Studio Other Spaces, led by artist Olafur Eliasson and architect Sebastian Behmann, has designed Meles Zenawi Memorial Park on the northern edge of Ethiopia’s capital, Addis Ababa. This project, initiated ten years ago to commemorate the life of Meles Zenawi, former president and prime minister of the country, was conceived by the architects as an anti-monument. The complex is not a singular form to be passively observed by viewers, but rather an open, multifaceted landscape where visitors are also part of its purpose and meaning.

The project's 7 pavilions and 5 buildings are arranged along a 2.4 km winding path. The trail follows the topography of the place and has flowers, trees and stones collected from all regions of the country, mixing natural and regional distinctive features. The design stems from the idea of experiencing the park on foot, in relation to one's own body, movement and nature.

The journey begins with a winding dirt road that leads to the observation deck building, with a breathtaking view of the Ethiopian capital and a space for large gatherings. The path continues, passing through a series of pavilions that represent important stages in the personal and political life of Meles Zenawi, such as Education, Debate, Struggle, Transition and Constitution. Finally, the path leads to a campus that is made up of the guest house, the research center, the library, and the office building.
The entire Meles Zenawi Memorial Park, by Studio Other Spaces, is built by combining local methods, crafts and materials with modern technology. The buildings in the park are inserted into the place and take into account the environment that surrounds them; For example, the viewpoint has a large terrace on the roof to appreciate the views, since it is located at the highest point of the park. While a series of brightly colored walls arranged in concentric rings outlines the perimeter of the guest house to give privacy to the individual residences.

The office building of the Meles Zenawi Foundation consists of an ascending spiral, whose transparency and spatial fluidity express the openness, introspection and cooperation that drive the work of the foundation. The library is also designed as an ascending spiral that is divided into alternate collection and reading spaces, in this case the development of the spiral represents the possible expansion of the library and the constant growth of knowledge. In addition, the campus research center houses circular workspaces organized around a central meeting place, facilitating communication between researchers.

The Meles Zenawi Memorial Park by Studio Other Spaces. Photograph by Vogt Landscape.


Guest house. The Meles Zenawi Memorial Park by Studio Other Spaces. Photograph by Vogt Landscape.
 

Project description by Studio Other Spaces

Studio Other Spaces – led by artist Olafur Eliasson and architect Sebastian Behmann – has conceptualised an expansive, multifaceted landscape that connects 7 pavilions and 5 buildings along a meandering 2.4 km walking path. Constructed by combining local methods, crafts, and materials with modern technology, Meles Zenawi Memorial Park invites visitors to co-produce its purpose and meaning, while resonating with the nation’s past and future.

Ten years ago, this project was initiated by the Meles Zenawi Foundation to commemorate the life of Meles Zenawi, who was the country's president and then prime minister from 1991 until his death in 2012. By designing a socially horizontal space, SOS has expanded the meaning of the word ‘memorial’ beyond the memory of a single leader to include the many memories of the countless people, whether from the cities or countryside, whether old or young, rich or poor, who make up the country of Ethiopia and who themselves have lived its history.

Located on the northern edge of Ethiopia’s capital, Addis Ababa, Meles Zenawi Memorial Park is intended to be widely accessible to the community. The overall design strives to facilitate exchange through recreation and education, and to hold space for contemplation and debate of the country’s histories, as well as paths forward. The hope is that the memorial park can accommodate the many, often complex feelings and reflections around Meles Zenawi’s legacy – from celebration and optimism to grief and reckoning.


The Meles Zenawi Memorial Park by Studio Other Spaces. Photograph by Vogt Landscape.
 

"I’ve had a long-lasting relationship with Ethiopia. I was a visiting professor at the Ale School of Fine Art and Design at Addis Ababa University for many years, and I gave several workshops and initiated many exchange programs between Addis Ababa and Berlin. A collaborative project was a natural next step. The memorial park design builds on several layers. Walking in this recreational spot entails taking in history actively – walking makes history felt and embodied. We hope that visitors will experience it as a generous public space that welcomes people with diverse backgrounds and opinions – friends, supporters, and political adversaries alike."  

Olafur Eliasson, artist, SOS co-founder.

"Our starting point was to research the potential of the site with its proximity to Addis Ababa: the availability of materials, the craftsmanship, the social context, the distinct climate – all of these elements merge in the unique structures of the park, which together reflect Ethiopia’s past, present, and potential future. We aimed to combine a globalised experience of how things are built with deep knowledge and understanding of local conditions. One of the references we incorporated in our work was the contemporary adoption of Ethiopian culture through modernist buildings, namely, their specific materials and spatial organisation."

