There are days with events and news we appreciate more. Against speech Patrik Schumacher the Austrian proposal for the Biennale. "Orte der Macht" / "Plenum. Places of power" or power to the people is the subjet of the Austrian Pavilion for the next 2014 Venice Biennale. The pavilion will include an exhibition that explores the concept of parliament and its architectural influence on the world's more than 200 national parliament monuments.

The pavilion was designed by a collective team including Commissioner and designer Christian Kühn, designer Harald Trapp, with contribution by Coop Himmelb(l)au, Auböck + Kárász Landscape Architects, Kollektiv/Rauschen, and the Vienna University of Technology - Institute of Architecture and Design.

Description of project by the team Austrian Pavilion

"The subject of the Austrian contribution to the 2014 Biennale is parliament, i.e. the place where the power of the people has found its home. The idea of democratic legitimation of power is so widespread today that no nation can do without building such a place, at least in name, for a representative popular assembly. What do these places look like? And how are they connected to a public whose trust in democratic formation of will seems to be dwindling around the globe?

The exhibition at the Austrian Pavilion sets out to find answers to these questions from various vantage points. The main room of the pavilion displays all two hundred or so national parliament buildings from around the world – a parliament of parliaments – each documented by models on a scale of 1:500, site plans, and facts and figures about the various buildings.

This plenum shows which messages are often thrust upon architecture when it comes to building parliaments: national identity, permanence, conformity with historical exemplars, but also compulsive representation of a new beginning. The models are mounted in a stringent grid, seeming to grow out of the wall. Arranged in such a mass, the monuments become an ornament.

In contrast to these abstract monumental architectures reduced to form, architecture is presented in the two side-rooms of the pavilion not as an accumulation of objects, but as a singular sequence of conditions. Here we see examples presented in detail: the Austrian parliament on Vienna’s Ringstraße and two projects by Coop Himmelb(l)au, the design for the Albanian parliament in Tirana and the conference centre in Dalian/China, built as a venue for the Asian version of the World Economic Forum in Davos. These projects are showcased in the context of their political history. The focus here is on conflicts, value judgements, partiality,

in a word: on the development of society in the medium of architecture. Architecture is not an object. Architecture is making architecture.

The exhibition continues to explore this topic in the pavilion’s courtyard. A densely-planted garden planned by the landscape architects Auböck und Kárász replaces the rationalist square grid of the floor panels, bringing the disordered green of the surroundings into the show. Here, away from all monumental architecture, the focus is on new phenomena of democratic representation. Transported by a volatile medium, a sound installation developed by the Kollektiv/Rauschen group: the garden speaks through small loudspeakers, in quiet separate voices, but also in the swelling chorus of the impatient crowd."

 

CREDITS.

Commissioner.- Christian Kühn.
Concept and design.- Christian Kühn, Harald Trapp.
With contributions by

Auböck + Kárász Landscape Architects
Coop Himmelb(l)au
Kollektiv/Rauschen
Institut für Architektur und Entwerfen – Technische Universität Wien

Exhibition team.- Thomas Amann, Florian Sammer, Kathrin Schelling, Markus Zimmermann.
Project assistants and researchers.- Katharina Brandl, Doris Grüssinger, Daniela Hahn.
Graphic design.- buero bauer – Gesellschaft für Orientierung und Identität.
www.buerobauer.com

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Wolf D. Prix, born in Vienna in 1942, a co-founder, Design Principal and CEO of COOP HIMMELB(L)AU. He studied architecture at the Vienna University of Technology, the Architectural Association of London, and the Southern California Institute of Architecture in Los Angeles.

Most formative among his many international teaching positions was his tenure at the University of Applied Arts Vienna: from 1993 to 2011 he was Professor for Architecture (Studio Prix), and stepped down from his position as vice chancellor of the Institute of Architecture in 2012. He taught as a visiting professor at the Architectural Association in London in 1984 and at Harvard University in Cambridge, Massachusetts in 1990.From 1985 to 1995, Wolf D. Prix was active as Adjunct Professor at the SCI-Arc in Los Angeles. In 1998 he was a faculty member of Columbia University in New York.

In 1999, Wolf D. Prix was awarded the Harvey S. Perloff Professorship at the University of California Los Angeles (UCLA). In 2001, he served as adjunct professor at UCLA and became a Doctor Honoris Causa de la Universidad de Palermo, Buenos Aires, Argentina.

