10 deaths of architects
01/11/2015.
Especial Halloween METALOCUS
metalocus, JOSÉ JUAN BARBA, CLAUDIA CENDOYA, IRENE GARCÍA
metalocus, JOSÉ JUAN BARBA, CLAUDIA CENDOYA, IRENE GARCÍA
José Juan Barba (1964) architect from ETSA Madrid in 1991. Special Mention in the National Finishing University Education Awards 1991. PhD in Architecture ETSAM, 2004. He founded his professional practice in Madrid in 1992 (www.josejuanbarba.com). He is an architecture critic and editor-in-chief of METALOCUS magazine since 1999, and he was advising different NGOs until 1997. He has been a lecturer (in Design, Theory and Criticism, and Urban planning) and guest lecturer at different national and international universities (Roma TRE, Polytechnic Milan, ETSA Madrid, ETSA Barcelona, UNAM Mexico, Univ. Iberoamericana Mexico, University of Thessaly Volos, FA de Montevideo, Washington, Medellin, IE School, U.Alicante, Univ. Europea Madrid, UCJC Madrid, ESARQ-U.I.C. Barcelona,...).
Maître de Conférences IUG-UPMF Grenoble 2013-14. Full assistant Professor, since 2003 up to now at the University of Alcalá School of Architecture, Madrid, Spain. And Jury in competitions as Quaderns editorial magazine (2011), Mies van der Rohe Awards, (2010-2022), Europan13 (2015). He has been invited to participate in the Biennale di Venezia 2016 as part "Spaces of Exception / Spazi d'Eccezione".
He has published several books, the last in 2016, "#positions" and in 2015 "Inventions: New York vs. Rem Koolhaas, Bernard Tschumi, Piranesi " and collaborations on "Spaces of Exception / Spazi d'Eccezione", "La Mansana de la discordia" (2015), "Arquitectura Contemporánea de Japón: Nuevos territorios" (2015)...
Awards.-
- Award. RENOVATION OF SEGURA RIVER ENVIRONMENT, Murcia, Sapin, 2010.
- First Prize, RENOVATION GRAN VÍA, “Delirious Gran Vía”, Madrid, Spain, 2010.
- First Prize, “PANAYIOTI MIXELI Award”. SADAS-PEA, for the Spreading of Knowledge of Architecture Athens, 2005.
- First Prize, “SANTIAGO AMÓN Award," for the Spreading of Knowledge of Architecture. 2000.
- Award, “PIERRE VAGO Award." ICAC -International committee of Art Critics. London, 2005.
- First Prize, C.O.A.M. Madrid, 2000. Shortlisted, World Architecture Festival. Centro de Investigación e Interpretación de los Ríos. Tera, Esla y Orbigo, Barcelona, 2008.
- First Prize. FAD AWARD 07 Ephemeral Interventions. “M.C.ESCHER”. Arquin-Fad. Barcelona, Sapin 2007.
Adolf Loos (December 10, 1870, Brno, Moravia - August 23, 1933, Kalsburg, Austria). His father, a craftsman, had a workshop where Adolf obtained his first lessons that were essential during the course of his career. After several failures trying to enter the school of architecture, he finally started studying at the Professional School of Reichenberg (Austria), and between 1890 and 1893 at the Dresden Polytechnic without obtaining the title of architect at the end. In 1893 he traveled to the United States to see the Universal Exhibition of Chicago, where he completed his training during his stay as he was in contact with the Anglo-Saxon culture which influenced his aesthetic criteria. After visiting Londo and Paris, in 1896 he settled in Vienna working as an architect.
He worked as a furniture designer at the company F.O.Schmidt with his first order the Kohlmarkt Hall in 1897. In 1899 he revolutionized viennese architecture with the construction of the Café Museum and in 1908 wrote his famous article Ornament and crime, where he expounded his idea of dispensing the ornament. He founded his own construction school in 1912, which had to close because of World War I, and in 1920 he was appointed chief architect of the Viennese City Council, resigning in 1924 because of his social principles, moving to Paris for the next five years.
