Designer Philippe Starck, internationally recognised for his visionary creativity, has collaborated with the architecture studio Touza Arquitectos to design a unique building: LA Almanzara, a unique and immersive space located in the Serranía de Ronda, in Málaga, Spain. The project commemorates the production of olive oil and, to this end, brings together a complex program that combines an olive oil press, a museum, and a restaurant that highlights the admiration for these lands of Ronda and for one of its characteristic products: olive oil.

Philippe Starck conceived the building as an inhabitable work of art, where every detail serves a purpose while impacting the visitor's mind. The space, declared the world's first signature olive oil mill—following the successful precedent of signature wineries—is positioned as a benchmark in the world of art and architecture, welcoming and recognizing, through a visit, the value and cultural role of olive oil.

Philippe Starck, helped by Touza Arquitectos, designed LA Almazara as an object that stands out amid nature, "a place where it doesn't belong," establishing itself as the protagonist and contrasting with its surroundings. Despite its striking and unique appearance, the building fulfils its objective of protecting, preserving, and showcasing the lives of all the generations who have worked with olive oil in the area, highlighting the meticulous landscaping that surrounds it.

The project follows a simple, straightforward volume: a red concrete cube with certain details that stand out: a steel bull's horn, a cast-in-concrete eye that expels black smoke, and a geometry, also featured in the interior, reminiscent of olives. The restaurant terrace, access platforms, and a pipe that bathes a large bust located in the centre of one of the exterior facades also emerge from the interior.

LA Almazara by Philippe Starck + Touza Arquitectos. Photograph by José Juan Barba.

LA Almazara by Philippe Starck + Touza Arquitectos. Photograph by José Juan Barba.

Project description by Philippe Starck + Touza Arquitectos

Located in the Serranía de Ronda in Málaga, LA Almazara, designed by Philippe Starck, is an avant-garde project, a habitable work of art where every detail has been conceived to be functional and striking, a space that fuses olive oil tradition and architectural innovation. Born from the dream of Pedro Gómez de Baeza and the French designer, renowned worldwide for his visionary creativity, LA Almazara promises to be a global benchmark that celebrates the art and tradition of olive oil, reinventing oleotourism and becoming the world's first signature olive oil mill.

"LA Almazara is an unusual, incredible, and miraculous place where visitors can enjoy a powerful and radical experience that challenges and transforms. It is a cluster of mysteries where the crystallized respect for olive oil blends with emotion."

Philippe Starck.

LA Almazara por Philippe Starck + Touza Arquitectos. Fotografía por José Juan Barba.
LA Almazara by Philippe Starck + Touza Arquitectos. Photograph by José Juan Barba.

Located in the heart of nature 2.5 km from Ronda, LA Almazara is a place designed to offer a unique and immersive experience that celebrates the magic and poetry of extra virgin olive oil, with a working oil press, a museum, a restaurant, a tasting area, and an events space.

“LA Almazara is not architecture or a place of culture. It is an object that has fallen from space and has simply taken on the dimension and name of respect. Beyond the object itself, LA Almazara has a function: to protect one of the elements of our civilization that serves our animal species. There is water, there is salt, and there is oil. These elements are sacred. They have always been respected, and probably always will be. LA Almazara is a tribute to this respect for olive oil, born from all the civilizations that have preceded us.”

Philippe Starck.

LA Almazara por Philippe Starck + Touza Arquitectos. Fotografía por José Juan Barba.
LA Almazara by Philippe Starck + Touza Arquitectos. Photograph by José Juan Barba.

Philippe Starck has opted for a minimal and timeless design, without superfluous details, without coatings, only the essential, worked with rigor and clarity. A monolithic red cube, with an immense steel bull's horn and a gigantic eye cast in concrete, spewing black smoke. The eye illustrates the vigilance of the great Andalusian surrealist artists, the smoke like a thought or a gaze.

