Serpentine Pavilion 2025, called "A Capsule in Time", designed by Bangladeshi architect and educator Marina Tabassum and her studio, Marina Tabassum Architects (MTA), opens on June 6, 2025, with support from Goldman Sachs for the eleventh consecutive year.

Tabassum's Pavilion will commemorate the 25th anniversary of this unique commission in the United Kingdom and continues the philosophy initiated by architect Zaha Hadid's proposal, transcending the boundaries of architecture. Her mantra, "Experimentation should never end," is the foundation upon which this commission is built, and Tabassum's Pavilion exemplifies it.

The most recent Serpentine Pavilion, designed by Mass Studies, took on the challenge of responding to the many existing peripheral elements while conceptually exploring the center as a void. 

Before, in the 2023 edition,  French-Lebanese architect Lina Ghotmeh proposed a space for coming together. In the 2022 edition, artist Theaster Gates created a calm space for contemplation, and others showed us designs by Counterspace Studio in 2021, Francis Kéré in 2017, Bjarke Ingels in 2016 or Rem Koolhaas in 2006.

Celebrated for her work that seeks to establish an architectural language that is contemporary while rooted and engaging with place, climate, context, culture and history, Tabassum’s design will resonate with Serpentine South and aims to prompt a dialogue between the permanent and the ephemeral nature of the commission.

The 2025 Pavilion is elongated in the north-south direction and features a central court that aligns with Serpentine South’s bell tower. Inspired by the tradition of park-going and arched garden canopies that filter soft daylight through green foliage, the sculptural quality of the Pavilion is comprised of four wooden capsule forms with a translucent façade that diffuses and dapples light when infiltrating the space. 

Marking the first structure by Tabassum to be built entirely from wood, it also employs light as a way to enhance the qualities of the space. Emphasising the sensory and spiritual possibilities of architecture through scale, geometry and the interplay of light and shadow, Tabassum’s design also features a kinetic element where one of the capsule forms can move and connect, transforming the Pavilion into a new spatial configuration.

Exterior view. Serpentine Pavilion 2025. A Capsule in Time, by Marina Tabassum, Marina Tabassum Architects (MTA). Photograph by Iwan Baan. Courtesy of Serpentine.

Exterior view. Serpentine Pavilion 2025. A Capsule in Time, by Marina Tabassum, Marina Tabassum Architects (MTA). Photograph by Iwan Baan. Courtesy of Serpentine.

Built around a semi-mature Ginkgo tree – a climate resilient tree species that dates back to the early Jurassic Period – Tabassum’s Pavilion, like much of Tabassum’s previous projects, considers the threshold between inside and outside, the tactility of material, lightness and darkness, height and volume. Throughout summer and into autumn, the Gingko tree leaves will slowly shift from green to luminous gold-yellow. 

The selection of a Gingko was inspired by the fact that this species is showing tolerance to climate change and contributes to a diverse treescape in Kensington Gardens. The species is not susceptible to many current pests and diseases, and will be replanted into the park following the Pavilion’s closure in October.

Exterior view. Serpentine Pavilion 2025. A Capsule in Time, by Marina Tabassum, Marina Tabassum Architects (MTA). Photograph by Iwan Baan. Courtesy of Serpentine.

Exterior view. Serpentine Pavilion 2025. A Capsule in Time, by Marina Tabassum, Marina Tabassum Architects (MTA). Photograph by Iwan Baan. Courtesy of Serpentine.

In an era of increasing censorship, Tabassum expands on her desire for the Pavilion to function as a versatile space where visitors can come together and connect through conversations and the sharing of knowledge. Tabassum and her team at MTA have compiled a selection of books that celebrate the richness of Bengali culture, literature, poetry, ecology and Bangladesh. Stored on shelves built into the structure, it draws on the Pavilion’s afterlife once no longer sited on Serpentine’s lawn, which is envisioned as a library open to all.

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Architects
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Dates
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6 June – 26 October 2025. 
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Venue / Location
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At Serpentine South. Serpentine Gallery. Kensington Gardens. London W2 3XA, UK.

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Photography
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Iwan Baan.

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Marina Tabassum (b. 1969, Dhaka, Bangladesh) is an acclaimed architect and educator who has received numerous international recognitions in the field of architecture. She graduated in 1995 from Bangladesh University of Engineering and Technology. Prior to founding Marina Tabassum Architects (MTA) in 2005, Tabassum was a founding partner of the Dhaka-based firm URBANA between 1995 and 2005 with Kashef Chowdhury. In 1997, URBANA won the national competition to design the Independence Monument of Bangladesh and the Museum of Independence under the Public Works Department and the Ministry of Liberation War Affairs. In her work, Tabassum seeks to establish a language of architecture that is contemporary yet reflectively rooted to place and prioritising climate, context, culture and history. Tabassum’s practice remains consciously contained in size, undertaking a limited number of projects per year.  

