The Pritzker Prize-winner Renzo Piano has designed over a dozen cultural institutions, some completely new, like the Pompidou Center, others additions to formidable structures like last year's expansion of the Kimbell Art Museum by Louis Kahn. In Harvard, Piano combines three buildings - the Fogg, Busch-Reisinger, and the Arthur M. Sackler Museums - under one roof and are being consolidated into one reorganized and upgraded facility, Harvard Art Museums, on the current site of the Fogg Museum on Quincy Street.

Set to open November 16, the new 204,000-square-foot (18,500 sq.m) Harvard Art Museums preserves the Fogg’s 1927 building at 32 Quincy Street in Cambridge. The build will also add 12,000 square feet of exhibition space, enough to house several research and conservation centers.

Description of project by Renzo Piano Building Workshop

The new facility will combine the Fogg’s protected 1920’s Georgian revival building, with a new addition on its east side, along Prescott Street. A new glazed rooftop structure bridges the old and the new. The rooftop addition, designed with sensitivity to surrounding historic structures, will allow controlled natural light into the conservation lab, study centers, and galleries, as well as the courtyard below.

The original 1920’s building by Coolidge, Shepley, Bulfinch and Abbot Architects, was the first of its kind, combining museum space, teaching and conservation in one facility to promote scholarship. Following this tradition, the new centre is designed to make the collection of 250,000 objects more accessible for teaching and learning.

All post-1925 additions and alterations have been demolished to make way for the new extension on Prescott Street. All aspects of the historic building – structural, mechanical and technical – will be restored and upgraded.

Galleries and study centers are being significantly expanded; as befits their importance to the mission of the museums, the study centers are at the center of the building on level four. The conservation lab will continue to occupy the top of the building, above the study center under the new sloping glazed roof. Public amenities, and support spaces for special events will be enlarged and modernized, and include an auditorium of 294 seats on the lower level.

While the original entrance faces onto the university campus, a new entrance into the museums from Prescott Street symbolically opens the museums to the local community. Views from the interior courtyard through to the entrances on both sides of the building will help visitors to orientate themselves and there will also be secondary views, through the café and the shop, to Broadway and the Carpenter Center next door.

At the north end of the extension a winter garden projects beyond the main gallery volume. This and other glazed sections of facade in the first-floor exhibition space allow views into the museums from the street and bring daylight into the building in a very controlled way.

The project is completed in November 2014.

CREDITS. DATA SHEET.-

Architetcts.- Renzo Piano Building Workshop, architects in collaboration with Payette Associates Inc. (Boston).
Design team.- M.Carroll and E.Trezzani (partners in charge) with J.Lee, E.Baglietto (partner), S.Ishida (partner), A.Stern, F.Becchi, M.Orlandi, P.Carrera, J.Pejkovic and R.Aeck, B.Cook, J.Cook, M.Fleming, M.Palacio, S. Joubert; M. Ottonello (CAD operator); F.Cappellini, F.Terranova (models).
Consultants.- Robert Silman Associates (structure); Arup (MEP engineering and lighting design); Nitsch Engineering (civil engineering); Davis Langdon (cost consultant); Carl Cathcart (Arborist); Building Conservation Associates (Restoring Consulting).

Client: Harvard Art Museums Tom Leutz.

 

 

Read more
Read less

Renzo Piano was born in Genoa, Italy, in 1937 to a family of builders. He graduated Milan Polytechnic in 1964 and began to work with experimental light-weight structures and basic shelters. In 1971, he founded the Piano & Rogers studio and, together with Richard Rogers, won the competition for the Centre Pompidou in Paris. From the early 1970s to the 1990s, Piano collaborated with engineer Peter Rice, founding Atelier Piano & Rice in 1977. In 1981, he established the Renzo Piano Building Workshop, with offices today in Genoa, Paris and New York. Renzo Piano has been awarded the highest honors in architecture, including; the Pritzker Prize; RIBA Royal Gold Medal; Medaille d’Or, UIA; Erasmus Prize; and most recently, the Gold Medal of the AIA.

Read more
The Renzo Piano Building Workshop (RPBW) was established in 1981 by Renzo Piano with offices in Genoa, Italy and Paris, France. The practice has since expanded and now also operates from New York.

RPBW is led by 10 partners, including founder and Pritzker Prize laureate, architect Renzo Piano.

The practice permanently employs about 130 architects together with a further 30 support staff including 3D visualization artists, model makers, archivers, administrative and secretarial staff.

Their staff has a wide experience of working in multi-disciplinary teams on building projects in France, Italy and abroad.

As architects, they are involved in the projects from start to finish. They usually provide full architectural design services and consultancy services during the construction phase. Their design skills extend beyond mere architectural services. Their work also includes interior design services, town planning and urban design services, landscape design services and exhibition design services.

RPBW has successfully undertaken and completed over 140 projects around the world.

Currently, among the main projects in progress are: the Academy Museum of Motion Pictures in Los Angeles; the École normale supérieure Paris-Saclay; the Paddington Square in London and; the Toronto Courthouse.

Major projects already completed include: the Centre Georges Pompidou in Paris; the Menil Collection in Houston, Texas; the Kanak Cultural Center in Nouméa, New Caledonia; the Kansaï International Airport Terminal Building in Osaka; the Beyeler Foundation Museum in Basel; the reconstruction of the Potsdamer Platz area in Berlin; the Rome Auditorium; the New York Times Building in New York; the California Academy of Sciences in San Francisco; the Chicago Art Institute expansion in Chicago, Illinois; The Shard in London; Columbia University’s Manhattanville development project in New York City; the Harvard museums in Cambridge, Massachusetts; the Intesa Sanpaolo office building in Turin, Italy; the Kimbell Art Museum expansion in Texas; the Whitney Museum of American Art in New York; the Valletta City Gate in Malta; the Stavros Niarchos Cultural Center in Athens; the Centro Botín in Santander; the New Paris Courthouse and others throughout the world.

Exhibitions of Renzo Piano and RPBW’s works have been held in many cities worldwide, including at the Royal Academy of Arts in London in 2018.
Read more
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...