One of the recurring themes in art is the ability of the work to catch the viewer and make him part of it, make the viewer be part of the narrative discourse of the work, to feel involved in its narration, or how the reflection of oneself modifies the experience of looking, being transported to a vision in which his image is part of the work that transforms the space to turn it into a place.
Each of the works that will be part of this exhibition incorporates the use of the mirror from different paradigms, covering formal and functional planes, but also philosophical or psychological, thus showing a way of thinking about otherness. This element expands the space, showing the viewer not only his own place but also a reflection in which to observe himself and project his unique gaze with a variety of lights and angles.
Olafur Eliasson (Copenhagen, Denmark, 1967)
Each of the works that will be part of this exhibition incorporates the use of the mirror from different paradigms, covering formal and functional planes, but also philosophical or psychological, thus showing a way of thinking about otherness. This element expands the space, showing the viewer not only his own place but also a reflection in which to observe himself and project his unique gaze with a variety of lights and angles.
Olafur Eliasson (Copenhagen, Denmark, 1967)
Eliasson's artistic interest focuses mainly on three aspects: his concern for nature, his research on geometry and his study of human perception. Eliasson often uses mirrors to expand spaces and create a sense of spatial confusion, which stimulates awareness of our body and the perception of ourselves and space.
Anish Kapoor (Mumbai, India, 1954)
Kapoor explores space through geometric shapes, frequently reflected and created with different materials, in which the mirror stands out. For many years, Kapoor has worked with concave and convex mirror shapes of all kinds. The concavity induces or invites interiority and the convex expands, deforms and transforms. At the same time he deforms and transforms the space where he places the works.
Juan Muñoz (Madrid, 1953 - Ibiza, 2000)
Muñoz's works create an encounter that constantly alternates the recognition of oneself and the reflection of the other. They offer a space in which the Self and the Other can meet in the unspoken territory of meaning. Juan Muñoz's practice consisted of constructing a materiality that spoke of another materiality, loaded with confrontations and visual games.
Michelangelo Pistoletto (Biella, Italy, 1933)
For Pistoletto, the true protagonist of the work is the dimension of time in relation to the moment that is created between the viewer, his own reflection and the figure painted in the work, in an ever-present movement that concentrates the past and the figure. In herself. The ultimate goal of his works is to make the viewer doubt his own existence.