Sebastian Behmann, architect, SOS co-founder.

The buildings in the park are rooted in the site and surroundings. For example, the sun has been used as a tool to enrich the quality of the building’s design. As Ethiopia is close to the equator, the sun travels almost the same route every day at a predictable angle. This especially enhances the facades as the light modulates the colours of the walls at different times of the day. SOS also turned to a tradition from the old city of Harar: a technique of plastering walls in many layers to build up a unique texture. Other important elements to local daily life, such as the zones between indoor and outdoor spaces – verandas, porches, and open staircases, which typically serve for gatherings and family life – have been incorporated into the project’s office buildings.


The Meles Zenawi Memorial Park by Studio Other Spaces. Photograph by Vogt Landscape.

Experiencing the park on foot, in relation to one’s body and movement, formed the starting point for the design. Following along the path, the visitor is confronted with nature while encountering an alternation of scenic views and spaces that contemplate Meles Zenawi and the country’s developments. These are explored through a series of pavilions that represent relevant stages in Meles Zenawi’s personal and political life, such as Education, Debate, Struggle, Transition, and Constitution. The journey begins with a modest winding path, its character changing gradually – beginning with a simple soil trail that leads to an elevated wooden construction, and finally to a path created with stones gathered from all over the country. Finally, one reaches the Outlook which offers an impressive view over Ethiopia’s capital. The building provides a space for large gatherings. The path continues, leading up to a campus consisting of the Guest House, Research Centre, Library, and Office.


"Addis Ababa has always grappled with providing its citizens with appropriate public open spaces. I see the Meles Zenawi Memorial Park as a successful architectural and landscape intervention that not only adds to the volume of the much-needed ‘breathing’ space in the city but also reveals the potential of what Addis Ababa can qualitatively offer with regard to the genre of parks. Despite possible political sentiments on the project, it ultimately intends to serve the city and its inhabitants. The buildings within it are designed for civic purposes. As opposed to a monument that "imposes" and "prescribes’" the park constitutes libraries and research centers offering spaces for debate and academic discourse."

Brook Teklehaimanot, Meles Zenawi Memorial Park Architectural advisor, founding partner at BOTA Architectoch.

Meles Zenawi Memorial Park was created in close cooperation with numerous partners. Architects Fasil Giorghis and Kidus Hailesilassie were involved in the design, and Varnero PLC, as the contractor. Quartet Art Studio was responsible for the stonework, Transsolar developed the energy concept, and Vogt Landscape joined the project for the landscape design of the park and the gardens surrounding each building. After a decade of collaboration and creation, it is possible that the project will fall into disuse. The ongoing political upheaval in Ethiopia since the civil war means the future of the Meles Zenawi Memorial Park is currently unknown.


Debate pavilion. The Meles Zenawi Memorial Park by Studio Other Spaces. Photograph by Michael Tsegaye.


Education Pavilion. The Meles Zenawi Memorial Park by Studio Other Spaces. Photograph by Michael Tsegaye.

The Park
In 2016 Vogt Landscape joined the project to create curated gardens along the campus path and individual concepts for the landscape surrounding each building. The path follows the topography of the site and boasts flowers, trees, and stones gathered from all regions of the country, achieving a co-existence of naturally and regionally distinctive traits. In addition, the site features water prominently in a number of settings, a tactile gesture to the resource’s continued importance for the growth of the nation.

The Pavillions in the Park
Stretching along seven commemorative stations on the western side of the park, a memorial trail traces the childhood, education, and services of Meles Zenawi, aimed at representing the upbringing and political circumstances of his generation and what it could have meant to grow up in Ethiopia during this period.
 

Outlook. The Meles Zenawi Memorial Park by Studio Other Spaces. Photograph by Studio Other Spaces.


Guest house. The Meles Zenawi Memorial Park by Studio Other Spaces. Photograph by Studio Other Spaces.

The Outlook
This exhibition and reception area occupies the site’s most prominent panoramic point and is the campus landmark most visible from Addis Ababa proper. The structure unites various conference and exhibition functions under one large roof. The Outlook’s expansive rooftop terrace offers sweeping views of both the city below and the neighbouring botanical gardens.

The Guest House
A collection of brightly painted, freestanding walls arrayed in concentric rings outlines the perimeter of the Guest House. While they screen the individual residences from view, the segmented walls allow the park to flow through the communal spaces between them, imparting porosity to the building. The vivid colouration of the rough-plastered wall segments tints the spaces between and within the living spaces, creating different chromatic atmospheres according to the intensity of the sunlight.
 

