Architects Chosen To Design Xiqu Centre for West Kowloon Cultural District
10/12/2012.
West Kowloon Cultural District [Hong Kong]
metalocus, INÉS LALUETA
metalocus, INÉS LALUETA
The West Kowloon Cultural District Authority ("WKCDA") announced today the appointment of two Hong Kong born architects to collaborate on the architectural design of the Xiqu (Chinese opera) Centre, one of the landmark cultural venues for the West Kowloon Cultural District, scheduled for commissioning in 2016.
WKCD Masterplan by Foster + Partners
Also announced today was the shortlist of six design teams that have been invited to submit proposals for the architectural design of M+, Hong Kong's future museum for 20th and 21st century visual culture within the District, scheduled for completion in 2017. M+ is an ambitious project, the scale of the museum building alone, at around 62,000 square metres, will be on par with the Museum of Modern Art in New York. Situated on the waterfront of the Victoria Harbour at the edge of a 14-hectare park, the architecture brief will be shaped around the museum's core values. It will provide vital space for artists to meet, exhibit and experiment and will house a world-class permanent collection of Hong Kong, Chinese, and Asian visual culture: art, design, architecture and the moving image.
The six shortlisted teams are:
- Herzog & de Meuron + TFP Farrells
- Kazuyo Sejima + Ryue Nishizawa/SANAA
- Renzo Piano Building Workshop
- Shigeru Ban Architects + Thomas Chow Architects
- SNOHETTA
- Toyo Ito & Associates, Architects + Benoy Limited
News via WKCDA
More information
TOYO. ITO
Toyo Ito was born in 1941. After graduating from the University of Tokyo in 1965, he worked in the office of Kiyonori Kikutake until 1969. In 1971, he founded his own office Urban Robot (URBOT), which was renamed Toyo Ito & Associates, Architects. Along with architecture projects all around the world, including Japan, Europe, Asia, and the U.S.A., Ito is engaged in a wide range of activities.
His recent works include the Tama Art University Library (Hachioji Campus), the Za-Koenji Public Theatre, and Torres Porta Fira in Spain. Among the many awards he has received are the AIJ Prize for Design, the Golden Lion for Lifetime Achievement at the Venice Biennale, the '06 Royal Institute of British Architecture Gold Medal, the Asahi Award, and the Prince Takamatsu World Culture Award.
RENZO PIANO
Renzo Piano was born in Genoa, Italy, in 1937 to a family of builders. He graduated Milan Polytechnic in 1964 and began to work with experimental light-weight structures and basic shelters. In 1971, he founded the Piano & Rogers studio and, together with Richard Rogers, won the competition for the Centre Pompidou in Paris. From the early 1970s to the 1990s, Piano collaborated with engineer Peter Rice, founding Atelier Piano & Rice in 1977. In 1981, he established the Renzo Piano Building Workshop, with offices today in Genoa, Paris and New York. Renzo Piano has been awarded the highest honors in architecture, including; the Pritzker Prize; RIBA Royal Gold Medal; Medaille d’Or, UIA; Erasmus Prize; and most recently, the Gold Medal of the AIA.
Renzo Piano Building Workshop. RPBW
The Renzo Piano Building Workshop (RPBW) was established in 1981 by Renzo Piano with offices in Genoa, Italy and Paris, France. The practice has since expanded and now also operates from New York.
RPBW is led by 10 partners, including founder and Pritzker Prize laureate, architect Renzo Piano.
The practice permanently employs about 130 architects together with a further 30 support staff including 3D visualization artists, model makers, archivers, administrative and secretarial staff.
Their staff has a wide experience of working in multi-disciplinary teams on building projects in France, Italy and abroad.
As architects, they are involved in the projects from start to finish. They usually provide full architectural design services and consultancy services during the construction phase. Their design skills extend beyond mere architectural services. Their work also includes interior design services, town planning and urban design services, landscape design services and exhibition design services.
RPBW has successfully undertaken and completed over 140 projects around the world.
Currently, among the main projects in progress are: the Academy Museum of Motion Pictures in Los Angeles; the École normale supérieure Paris-Saclay; the Paddington Square in London and; the Toronto Courthouse.
Major projects already completed include: the Centre Georges Pompidou in Paris; the Menil Collection in Houston, Texas; the Kanak Cultural Center in Nouméa, New Caledonia; the Kansaï International Airport Terminal Building in Osaka; the Beyeler Foundation Museum in Basel; the reconstruction of the Potsdamer Platz area in Berlin; the Rome Auditorium; the New York Times Building in New York; the California Academy of Sciences in San Francisco; the Chicago Art Institute expansion in Chicago, Illinois; The Shard in London; Columbia University’s Manhattanville development project in New York City; the Harvard museums in Cambridge, Massachusetts; the Intesa Sanpaolo office building in Turin, Italy; the Kimbell Art Museum expansion in Texas; the Whitney Museum of American Art in New York; the Valletta City Gate in Malta; the Stavros Niarchos Cultural Center in Athens; the Centro Botín in Santander; the New Paris Courthouse and others throughout the world.
