The Dolunay villa designed by Foster + Partners is situated along the coast of the Aegean Sea in Turkey’s southwestern province of Muğla. designed by Foster + Partners.

The new private villa has been carefully sited amid the natural rugged setting, prioritising the spectacular sea views. The site is accessed from the north, with a curving road that leads to the drop-off for the villa.

The house is embedded within a beautiful Mediterranean garden that offers a multisensory experience with fragrant plants such as thyme and lavender alongside rich seasonal planting and mature olive trees.
The journey through the villa is from ‘opaque to open’, reflecting the differing levels of privacy throughout and the design seeks to blur the boundaries between inside and outside living, with the large glass doors along the façade that slide back completely providing an unobstructed flow of space between the interior and exterior spaces.

Foster + Partners designed the terraces of this private residence sheltered by "a handcrafted undulating structural timber roof" that cantilevers 7.5m from the building, covering housing area 1,668-square-metre.  It relies on solid structural oak beams that rest on steel columns and was designed in collaboration with Blumer Lehmann.

Dolunay Villa's giant undulating timber roof is designed to appear like an extension of its rocky, beachside setting, creating a generous outdoor shaded spaces and cool shaded courtyards to the rear.
 

Project description by Foster + Partners

The Dolunay villa is situated along the coast of the Aegean Sea in Turkey’s southwestern province of Muğla. The new private villa has been carefully sited amid the natural rugged setting, prioritising the spectacular sea views.

The site is accessed from the north, with a curving road that leads to the drop-off for the villa. The design uses the natural contours of the site to create a low-rise building that appears as a single storey structure on approach. The house is embedded within a beautiful Mediterranean garden that offers a multisensory experience with fragrant plants such as thyme and lavender alongside rich seasonal planting and mature olive trees. The main entrance takes you directly to the heart of the villa with the private family quarters to the eastern side, orientated to respond to the contours of the site, and the public living and dining areas to the west, with exceptional views of the setting sun over the Aegean.

The journey through the villa is from ‘opaque to open’, reflecting the differing levels of privacy throughout and the design seeks to blur the boundaries between inside and outside living, with the large glass doors along the façade that slide back completely providing an unobstructed flow of space between the interior and exterior spaces.

The house features a handcrafted undulating structural timber roof, designed in conjunction with Swiss firm Blumer Lehmann. The prefabricated and precision-engineered structure contains substantially less carbon than a typical concrete roof. The solid structural oak beams rest on steel columns, supporting a large 7.5m cantilever, providing generous outdoor shaded spaces and cool shaded courtyards to the rear.

The central feature stair that connects the two levels is made from solid Portuguese limestone and is supported through post-tensioned cables running through the stone with no other visible supports. Preserving the purity of the staircase and offering a feeling of lightness, the balustrades are made from thin glass tubes with a timber handrail that has been bent and shaped on site.

Reflecting the high levels of craftsmanship in the design, each element has been designed to respond to the specific requirements of the client – from hand-carved solid timber doors to bespoke ceramic tiles and basin in the bathrooms. There is a smaller sunset pavilion closer to the coast that features natural stone walls, olive groves, wooden tables and a bamboo soffit.

Inspired by the villa’s immediate surroundings, the natural interior material palette consists of  stone, wood and bronze and features various tones of warm browns and greys found throughout the rocky outcrops and sandy beaches of the site. The choice of oak joinery and leather furnishings provides a relaxed, elegant feel to the coastal retreat.

Read more
Read less

More information

Label
Architects
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Collaborators
Text
Local architects.- Design Group Istanbul, Artiko architects. Environmental Engineer.- Okutan Mühendislik, Ankara. Lighting Engineer.- Design Group Istanbul. Structural Engineer.- Design Group Istanbul, Matte Construction & Design. Landscape Architect: Exterior Architecture, Jan Muse Landscape Designers.
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Area
Text
1,668m²
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Measures
Text
Height.- 7.60m
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Dates
Text
Appointment.- 2015. Completion.- 2019.
+ + copy Created with Sketch.
- + copy Created with Sketch.

Norman Foster is considered by many to be the most prominent architect in Britain. He won the 1999 Pritzker Architecture Prize and the 2009 Príncipe de Asturias de las Artes Prize.

Lord Foster rebuilt the Reichstag as a new German Parliament in Berlin and designed a contemporary Great Court for the British Museum. He linked St. Paul's Cathedral to the Tate Modern with the Millennium Bridge, a steel footbridge across the Thames. He designed the Hearst Corporation Building in Manhattan, at 57th Street and Eighth Avenue.

He was born in Manchester, England, in 1935. Among his firm’s many other projects are London’s City Hall, the Bilbao Metro in Spain, the Canary Wharf Underground Station in London and the renovated courtyard of the Smithsonian American Art Museum and National Portrait Gallery in Washington.

In the 1970s, Lord Foster was one of the most visible practitioners of high-tech architecture that fetishized machine culture. His triumphant 1986 Hong Kong and Shanghai bank building, conceived as a kit-of-parts plugged into a towering steel frame, was capitalism's answer to the populist Pompidou Center in Paris.

Nicolai Ouroussoff, The Times’s architecture critic, has written that although Lord Foster’s work has become sleeker and more predictable in recent years, his forms are always driven by an internal structural logic, and they treat their surroundings with a refreshing bluntness.

Awarded the Prince of Asturias of the Arts 2009.

Read more
Published on: March 29, 2020
Cite: "An undulating structural timber roof. Dolunay Villa by Foster + Partners" METALOCUS. Accessed
<https://www.metalocus.es/en/news/undulating-structural-timber-roof-dolunay-villa-foster-partners> ISSN 1139-6415
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...