Tabassum is a Professor at Delft University of Technology in the Netherlands. She held the Norman Foster Chair at Yale University in 2023 and has taught as a visiting professor at numerous universities including the Harvard University Graduate School of Design, USA; the University of Toronto, Canada; and BRAC University, Bangladesh. She received an Honorary Doctorate from the Technical University of Munich, Germany, and served as academic director at the Bengal Institute for Architecture, Landscapes and Settlements between 2015 and 2021.

Tabassum’s pursuit for the ‘architecture of relevance’ has won her numerous awards including the Soane Medal from the United Kingdom; Arnold Brunner Memorial Prize from the American Academy of Arts and Letters; the Gold Medal of the French Academy of Architecture; and the Jameel Prize from the Victoria and Albert Museum, London. She won the Aga Khan Award for Architecture in 2016 for the Bait ur Rouf Mosque and has served as a member of the Steering Committee of the Aga Khan Awards for Architecture from 2017 to 2022 and is a fellow of the Royal Society of Arts (RSA). In 2024, Tabassum was included in TIME Magazine’s ‘100 Most Influential People’.  

Tabassum chairs the Executive Board of Prokritee, a fair-trade organisation that promotes crafts and provides livelihood to thousands of women artisans of Bangladesh. She is the founding chairperson of the Foundation for Architecture and Community Equity (F.A.C.E), a non-forprofit organisation that focuses on climate adaption and architecture’s agency and responsibility in providing dignified living conditions for marginalised populations. F.A.C.E is currently working with communities to build mobile modular housing (known as Khudi Bari) in various geographically and climatically challenged locations in Bangladesh.

Tabassum’s work is currently the subject of a travelling exhibition organised by Architektur Museum der TUM, Munich, showing in Lisbon and Delft. She has previously presented work at Whitechapel Gallery, London (with Rana Begum, 2019); Sharjah Architecture Triennale (2019); and Venice Architecture Biennale (2018). Her work has been published by ArchiTangle; Harvard Graduate School of Design; ORO Editions; and Lars Müller Publishers among others. 

Marina Tabassum Architects (MTA). Founded in 2005, Marina Tabassum Architects (MTA) is an internationally recognised architecture and studio-based practice located in Dhaka, Bangladesh. MTA began its journey in the quest of establishing a language of architecture that is contemporary to the world yet rooted to a specific place. Standing against the global pressure of consumer architecture – a fast breed of buildings that are out of place and context – MTA is committed to rooting architecture to a place and is informed by climate and geography. Their work is well regarded as environmentally conscious, socially responsible and historically and culturally appropriate. Every project undertaken is a sensitive and relevant response to the uniqueness of individual sites, contexts, cultures and people.  

With a focus on combining research and teaching, MTA invests in extensive research work on the impacts of climate change in Bangladesh working closely with geographers, landscape architects, planners and other allied professionals. Their focus of work also extends to the marginalised low to ultra-low income population of the country with a goal to elevate the environmental and living conditions of people.

Headed by principle architect Marina Tabassum, the studio engages talented architects and professionals with an interest in self-built projects, who are willing to push the boundaries of the conventional norms of practice. The associate architects who are responsible for research, design and management of individual projects work directly under the principal architect. The practice is consciously kept and retained in an optimum size and projects undertaken are carefully chosen and are limited by number per year.

MTA's process-based practice model is well regarded in the international scene of architecture as a Twenty First Century model. As such, MTA has presented works and research to numerous institutions across Bangladesh and internationally. In 2016, MTA received the Aga Khan Award for Architecture for the Bait Ur Rouf Mosque – a building distinguished by its lack of popular mosque iconography, an emphasis on space and light and its capacity to function not only as a place of worship but also as a refuge for a dense neighbourhood on Dhaka’s periphery. The project was also listed among the top 25 postwar buildings of the world by New York Times. 

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Published on: June 3, 2025
Cite:
metalocus, SARA GENT
"A Capsule of Time by Marina Tabassum completed for the Serpentine Pavilion 2025" METALOCUS. Accessed
<https://www.metalocus.es/en/news/capsule-time-marina-tabassum-completed-serpentine-pavilion-2025> ISSN 1139-6415
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