Exhibitions of Renzo Piano and RPBW’s works have been held in many cities worldwide, including at the Royal Academy of Arts in London in 2018.
RPBW is led by 10 partners, including founder and Pritzker Prize laureate, architect Renzo Piano.
The practice permanently employs about 130 architects together with a further 30 support staff including 3D visualization artists, model makers, archivers, administrative and secretarial staff.
Their staff has a wide experience of working in multi-disciplinary teams on building projects in France, Italy and abroad.
As architects, they are involved in the projects from start to finish. They usually provide full architectural design services and consultancy services during the construction phase. Their design skills extend beyond mere architectural services. Their work also includes interior design services, town planning and urban design services, landscape design services and exhibition design services.
RPBW has successfully undertaken and completed over 140 projects around the world.
Currently, among the main projects in progress are: the Academy Museum of Motion Pictures in Los Angeles; the École normale supérieure Paris-Saclay; the Paddington Square in London and; the Toronto Courthouse.
Major projects already completed include: the Centre Georges Pompidou in Paris; the Menil Collection in Houston, Texas; the Kanak Cultural Center in Nouméa, New Caledonia; the Kansaï International Airport Terminal Building in Osaka; the Beyeler Foundation Museum in Basel; the reconstruction of the Potsdamer Platz area in Berlin; the Rome Auditorium; the New York Times Building in New York; the California Academy of Sciences in San Francisco; the Chicago Art Institute expansion in Chicago, Illinois; The Shard in London; Columbia University’s Manhattanville development project in New York City; the Harvard museums in Cambridge, Massachusetts; the Intesa Sanpaolo office building in Turin, Italy; the Kimbell Art Museum expansion in Texas; the Whitney Museum of American Art in New York; the Valletta City Gate in Malta; the Stavros Niarchos Cultural Center in Athens; the Centro Botín in Santander; the New Paris Courthouse and others throughout the world.
Exhibitions of Renzo Piano and RPBW’s works have been held in many cities worldwide, including at the Royal Academy of Arts in London in 2018.
HERZOG & DE MEURON
Herzog & de Meuron Architekten is a Swiss architecture firm, founded and headquartered in Basel, Switzerland in 1978. The careers of founders and senior partners Jacques Herzog (born 1950), and Pierre de Meuron (born 1950), closely paralleled one another, with both attending the Swiss Federal Institute of Technology (ETH) in Zürich. They are perhaps best known for their conversion of the giant Bankside Power Station in London to the new home of the Tate Museum of Modern Art (2000). Jacques Herzog and Pierre de Meuron have been visiting professors at the Harvard University Graduate School of Design since 1994 (and in 1989) and professors at ETH Zürich since 1999. They are co-founders of the ETH Studio Basel – Contemporary City Institute, which started a research programme on processes of transformation in the urban domain.
Herzog & de Meuron is a partnership led by five Senior Partners â Jacques Herzog, Pierre de Meuron, Christine Binswanger, Ascan Mergenthaler and Stefan Marbach. An international team of 38 Associates and about 362 collaborators.
Herzog & de Meuron received international attention very early in their career with the Blue House in Oberwil, Switzerland (1980); the Stone House in Tavole, Italy (1988); and the Apartment Building along a Party Wall in Basel (1988). The firm’s breakthrough project was the Ricola Storage Building in Laufen, Switzerland (1987). Renown in the United States came with Dominus Winery in Yountville, California (1998). The Goetz Collection, a Gallery for a Private Collection of Modern Art in Munich (1992), stands at the beginning of a series of internationally acclaimed museum buildings such as the Küppersmühle Museum for the Grothe Collection in Duisburg, Germany (1999). Their most recognized buildings include Prada Aoyama in Tokyo, Japan (2003); Allianz Arena in Munich, Germany (2005); the new Cottbus Library for the BTU Cottbus, Germany (2005); the National Stadium Beijing, the Main Stadium for the 2008 Olympic Games in Beijing, China; VitraHaus, a building to present Vitra’s “Home Collection“, Weil am Rhein, Germany (2010); and 1111 Lincoln Road, a multi-storey mixed-use structure for parking, retail, a restaurant and a private residence in Miami Beach, Florida, USA (2010), the Actelion Business Center in Allschwil/Basel, Switzerland (2010). In recent years, Herzog & de Meuron have also completed projects such as the New Hall for Messe Basel Switzerland (2013), the Ricola Kräuterzentrum in Laufen (2014), which is the seventh building in a series of collaborations with Ricola, with whom Herzog & de Meuron began to work in the 1980s; and the Naturbad Riehen (2014), a public natural swimming pool. In April 2014, the practice completed its first project in Brazil: the Arena do Morro in the neighbourhood of Mãe Luiza, Natal, is the pioneering project within the wider urban proposal “A Vision for Mãe Luiza”.
