Beatriz Colomina is an internationally renowned architectural historian and theorist who has written extensively on questions of architecture and media. Ms. Colomina has taught in the School since 1988, and is the Founding Director of the Program in Media and Modernity at Princeton University, a graduate program that promotes the interdisciplinary study of forms of culture that came to prominence during the last century and looks at the interplay between culture and technology. In 2006-2007 she curated, with a group of Princeton Ph.D. students, the exhibition "Clip/Stamp/Fold: The Radical Architecture of Little Magazines 196X-197X" at the Storefront for Art and Architecture in New York and the Canadian Centre for Architecture (CCA) in Montreal. The exhibition continues to travel around the world, in the Museum of Design of Barcelona and the Colegio de Arquitectos de Murcia, at the NAI Maastricht and Santiago de Chile and Montevideo. Over 100 reviews and articles on the exhibition have been published worldwide. An exhibition catalog is forthcoming from ACTAR.
Her books include Privacy and Publicity: Modern Architecture as Mass Media (Cambridge: The MIT Press, 1994), which was awarded the 1995 International Book Award by the American Institute of Architects, has already been translated into many languages and is coming out in Spanish and in Turkish. In addition, Ms. Colomina has published Sexuality and Space (New York: Princeton Architectural Press, 1992), which was awarded the 1993 International Book Award by the American Institute of Architects; and Architectureproduction (New York: Princeton Architectural Press, 1988). She has contributed to many volumes, including The Banham Lectures, Philip Johnson: The Constancy of Change, Beyond Transparency and catalogues of the work of Dan Graham, Muntadas and SANAA, among others. In addition she has published Cold War Hot Houses: Inventing Postwar Culture from Cockpit to Playboy, co-edited with AnnMarie Brennan and Jeannie Kim (New York: Princeton Architectural Press, 2004; Doble exposición: Arquitectura a través del arte (Double Exposure: Architecture through Art) (Madrid: Akal, 2006), and Domesticity at War (Barcelona: ACTAR and MIT Press, 2007). She was selected to be a Juror for the 2010 Venice Biennale and a juror in the architectural competition for the new headquarters of CAF (Corporación Andina de Fomento), in Caracas, Venezuela. She presented "Women in Architecture," a keynote lecture in the conference Female Forces, 100 year anniversary, at the Royal Academy Copenhagen. In addition to being the Editor of the Multimedia Section of the JSAH (Journal of the Society of Architectural Historians) she has written numerous other publications and presented lectures throughout the world, including at MoMA, the MAXXI museum in Rome, the Guggenheim museum, DoCoMoMo in Rio de Janeiro, Brasilia, Chandigarh, Osaka, Tokyo, Florence, Oslo, Thesaloniki, Patras, Guadalajara, Berlin, Frankfurt, Cologne, Ohio, Pamplona, Porto, Toronto, Houston, Texas AM, Yale, Chicago and Harvard University.
Mark Antony Wigley is a New Zealand-born architect, author, and (since 2004 until 2014) Dean of Columbia University's Graduate School of Architecture, Planning and Preservation, New York, USA.
In 2005, Wigley founded Volume Magazine together with Rem Koolhaas and Ole Bouman. A collaborative project by Archis (Amsterdam), AMO Rotterdam and C-lab (Columbia University NY), Volume Magazine is an experimental think tank focusing on the process of spatial and cultural reflexivity. The magazine aims to explore "beyond architecture’s definition of 'making buildings'" by presenting global views on architecture and design, broader attitudes to social structures and created environments; and embodies progressive journalism.
Created and founded in collaboration with Brett Steele the Institute of Failure; essentially an academic institution for the instruction and theory of failure (as opposed to success).
An accomplished scholar and design teacher, Mark Wigley has written extensively on the theory and practice of architecture and is the author of Constant’s New Babylon: The Hyper-Architecture of Desire (1998); White Walls, Designer Dresses: The Fashioning of Modern Architecture (1995); and The Architecture of Deconstruction: Derrida’s Haunt (1993). He co-edited The Activist Drawing: Retracing Situationalist Architectures from Constant’s New Babylon to Beyond (2001). Wigley has served as curator for widely attended exhibitions at the Museum of Modern Art, New York; The Drawing Center, New York; Canadian Centre for Architecture, Montreal; and Witte de With Museum, Rotterdam. He received both his Bachelor of Architecture (1979) and his Ph.D. (1987) from the University of Auckland, New Zealand.