Inside, too, there are surprises and clear homages. A monumental half olive is embedded in the rusty steel wall. A metal pipe penetrates the building without ever leaving. Running water. An enormous figure without a head or identity, but with an airplane made entirely of fragments, yet one of the first to fly. Pieces of wood. A giant rapier and an equally enormous portrait of its Ronda-born inventor-matador.

"In the coolness and darkness, olive oil is everywhere, and intelligent people are all around. Which is to be expected, since olive oil makes you smarter; it's fuel for the brain."

Philippe Starck.

LA Almazara by Philippe Starck + TOUZA ARQUITECTOS. Photograph by Alfonso Quiroga.
LA Almazara by Philippe Starck + Touza Arquitectos. Photograph by Alfonso Quiroga.

Inside, in addition to this museum dedicated to EVOO, visitors can also enjoy a range of dining options and a tasting area. The interior shadow is suddenly dazzled by a rectangle of light that extends onto a terrace suspended by enormous metal chains. This opening to the exterior becomes a frame for the mythical image of the landscapes of Ronda and Andalusia. Visitors are invited to discover this exceptional natural setting, just as the sculptural objects created by Philippe Starck, scattered throughout the olive groves, are mind games that awaken and intrigue.

"Always respectful and sacred, almost religious but not religious, with the added touch of intelligence and emotion, LA Almazara is a great slap in the face that awakens, shakes, enlivens, moves, and pays homage to the olive and its oil."

Philippe Starck.

LA Almazara by Philippe Starck + TOUZA ARQUITECTOS. Photograph by Alfonso Quiroga.
LA Almazara by Philippe Starck + Touza Arquitectos. Photograph by Alfonso Quiroga.

With the aim of highlighting the culture, history, and tradition of one of the flagship products of Spanish gastronomy, EVOO, this avant-garde project celebrates the art and tradition of oil, reinvents the concept of oleotourism, and enriches the region culturally and economically, positioning Ronda as an essential destination in the global design and oleotourism landscape.

Philippe Starck helped Touza Arquitectos design LA Almazara

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Architects
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Touza Arquitectos. Lead architects.- Julio Touza Sacristán.

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Project team
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Miriam Torres, Alfonso Do Campo, José María Soler.

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Designer
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Design team
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Stefano Robotti, François Pappalardo, Eitan Hammer.

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Collaborators
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Project Manager.- AREALL.
Ceiling Curtain Artwork.- Ara Starck.
Engineering (Structures and Installations).- Valladares Engineering.
Quantity Surveyors.- Manuel Jesús Cansino Conejero, Carlos Manuel Gómez Álvarez.
Lighting Design.- Con Luz Propia.
Health and Safety Coordination.- Ángel Manuel Montes Rivas.

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Builder
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Ormetec Obras y Servicios S.L.

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Developer
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La Almazara LA Organic.

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Dimensions / Area
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Property.- 220,000 sqm.
Built-up area.- 2,800 sqm.
Height (basement + ground floor + mezzanine).- 25 m.
Building base.- 35 x 35 m.

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Location
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Ardales Ronda Highway A 367, KM 39.5, 29400 Ronda, Malaga, Spain.

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Suppliers
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Exterior elements.- Jonny Santos Steel.
Unique elements.- Viento Creativo Producciones SL.
Chains and links.- Trillo Anclas y Cadenas SL.
Installations and infrastructure.- Elecnor.
Electrical installation.- Instalaciones Electricas Inelga SL.
Gas installation.- Inversiones Lyn Gas SL.
Thermal installations.- Telfra Málaga, S.L.
PCI installation.- Seguridad Factotur SL.
Plumbing installation.- Telfra Málaga, S.L.
Walkable glass (skylight).- Tecfire Middle East SL.
Air conditioning.- Trox España S.A. / Viessmann.
Interior carpentry.- Puertas Hoyo SL.