Herzog & de Meuron have completed 6 projects since the beginning of 2015: a new mountain station including a restaurant on top of the Chäserrugg (2262 metres above sea level) in Toggenburg, Switzerland; Helsinki Dreispitz, a residential development and archive in Münchenstein/Basel, Switzerland; Asklepios 8 – an office building on the Novartis Campus in Basel, Switzerland; the Slow Food Pavilion for Expo 2015 in Milan, Italy; the new Bordeaux stadium, a 42’000 seat multifunctional stadium for Bordeaux, France; Miu Miu Aoyama, a 720 m² boutique for the Prada-owned brand located on Miyuki Street, across the road from Prada Aoyama, Tokyo, Japan.
In many projects the architects have worked together with artists, an eminent example of that practice being the collaboration with Rémy Zaugg, Thomas Ruff and with Michael Craig-Martin.
Professionally, the Herzog & de Meuron partnership has grown to become an office with over 120 people worldwide. In addition to their headquarters in Basel, they have offices in London, Munich and San Francisco. Herzog has explained, “We work in teams, but the teams are not permanent. We rearrange them as new projects begin. All of the work results from discussions between Pierre and me, as well as our other partners, Harry Gugger and Christine Binswanger. The work by various teams may involve many different talents to achieve the best results which is a final product called architecture by Herzog & de Meuron.”
Craig Dykers, Kjetil Thorsen. Snøhetta
Snøhetta is an integrated architecture, landscape, and interior design company based in Oslo, Norway, and New York City, formed in 1989 and led by principals Craig Dykers and Kjetil Thorsen. The firm, which is named after one of Norway's highest mountain peaks, has approximately 100 staff members working on projects around the world. The practice pursues a collaborative, transdisciplinary approach, with people from multiple professions working together to explore diverse perspectives on each project.
Snøhetta has completed a number of critically acclaimed cultural projects, including the Bibliotheca Alexandrina in Egypt; the National Opera and Ballet in Oslo, Norway; and the Lillehammer Art Museum in Norway. Current projects include the National September 11 Memorial Museum Pavilion at the World Trade Center site in New York.
In 2004 Snøhetta received the Aga Khan Award for Architecture, and in 2009 the firm was honored with the Mies van der Rohe Award. Snøhetta is the only company to have twice won the World Architecture Award for best cultural building, in 2002 for the Bibliotheca Alexandrina and in 2008 for the National Opera and Ballet in Oslo.
KAZUYO SEJIMA & RYUE NISHIZAWA. SANAA
Kazuyo Sejima (Ibaraki, Japan, 1956) and Ryue Nishizawa (Kanagawa, Japan, 1966) worked independently from each other before founding the SANAA Ltd. studio in 1995. Having studied architecture at the Japan Women’s University, Sejima went on to work for the renowned architect Toyo Ito. She set up her own studio in 1987 and in 1992 was proclaimed Young Architect of the Year in Japan. Nishizawa studied architecture at the Yokohama National University. In addition to his work with Sejima, he has had his own practice since 1997.
The studio has built several extraordinarily successful commercial and institutional buildings, civic centres, homes and museums both in Japan and elsewhere. These include the O Museum in Nagano (1999) and the N Museum in Wakayama (1997), the Day-Care Center in Yokohama (2000), the Prada Beauty Store in Tokyo and Hong Kong (2001), the Issey Miyake and Christian Dior Building in Tokyo (2003) and the 21st Century Museum of Contemporary Art in Kanazawa (2004). Sejima also designed the famous Small House in Tokyo (2000), the Toledo Museum of Art Glass Pavilion, Toledo, Ohio (2001-2006), the extension to the Institut Valencia d’Art Modern, Valencia, Spain (2002 – ), the Zollverein School, Essen, Germany (2003-2006), the New Museum of Contemporary Art, New York (2003-2007) and the Novartis Campus WSJ-157 Office Building, Basle, Switzerland (2003 – ).
In 2004 Sejima and Nishizawa were awarded the Golden Lion at the 9th Venice Architecture Biennale for their distinguished work on the Metamorph exhibition.
Kazuyo Sejima and Ryue Nishizawa have won the 2010 Pritzker Prize.
The 12th International Architecture Exhibition, was directed by Kazuyo Sejima, the first woman to direct the venice architecture biennale, since its inception in 1980.
Ryue Nishizawa and Kazuyo Sejima. Kazuyo Sejima
