Following an international design competition win in 2018, Snøhetta was commissioned to design the new sub-centre library in the Chinese capital and has developed the architectural, landscape, and interior design in partnership with local partner ECADI.

Aiming to set new standards for sustainable library design, the Beijing sub-centre library will become distinctly different to conventional libraries, utilizing technology, smart design and local resources.
The new Beijing sub-centre library designed by Snøhetta, due to complete by the end of 2022, will offer a contemporary yet timeless space for learning, knowledge sharing and open discussions, as well as celebrating the cultural richness of Beijing and China at large.
 
"China’s first self-supporting glass facade project."

Construction started in 2020 and since then, the roof has been put in place and the tall glass enclosure, up to 16 meters, is currently under installation. At completion, this will be China’s first self-supporting glass facade project.
 

Project description by Snøhetta

Openness and inclusion

The library was designed and created to celebrate a public space for learning, information exchange and open discussions, as well as celebrating Beijing’s heritage and rich cultural history of science, art and performance. This has been emphasized by creating a common space as the centre of the library, highlighted by a prominent sculpted learning landscape that covers and permeates throughout the whole library.

The big open space of the library is designed to bring people together - spatially but also intellectually: the large reading landscape promotes distribution and access to knowledge and creates an experience that is distinctly different to conventional sections of libraries. This openness gives people of all ages the opportunity to meet on one surface and interact in an amphitheatre-like space. Similar open spaces designed to promote interaction and exchange of knowledge can be found at different locations throughout the whole building.

Because of the highly transparent building façade, the library reveals itself and its inner activities to passers-by, inviting them into this generous space. On the inside of the building, the central valley forms the backbone of the library. Besides serving as the main circulation space from the north side of the building to the south side, it links people to all relevant spaces on top of and under the reading landscape.

A forest of knowledge

Extended from the sculpted reading landscape are columns that reach up to support the roof – a ginkgo forest-like canopy. Each tree column is also a building technology component, resulting in a distributed technology system that tackles climate control, lighting, acoustic comfort, and rainwater disposal. The stepped landscape areas with the tree-like surroundings invite people to sit down and take a break at any time on their journey through the building – creating an informal zone and the notion of sitting under a tree reading your favourite book.

Under the roof canopy and atop the sculpted landscape is a variety of experiential spaces where visitors can find their private place for reading and learning while always being connected to the larger common area. Creating a feeling of being tall and low, open and closed, private and public all at the same time. There are no designated "sections" or categorizations of knowledge.

A library for the future

Beijing sub-centre library aims to set a new benchmark for future library design in many aspects – from building and enclosure technology, social and environmental sustainability, to public ownership in cultural spaces. When creating the new Beijing sub-centre Library, Snøhetta and its partners have strived to meet the highest standards possible when it comes to sustainability. The roof has integrated photovoltaic (BIPV) construction elements that replace the conventional roofing and facade materials, utilizing the prime exposure of the rooftop to sunlight for renewable energy production and creating one of the most environmentally friendly roofs possible. The roof also has an overhang to reduce solar gain. The glass height has been reduced on the walls facing east and west, as well as adding an active sun-shading device facing the south and west façade. The glass itself is an insulated glass unit with Low-E- performance. All the major materials for the construction have been sourced locally, and the use of modular components with a rationalized structural grid has been used to reduce the need for customization for both the columns and the roof.

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Collaborators
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Local partner.- ECADI.
Renderings.- Plomp.
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Fechas Dates
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Contest.- 2018.
It is due to be completed by end of 2022.
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Snøhetta is an architecture, landscape, and interior design studio with offices in Oslo, Norway, and New York City, USA. Founded in 1989, it is led by Craig Dykers and Kjetil Thorsen. The studio, named in honour of Mount Snøhetta, the highest peak in the Dovrefjell mountains of Norway, has approximately 100 collaborators working on large-scale international projects across a wide range of typologies. Their approach is deeply collaborative and transdisciplinary, bringing together architects, designers, engineers, and landscape professionals to explore multiple perspectives depending on the nature of each project.

Snøhetta has completed a series of world-renowned cultural and landmark projects, including the Bibliotheca Alexandrina in Egypt, the Oslo Opera House and Ballet, and the Lillehammer Art Museum in Norway. Current projects include the National Pavilion of the September 11 Memorial Museum at the World Trade Center site in New York, as well as urban and landscape developments that aim to merge local identity, sustainability, and public experience.

In 2004, Snøhetta was awarded the Aga Khan Award for Architecture, and in 2009, the Mies van der Rohe Award. The studio is the only practice to have won the World Architecture Award for Best Cultural Building twice in consecutive years: in 2002 for the Bibliotheca Alexandrina and in 2008 for the Oslo Opera House and Ballet, consolidating its international prestige.

Kjetil Trædal Thorsen (born 1958 on the coastal island of Karmøy, Norway) is a co-founder of the studio and a multiple award-winning architect. He is a visionary and humanist designer who has redefined the boundaries of contemporary practice. Under his leadership, Snøhetta has produced iconic, sustainable structures that are highly sensitive to their cultural context, combining technological innovation with a profound environmental awareness. Thorsen’s work is recognized for its focus on social interaction, sustainability, and the creation of spaces that foster human connection and sensory experience, establishing a benchmark in contemporary global architecture.

Craig Dykers (born 1961 in Frankfurt, Germany) is also a co-founder of the studio and director of its New York office. Snøhetta has earned a reputation for maintaining a deep integration of landscape, architecture, and urban experience across all its projects. Key works include the Bibliotheca Alexandrina in Egypt, the Oslo Opera House and Ballet, the National Pavilion of the September 11 Memorial Museum in New York, and the redesign of Times Square. Professionally and academically active, Dykers has been a member of the Norwegian Association of Architects (NAL), the American Institute of Architects (AIA), and the Royal Society of Arts in England. He has served as a diploma juror at the Architectural College in Oslo and as a distinguished professor at City College, New York. He has delivered numerous lectures across Europe, Asia, and the Americas, and has undertaken public art installation projects, many of which explore the interplay between context, landscape, and human experience.

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Published on: January 3, 2022
Cite:
metalocus, CARLOS GONZÁLEZ
"Snøhetta designs a library with a futuristic roof in Beijing " METALOCUS. Accessed
<https://www.metalocus.es/en/news/snohetta-designs-a-library-a-futuristic-roof-beijing> ISSN 1139-6415
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