In 2002, Wolf D. Prix was made Officier de l’ordre des arts et des lettres and was also awarded the gold medal for merits to the federal state of Vienna. He received in 2004 the Annie Spink Award for Excellence in Architectural Education for his commitment to teaching and training and was awarded with the Jencks Award: Visions Built prize for his major contribution to the theory and practice of architecture in 2008. A year later, Federal President Dr. Heinz Fischer bestowed the Austrian Decoration of Honor for Science and Art on Wolf D. Prix for his outstanding creative achievements. In 2011 he was honoured with the “Silberne Komturkreuz des Landes Niederösterreich” as well as the Honorary Citizenship of the City of Busan, Southkorea.

From 1995 to 1997, Wolf D. Prix was a member of the architectural committee in the Austrian Federal Ministry of Science, Research, and the Arts. He is a member of the Austrian Art Senate, of the European Academy of Sciences and Arts, as well as of the Advisory Committee for Building Culture. Furthermore, Wolf D. Prix belongs to the Architectural Association Austria, the Association of German Architects (BDA) in Germany, the Architectural Association Santa Clara in Cuba, the Royal Institute of British Architects (RIBA), the American Institute of Architects (AIA), the Chamber of Architects Île de France and the Architectural Association Italy.

The work of Wolf D. Prix has been published in numerous books and his architectural designs have been featured in many museums and collections worldwide. In 2006, he was the commissioner for the Austrian contribution for the 10th International Exhibition of the Venice Biennale.

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Auböck + Kárász International activities in landscape and garden architecture. Cultural science studies, film projects, exhibition concepts and designs.
www.auboeck-karasz.at

Maria Auböck. Studied Architecture at Vienna University of Technology. Teaching assignment at the University of Applied Arts Vienna and at the Academy of Fine Arts Vienna, since 1999 Professor at the Academy of Fine Arts Munich: “Design in Free Space”.

János Kárász. Studied architecture and social science in Vienna. Teaching assignment at universities in Vienna, Munich and Budapest.

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Harald Trapp, born in 1960, studied sociology (Munich), architecture (Vienna, London, Stuttgart), exhibition architect (MAK, Künstlerhaus Vienna, Kunsthalle Bonn, Venice Biennale, among others), assistant at the Institute of Architecture and Design, Building Theory department (Vienna University of Technology), PhD (Vienna University of Technology), teaching assignment at the School of Architecture (University of East London).

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Christian Kühn Born in 1962, graduated from Vienna University of Technology, PhD at ETH Zürich; post-doctoral thesis at Vienna University of Technology in 2001; Professor at the Institute of Architecture and Design at Vienna University of Technology, emphasis on educational architecture. Architectural critic for “Die Presse” and for specialist journals including Architektur- und Bauforum, archithese and ARCH+. 1995–2000 Board of the Austrian Association of Architecture, since 2000 Board of the Austrian Architecture Foundation. Member of the Advisory Council for Architecture in the Federal Chancellery and the Monument Preservation Advisory Council. Since 2008, Dean of Studies for Architecture at Vienna University of Technology.

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KOLLEKTIV/RAUSCHEN group was founded in Berlin in 2010 as part of an exhibition project and consists of four artists from the sphere of fine arts and music. As KOLLEKTIV/RAUSCHEN, they work on projects that enable an extended space of sound, combining elements of performance, installation, sculpture and concert.
www.kollektivrauschen.org

Das KOLLEKTIV/RAUSCHEN are:
Sebastian Bauer [*1977, D] studied at the universities of Erlangen and Vienna (history, theatre studies);
Christian Schröder [*1979, AT] studied at the University of Applied Arts Vienna (media art);
Samuel Schaab [*1981, D] studied at the University of Applied Arts Vienna (media art);
Markus Taxacher [*1980, AT] studied at the Academy of Fine Arts Vienna (sculpture, digital media).

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Published on: March 19, 2014
Cite: "“Plenum. Places of Power.” Austrian Pavilion for 2014 Venice Biennale" METALOCUS. Accessed
<https://www.metalocus.es/en/news/plenum-places-power-austrian-pavilion-2014-venice-biennale> ISSN 1139-6415
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