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Photography
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Philippe Starck was born in 1949. From his childhood spent beneath the drawing tables of his airplane building, aeronautic engineer father, he retains a primary lesson: everything should be organised elegantly and rigorously, in human relationships as much as in the concluding vision that presides over every creative gesture. His absolute belief that creation should be used and enjoyed by all sees him relentlessly endeavouring to do well, right down to the tiniest detail.

But years later has he really left his first improvised office? According to him, not completely. “Ultimately they were children’s games, imagination games, but thanks to various skills, especially engineering, something happened. I’m a kid who dreams and at the same time I’ve got that light-heartedness and gravity of children. I fully accept the rebellion, the subversion and the humour.”

Starck first showed interest in living spaces while he was a student at the Ecole Nissim de Camondo in Paris, where in 1969 he designed an inflatable house, based on an idea on materiality. This revelation bought his first success at the Salon de l’Enfance. Not long afterwards, Pierre Cardin, seduced by the iconoclastic design, offered him the job of artistic director at his publishing house.


“My father was an aeronautical engineer. For me it was a duty to invent”.

Philippe Starck

Inventor, creator, architect, designer, artistic director, Philippe Starck is certainly all of the above, but more than anything else he is an honest man directly descended from the Renaissance artists.

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TOUZA ARQUITECTOS is an architecture studio founded by Julio Touza Rodríguez in 1974 and based in Madrid, Spain. In 2000, Julio Touza Sacristán joined the firm as a partner and co-director.

The studio's experience covers all fields of architecture in general: residential buildings, social housing, renovation of historic and artistic buildings, healthcare and care centers, hotels, university centers, etc., as well as interior design and urban planning.

In its more than 50 years of experience, it has generated a volume of more than 2,500 projects, especially residential projects, offices and corporate headquarters, commercial buildings, sports complexes, and hotel projects, not to mention other unique typologies (churches, museums, technological buildings, tourist complexes, etc.) on different scales.

The studio's work is guided by the conception of architecture as a service to society, with the ultimate goal of providing well-being to people and contributing to the balance of their environment, without sacrificing the aesthetic qualities embodied in the discipline.

Julio Touza Rodríguez was born in 1951 in Ribadavia, Orense. Architect by the Escuela Superior de Madrid (Madrid Higher School of Architecture), earning his degree in 1974.

That same year, he founded the studio that bears his name, together with the eminent Mexican architect Enrique Nafarrate Mexia. Initially, he combined his professional activity with his teaching work at the ETSAM, until 1986, participating as an international speaker, representing the Spanish Higher Council of Architects, in debates on the industrialization of construction, modularity, and prefabrication.

During the same period, part of this work resulted in the publication of several books on prefabrication, urban planning, and architectural criticism. In the mid-1980s, he fully focused on his professional practice, whose works have allowed him to become one of the most prolific architects in the country, receiving important commissions and various awards in recent years. He regularly participates in conferences and lectures on architecture and urban planning, and also serves on juries for architectural competitions.

Julio Touza Sacristán was born in 1975 in Madrid. He graduated as an architect from the Madrid School of Architecture, graduating in 1999. He continued his training in the field of design theory and practice and obtained the Research Proficiency Certificate from the ETSAM in 2000.

He joined Estudio Touza Arquitectos in 2000, where he is currently a partner and co-director. As a driving force behind the firm's international practice, he has worked on projects in Morocco, Vietnam, and France, collaborating directly with architects such as Phillipe Starck, Jean Nouvel, Kilo Architectures, HTT Group, and Günter Standke. In parallel with his professional work, he regularly participates in architectural conferences, lectures, and congresses.

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Published on: June 8, 2025
Cite:
metalocus, SARA GENT
"Olive Oil as the Vanguard. LA Almazara by Philippe Starck" METALOCUS. Accessed
<https://www.metalocus.es/en/news/olive-oil-vanguard-la-almazara-philippe-starck> ISSN 1139-6415
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