Office building. The Meles Zenawi Memorial Park by Studio Other Spaces. Photograph by Michael Tsegaye.

The Office Building
As structurally dynamic as they are transparent, the Meles Zenawi Foundation offices are housed in an ascending spiral, with walkways wrapped around the Office Building’s interior and exterior, offering a variety of meeting spaces and adaptable work areas. The pervasive use of glass endows the building with cross-sectional visibility. The building’s transparency and flowing sequence of spaces express the openness, introspection, and cooperation that drive the foundation’s work.

The Research Centre
Situated in a terraced landscape, the campus’s Research Centre hosts circular workspaces organised around a central meeting place, which allows for ease of communication among researchers. The building’s unorthodox design creates a striking presence within the landscape and, in a way comparable to how sculpture defines space, frames the public terraces cascading out from beneath it.
 

Research centre. The Meles Zenawi Memorial Park by Studio Other Spaces. Photograph by Michael Tsegaye.


Library. The Meles Zenawi Memorial Park by Studio Other Spaces. Photograph by Studio Other Spaces.

The Library
The Meles Zenawi Foundation Library is designed as an ascending and expanding spiral, a shape that gestures to the Library’s possible expansion and to the constant growth potential of knowledge. The spiralling floor is sectioned into alternating collection and reading spaces; calmer zones are contrasted with common areas for exchange that is afforded by the spiral staircase at the centre of the structure. The central spiral, with sunlight from above lighting the space, offers a variety of seating and reading arrangements. While the closed, solid exterior suggests the introverted nature of the building’s use for reading and study, a patio at the upper end of the spiral provides an expansive panorama and space for outdoor recreation.

More information

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Authors
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Studio Other Spaces. Olafur Eliasson (Artist), Sebastian Behmann (Architect).
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Collaborators
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Local architect.- Fasil Giorghis Architects.
Landscape design.- Vogt Landscape.
Artistic stonework.- Yohannes F. Birhan.
Consulting office / Implementation planning.- MH Engineering.
Advisor.- Brook Teklehaimanot
Solar floor heating consultant.- Vonall + Bernhard Gläser.
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Builder
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Varnero Construction.
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Client
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Meles Zenawi Foundation.
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Area
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65 Ha.
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Dates
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2013 - ...
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LocatioN
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Addis Ababa, Ethiopia.
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Studio Other Spaces, founded by artist Olafur Eliasson and architect Sebastian Behmann in Berlin in 2014, connects art and architecture through works on interdisciplinary and experimental building projects and artworks for public space.

Seeking to expand the practice of architecture, they aim at finding experiment-based methods for designing space. Their involvement begins by analyzing the situation and results in the reality of the built project. Their work reflects their approach to a holistic architecture practice.

Olafur Eliasson (Copenhagen, 1967) studied at the Royal Academy of the Arts in Copenhagen between 1989 and 1995. He represented Denmark in the 2003 Venice Biennale and has exhibited his work at numerous international museums. His work is part of private and public collections such as the Solomon R. Guggenheim Museum in New York, The Museum of Contemporary Art (MOCA) in Los Angeles and Tate Modern in London, where his seminal work The weather project was exhibited. Eliasson lives and works in Berlin and Copenhagen.

Eliasson represented Denmark at the 50th Venice Biennale in 2003 and later that year installed The weather project at Tate Modern, London. Take your time: Olafur Eliasson, a survey exhibition organised by SFMOMA in 2007, travelled until 2010 to various venues, including the Museum of Modern Art, New York.

As a professor at the Universität der Künste Berlin, Eliasson founded the Institut für Raumexperimente (Institute of Space Experiments) in 2009, an innovative model of arts education. In 2012, he launched Little Sun, a solar-powered lamp developed together with the engineer Frederik Ottesen to improve the lives of the approximately 1.6 billion people worldwide without access to electricity. Harpa Reykjavik Concert Hall and Conference Centre, for which he created the façade in collaboration with Henning Larsen Architects, was awarded the Mies van der Rohe Award 2013.

Sebastian Behmann. Architect Sebastian Behmann, born in Germany in 1969, has worked with Olafur Eliasson since 2001 and is head of the department of design at Studio Olafur Eliasson, as well as co-founder of Studio Other Spaces. Major projects with Eliasson include the Serpentine Gallery Pavilion 2007 in London, Cirkelbroen (The circle bridge) in Copenhagen (2015), and Fjordenhus in Vejle, Denmark (2009–18), in addition to numerous installations, pavilions, and international exhibitions.
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