1996 graduated from the Department of Architecture at Kyushu University. Studying at the Berlage Institute in Amsterdam. He became an associate since 2004.joined OMA in 1998 and became a partner in 2008.

He has led the office in New York since 2006. Sho's designs for cultural venues include the Quebec National Beaux Arts Museum and the Faena Arts Center in Miami Beach, as well as direct collaborations with artists, including Cai Guo Qiang, Marina Abramovic and Kanye West.

Sho is currently designing a number of luxury, high rise towers in San Francisco, New York, and Miami, as well as a mixed-use complex in Santa Monica. His engagement with urban conditions around the world include a new civic center in Bogota, Colombia; a post-Hurricane Sandy, urban water strategy for New Jersey; and a food hub in Louisville, Kentucky.

He is a design critic at the Harvard Graduate School of Design, where he is conducting a research studio entitled Alimentary Design, investigating the intersection of food, architecture and urbanism.
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