Yesterday Patrik Schumacher, director of Zaha Hadid Architects, from its ivory tower launched a new tirade about what should be the moral of architects and how must be interpreted the work by his studio.

The comments made by Zaha Hadid, days ago, on the dead and workers who are intervening in their projects, have traveled the world, it seems that the reaction of everyone rejecting the words of Zaha Hadid, did not like Mr. Schumacher. Using Facebook, to launch an attack on political correctness in architecture, Schumacher accused the judges of the 2012 Venice Architecture Biennale of being motivated by a "misguided political correctness".

Schumacher he insists on the arguments of Zaha Hadid: "Architects are in charge of the form of the built environment, not its content," and "We need to grasp this and run with this despite all the (ultimately conservative) moralizing political correctness that is trying to paralyse us with bad conscience and arrest our explorations if we cannot instantly demonstrate a manifest tangible benefit for the poor - as if the delivery of social justice is the architect’s competency."

An installation documenting the Torre David vertical slum in Caracas won the Golden Lion award for the best project at the last biennale, which was curated by David Chipperfield. Best pavilion was awarded to the Toyo Ito-curated Japanese pavilion, which focused on alternative housing concepts for the homes that were destroyed by the earthquake and tsunami in 2011.

His post comes a week after the new curator of the Venice Biennale, Rem Koolhaas, revealed that his plans for this year would focus on presenting research and the history of architecture, rather than contemporary architecture projects.

 Facebook post by Patrik Schumacher

"STOP political correctness in architecture. But also: STOP confusing architecture and art.

"Architects are in charge of the FORM of the built environment, not its content. We need to grasp this and run with this despite all the (ultimately conservative) moralizing political correctness that is trying to paralyse us with bad conscience and arrest our explorations if we cannot instantly demonstrate a manifest tangible benefit for the poor - as if the delivery of social justice is the architect’s competency.

"Unfortunately, all the prizes given by the last architecture biennale were motivated by this misguided political correctness. STOP political correctness in architecture! And yet, architecture is not a l’art pour l’art discipline. Architecture is NOT ART, although FORM is our specific contribution to the evolution of world society.

"We need to understand how new forms can make a difference for the progress of world civilisation. I believe today this implies the intensification of communicative interaction with a heightened sense of being connected within a complex, variegated spatial order where all spaces resonate and communicate with each other via associative logics."

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Patrik Schumacher is a German architect and theorist born in Bonn, Germany, in 1961. He studied philosophy, mathematics, and architecture in Bonn, London, and Stuttgart, where he received his Diploma in Architecture in 1990. In 1988, he joined Zaha Hadid’s practice, beginning a decisive collaboration that contributed to the development of some of the firm’s most renowned projects. He became a partner at Zaha Hadid Architects in 2002 and, following Hadid’s death in 2016, assumed a central role in leading the practice. Among the major projects he has contributed to are the MAXXI in Rome, the Dongdaemun Design Plaza in Seoul, and other large-scale international works. 

In 1996, together with Brett Steele, he founded the Design Research Laboratory at the Architectural Association in London, where he has played an important teaching role. Schumacher is also one of the leading advocates of Parametricism, a term he popularized to describe an architecture based on digital systems, complex geometries, and variable relationships. His theoretical ideas were extensively developed in the two volumes of The Autopoiesis of Architecture, published in 2010 and 2012, which explore architecture as an autonomous system of communication and continue to influence contemporary architectural debate worldwide.

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Published on: March 19, 2014
Cite:
metalocus, JOSÉ JUAN BARBA
"Patrik Schumacher from its ivory tower" METALOCUS. Accessed
<https://www.metalocus.es/en/news/patrik-schumacher-its-ivory-tower> ISSN 1139-6415
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