In a moment in which the sustainability is on peak, the architect Óscar Ares has based his concept of sustainable building as an element on direct relation with the society, the village and his peoples and the continued use of the building. If this concept of sustainability was not enough, the skin of the building was thought as a termal cover wich sourrounded the old building.

The study of the architect Óscar Miguel Ares has been the manager of desig the Resin Interpretation Centre in the village of Traspinedo. A project which departs from a social concept of sustainability, where the most important idea is that the neighbors give use to the building, and with abstract references to the town where the project is, the study has given form to the project of rehabilitation of the old slaughter house of the village.

Descripción del proyecto por Óscar Miguel Ares

We understand social-sustainability as any building that is appreciated by their neighbours that maintain an ongoing relation with it. That’s why the transformation of the old slaughterhouse from the Spanish village of Traspinedo (Valladolid) in the Resin Interpretation Centre, better known as CIR, was raised according to a dual commitment:

- As an iconic reading of the rural area where the building was settled, dissolving the vernacular references into abstract schemes that were used as guidelines for the building composition. Not only its gable roof and scale are referring to the environment, but also other elements such as the large swing entrance gate were designed as a nod to local construction traditions.

- As a multipurpose building able to meet the different requirements of the neighborhood and village: The Center is not used just as an exhibition building but also is used as tools storage, job training space, and even as daily work place. The auxiliary building contains the utility room, offices and restrooms.

The furniture also keeps the multipurpose nature of the building. The central furnishing is an exhibitor, but when its flaps are folded it becomes a work bench.
Cabinets are not only used as storage but they are also designed as “illuminating veils”.
The entrance gate is not just an iconic reference of the surrounding area but also works as a light filter, entering invitation, and also has a security function.

Energy sustainability was achieved by a thermal skin, consisting of a sandwich panel used as a cover of the old building that had attached to one side a long and narrow auxiliary building which is linked to the old one in its northern face.

The CIR was an exercise of limited resources, far from big budgets (around 180000 €).

An architecture raised from compositional approaches taken from the surrounding’s formal references and above all projected in a multifunctional key with the goal to make the CIR being a building owned by neighbours.

Text.- Óscar Miguel Ares

 CREDITS. TECHNICAL SHEET.-

Author.- Óscar Miguel Ares Álvarez.
Construction management.- Óscar Miguel Ares Álvarez y Javier Palomero Alonso.
Date.- 2014.
Collaborators.- Bárbara Arranz González, Jesús J. Ruiz Alonso, Elena Rodríguez Díaz, Alberto Ramos de la Cal, y Jaime Pedruelo Sánchez.
Area.- 234 sqm.
Investor.- Ayuntamiento de Traspinedo.
Engineers.- CyA proyectos S.L.
Contractor.- Conedavi S.L.
Furiniture.- Rearasa. S.A.
Location.- Calle del Molino 21, Traspinedo, Valladolid; España.

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Óscar Miguel Ares. Valladolid, 1972. Archtiect from School of Architecture of Valladolid, in 1998. In 2010, he obtained the title of Doctor from the University of Valladolid - for the thesis "GATEPAC 1928-1939" - being his tutor Mr. Juan Antonio Cortés. Since 2013 he is professor of design at the ETS de Arquitectura de Valladolid. He has collaborated, as visiting professor, at ETSA La Salle (Ramón Lluch University, Barcelona), at San Pablo CEU University (Valladolid) and at the School of Design at Al Ghurari University (Dubai, UAE).
 
His texts and works on architectural criticism have been published in different publications as well as by the composition and projects departments of the ETSA Madrid, UPC in Barcelona –with whom he has assiduously collaborated as editor in the publication DC Papers-, ETSA in Seville and ETSA Cartagena. He has given conferences and lectures in Helsinki, Mexico City, Porto, Pamplona, ​​Barcelona, ​​Madrid or Seville. Author of the book: "Alternative Modernity. Transits of form in Spanish architecture (1930-1936)" University of Valladolid (2016).
 
Since March 2012 he has been carrying out his professional work alone, together with the architect Bárbara Arranz, under the Contextos de Arquitectura y Urbanismo brand. As an architect he has won various competitions, his work being awarded at the XIV Spanish Biennial of Architecture and Urbanism 2018; work exhibited in the Spanish Pavilion of the XII Biennale di Venezia (May 2021); selected in XI Biennial of Ibero-American Architecture of Architecture and Urbanism Paraguay (October 2019); finalist in the 2018 FAD Awards; finalist in the 2017 Spanish Architecture Awards; selected Enor Awards (2020), Awarded with the American Architecture Prize (New York, 2017, Bilbao 2019); Awarded with the International Architecture Awards 2018 granted by The Chicago Athenaeum / Europeen (Athens, 2018); Awarded with The Plan Award, (Venice 2018, Milan 2019); more than a dozen awards and mentions at the Castilla y León Architecture Awards (2009, 2011, 2016, 2018 and 2020), as well as awarded at the Castilla y León Sustainable Construction Awards (2017 and 2018). His works have been published in numerous national and international magazines, including METALOCUS, Domus, Arquitectura Viva, Tectónica, Hic Arquitectura or Baumeister, On Diseño and he has exhibited in Madrid, Seville, Venice, Paris and New York.

Director, together with Anna and Eugeni Bach, of the XV Spanish Biennial of Architecture and Urbanism, "Empty Spain / Full Spain; conciliation strategies", forming part of the different juries of the awarded categories.


2016  2015

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