He was a pioneer within the modern movement because he supported the no use of ornamentation and the break with historicism, being a precursor of the architectural rationalism. From his postulates, where he oppose art and utility and saw the architecture only from the utility field, he positioned against the modernists. These had formed the Viennese Secession and held an antagonistic view of architecture. He came into contact with the European artistic avant-gardes of the moment, such as Schönberg or Kokoschka.
The architecture of Adolf Loos is characterized by being functional and take into account the qualities of new materials. For him, architecture is different from the other applied arts, it is the mother of all; having to be functional and dispose of ornamentation.
One of his greatest concerns was to provide humans with a modern life, a western culture with no differences. In his magazine Das Andere, founded in 1903, he reflected all these problems, introducing the concept of Raumplan, where Loos awarded each space a different importance. According to the importance of the room and its vision within the total volume of the building, it had a different size and height. Thus he discovers the concrete space where human life unfolds.
Among his outstanding works we find the intervention at the Coffee Museum (Vienna, 1899), the Villa Karma (Switzerland, 1903-1906), the Steiner houses (Vienna, 1910), the Goldman Tailors and Salatsch, also known as Loos House, (Vienna, 1910) and the project Chicago Tribune Column (1922). Amongst his last works, some of them built in France, are the Tristan Tzara House (Paris, 1926), the Moller House (Vienna, 1928) and the Müller House (Prague, 1930), becoming an important influential teacher in the architectures of Gropius, Le Corbusier and other postwar architects.
Charles Édouard Jeanneret-Gris was born in La Chaux-de-Fonds, Switzerland on October 6th, 1887. He is best known as Le Corbusier, one of the most important architects of the XX Century that together with Walter Gropius, Ludwig Mies van der Rohe, and Frank Lloyd Wright rise up as the fathers of Modern Architecture. In his long career, he worked in France, Germany, Switzerland, the United States, Argentina, India and Japan.
Jeanneret was admitted to the Art School of La Chaux-de-Fonds in 1902. He knew Charles l’Éplattenier, his first teacher, and he became interested in architecture. He built his first house, Villa Fallet, in 1906, and one year later he set out on his first great journey to Italy. From 1908-1909 he worked in Perret Bother’s Studio, where he focussed on the employment of the concrete, and from 1910-1911 he coincided with Mies van der Rohe in this studio in Berlin.
In 1917, Charles Édouard Jeanneret set up finally in Paris. The next year he met the painter Amedée Ozenfant and he displayed his first paintings and wrote his first book, Après le Cubismo. In 1919 he founded the magazine l´Esprit nouveau, where he published unnumbered articles, signing with the pseudonym Le Corbusier for the first time.
He opened his own Studio in 1922, in the number 35 of the rue de Sèvres. In this decade when his laboratory epoch started he carried out a great number of activities as a painter, essayist, and writer. But also as an architect, he planned some of the most recognizable icons of modern architecture and developed the principles of the free plan. Some of these works are the Villa Roche-Jeanneret, the Villa Savoye in Poissy, and the Siedlungweissenhof’s houses built in Stuttgart in 1927. It should be pointed out that at the same time; he set out the “five points” of the architecture.
Le Corbusier projected “The contemporary three million population city” in 1922 and in 1925 put forward the Voisin plan of Paris, which is one of his most important urban proposals. Three years later, in 1928, through his initiative, the CIAM was created and in 1929 he published his first edition of the Oeuvre Complète.
In the 30s, he collaborated with the magazine Plans and Prélude, where he became enthusiastic about urbanism and he started, in 1930, to elaborate the drawings of the “Radiant City” as a result of the “Green City” planned for Moscu, his project would be summarized in the “Radiant Villa”, which was enclosed with the projects for Amberes, Stockholm, and Paris. By 1931 he presented Argel, a proposal that composed the Obus Plan. And in 1933 the 4th CIAM passed and there he edited the Athens Document.
