Dos miradas sobre Venecia.
06/06/2013.
Italian Cultural Institute. [MAD] Spain. 07/06 > 26/07/2013.
metalocus, JUAN SOLERA.
metalocus, JUAN SOLERA.
The same day that MONDO GALLERY opens the exhibition "Choreography of pictorial fetishes" presents as well, along with other organizers, an exhibition of two young photographers who want us to see a new vision of Venice. It can be seen at the Italian Cultural Institute in Madrid.
Forte Treporti nº4, Defesa di Venezia. Photography ©Primoz Bizjak / Cortesía Max Estrella. Click above to see larger image.
Arsenal nº11 Defesa di Venezia. Photography ©Primoz Bizjak / Courtesy of Max Estrella. Click above to see larger image.
Venice, The Beautiful Cliché. Photography ©Renato D'Agostin / Courtesy of Mc2 - MONDO GALERIA. Click above to see larger image.
Venice, The Beautiful Cliché. Photography ©Renato D'Agostin / Courtesy of Mc2 - MONDO GALERIA. Click above to see larger image.
Venice, The Beautiful Cliché. Photography ©Renato D'Agostin / Courtesy of Mc2 - MONDO GALERIA.
Venice, The Beautiful Cliché. Photography ©Renato D'Agostin / Courtesy of Mc2 - MONDO GALERIA.
Venice, The Beautiful Cliché. Photography ©Renato D'Agostin / Courtesy of Mc2 - MONDO GALERIA. Click above to see larger image.
The acclaimed beauty of Venice is perhaps among the best known and most distinguishing features of the city.
“Postcard” shots of it are just as common: stereotypical pictures reproducing unique and incomparable landmarks that are promoted through the endless repetition of the same images.
It would seem, therefore, that little or nothing remains to be discovered in the lagoon city, which is so strongly conditioned by its own legend.
Renato D’Agostin’s work explores possibilities of a different sort: it unveils the best known architectural sites of Venice, such as St Mark’s Square, by making them the object of a striking primary analysis, whereby the outlines of the architectural volumes fade away without losing their weight; space is made the object of endless interpretations, yet all reflecting the author’s vision; the details of the buildings necessarily point to the whole structures; the lagoon horizon is traced by the ideal profiles of the islands and by the dots of the mooring posts, without being conditioned by them.
What transpires is a drive towards the future that transcends the means of photography, aspiring to discover horizons and paths that are still concealed. This approach fully brings out the liveliness of places, their powerful capacity of being perceived by millions of visitors – regardless of the extent to which they are understood – in always different and constantly renewed ways.
Text.- From the preface by Renata Codello, Superintendent for the Cultural Heritage and Landscape of Venice and the Lagoon.
Date.- From June 7th to July 26th of 2013.
Venue.- Palacio de Abrantes. Calle Mayor, 86. Madrid.
Organizers.- MONDO GALERÍA, Rita Castellote, Max Estrella gallery and Slovenia Embassy.