Le Corbusier, in 1943, developed the “Three Human Establishments Doctrine” and founded the Constructors Assembly for Architectural Renovation (ASCORAL). He made the project the Unite d´habitation of Marsella in 1952, which was the first one of a series of similar buildings. At the same time, the works of Chandigarh in India began, where he planned the main governmental buildings. Nevertheless, in the same decade, he worked in France too, in the Notre-Dame-du-Haut chapel in Ronchamp, in the convent of La Tourette in Éveux, Jaoul’s houses in Neuilly and the Unites d´habitation of Rézé-lès-Nantes, Briey-en-Forêt and Firminy.
He wrote and published his worldwide known study of the Modulor in 1948 followed by a second part in 1953. Meanwhile the next Le Corbusier’s books had a more autobiographic nature, among them the Le poème de l'angle droit (1955), l'Atelier de la recherche patiente (1960) and Mise aupoint (1966) stand out.
Le Corbusier, at the end of his life, created many projects that would not be built, for example, a calculus center for Olivetti in Rho, Milan; a congress in Strasbourg, the France embassy in Brasilia and a new hospital in Venice.
He died drowned on the 27th of August of 1965 in Roquebrune-Cap-Martin.
Louis Isadore Kahn is born in Pernow – formerly in Russia, but now Pärnu in Estonia – on February 20, 1901 by the name of Leiser-itze Schmulowsky. In 1906, the family immigrates to Philadelphia. His father changes the family name to Kahn in 1915, when the family is awarded US citizenship. Kahn develops his artistic talents early on, and is able to draw beautifully from a young age.
In his early years, Kahn earns money playing the piano at neighbourhood theatres. He keeps this up during his university years, until he graduates in 1924 with a bronze medal for ‘superior excellence’ and starts working as an architect.
In 1928, he leaves on a trip to Europe. In the Netherlands, he learns about modern architecture, such as the functionalist design of Johannes Duiker's Sanatorium Zonnestraal in Hilversum. He also gets to see the architecture of Hendrik Berlage, Michel de Klerk and Willem Dudok.
Family life and work 1930 - 1955
Back in the US, Louis Kahn marries Esther Virginia Israeli, a research assistant in the field of neurology. Five years later, Kahn is awarded the title of architect and starts working from home on his own projects. In 1940, Esther gives birth to their first daughter, Sue Ann. In 1945, Kahn has an office with a few employees. Kahn develops a tough work ethic: he often only rests for a few hours, sometimes sleeping at the office to be able to continue working straight away.
In the office, Louis Kahn and architect Anne Tyng, who is nearly 20 years younger, become entangled in an affair. Because of his attitude towards work, Louis Kahn is often away from home, keeping the two worlds of family life and work strictly separate. In 1950, Kahn leaves on another extended trip to southern Europe and Egypt, where he draws ancient Roman and Egyptian treasures. Kahn describes the beauty of these structures in letters to Anne Tyng. In 1954, Anne Tyng gives birth to Kahn's second child: Alexandra.
International fame: 1955 - 1974
In 1958, Kahn is introduced to landscape-architect Harriet Pattison (born in 1928) at a party. A relationship develops between the architect and Pattison, resulting in the birth of Kahn's third child and only son, Nathaniel. One year later, Kahn attends the conference of a prominent group of international architects, who have come together in Otterloo, the Netherlands, under the name of Team X (Team Ten). This group includes Dutch architects Aldo van Eyck and Jaap Bakema.
In the 1960s and 70s, Kahn finally takes his place on the international stage with designs for government buildings, museums, laboratories, libraries, private homes and religious buildings. One high point is the government building in Dhaka, Bangladesh, which is only completed in 1983, years after his death. In the last decade of his life, Kahn visits the Indian subcontinent no fewer than 40 times. On 17 March 1974, returning from one of these trips, Louis Kahn dies in a toilet at Penn Station in New York. For uncertain reasons, he had crossed out his name in his passport, as a result of which he can only be identified a few days later.
21st century: Kahn's legacy lives on
Years after Louis Kahn dies, his son Nathaniel sets out to investigate his father's legacy. His film ‘My Architect’ (2003) earns him an Oscar nomination.