A wave seventy metres wide and thirty metres high now covers the façade of the Vatican Apostolic Library. Titled «DILUVIUM», the intervention by French artist JR is the first artwork ever commissioned specifically for the exterior of the Library. The piece opens «AQVA», the first exhibition in the new five-year cycle «Catastrophe and Wonder», an initiative exploring the natural elements as both threats and sources of knowledge, creation and life.

For «DILUVIUM», JR has enlarged an engraving made by Gustave Doré in 1866 to depict the Biblical Flood to the scale of the building itself. The immense body of water is suspended across the Library’s 16th-century façade, transforming the biblical image into a contemporary reflection on the fragility of what a library seeks to preserve against the passage of time and destruction.

Water appears as a direct threat to books, documents and archives, but also as a metaphor for forces that are difficult to control. For JR, the wave evokes climate change, the accelerating development of artificial intelligence and the uncertainty of the future. By freezing it across the building, the artist transforms the imminence of catastrophe into a moment of pause from which to question the permanence of memory and what a society considers necessary to pass on to the future.

The intervention continues inside the Library with «UNDAE», a black-and-white film installed in the Barberini Hall. There, the movement of the waves carries the tension of the façade into a space of contemplation, establishing a continuity between the two works and framing the beginning and end of the exhibition route.

"A lot of my work is about creating bridges. Between institutions, between fear and hope, between old architecture and an impermanent wave." 

JR

DILUVIUM, by JR. September 13, 2026, Vatican. Photograph courtesy of JR.

DILUVIUM, by JR. September 13, 2026, Vatican. Photograph courtesy of JR.

Curated by Don Giacomo Cardinali, Simona De Crescenzo, Francesca Giannetto and Delio Proverbio, «AQVA» examines the dual nature of water — capable of sustaining life and causing destruction — through a dialogue between the Library’s historic collections and contemporary interventions by JR, typographer Bill Moran, and chef and writer Fulvio Pierangelini.

At the documentary heart of the exhibition are two copies of «Aquatilium animalium historia», published by Ippolito Salviani in 1557 with the support of the Vatican Library itself. They are accompanied by manuscripts, printed books, engravings and objects tracing different historical approaches to the aquatic world, from Apicius’s «De re coquinaria» to travel accounts, marine bestiaries and numismatic pieces.

AQVA. Catastrofe e Meraviglia by Bill Moran, BAV Sala 2. Photograph by Olivia Rainaldi.

AQVA. Catastrofe e Meraviglia by Bill Moran, BAV Sala 2. Photograph by Olivia Rainaldi.

Bill Moran introduces another interpretation through fourteen works from his «LetterFish» series, in which fish and marine creatures are constructed from movable type, numbers and punctuation marks. The exhibition also presents an original cabinet from the «Typotheca Vaticana» to the public for the first time, bearing witness to the diversity of alphabets historically used by the Vatican Press.

DILUVIUM, by JR. September 13, 2026, Vatican. Photograph courtesy of JR

DILUVIUM, by JR. September 13, 2026, Vatican. Photograph courtesy of JR.

Fulvio Pierangelini completes this intersection of water, culture and memory through six gastronomic narratives inspired by recipes and documents preserved in the Library. The exhibition also includes an installation marking the 60th anniversary of the 1966 Florence flood and concludes with the Conservation and Restoration Laboratory, where water reveals one final paradox: while it is one of the main causes of damage to paper and parchment, it is also an essential tool in their conservation.

«AQVA» will be open to the public from 25 September 2026 to 14 May 2027, inaugurating a five-year programme in which the Vatican Apostolic Library will address the forces capable of endangering memory and, at the same time, transform it into material for interpretation and creation.

More information

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JR Work
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Wave (artist: JR).

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Other artists
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Bill Moran, and Fulvio Pierangelini.

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Exhibition
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AQVA. Catastrophe and Wonder– Year I (2026–2027).

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Curators
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Simona De Crescenzo, Francesca Giannetto, and Delio Proverbio.

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Dates
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Unveiled.- September 14th, 2026
Public dates.- September 25th, 2026 — May 14th, 2027.

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Location
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Vatican Apostolic Library, Vatican City. Rome, Italy.

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Photography
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Olivia Rainaldi, JR.

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JR (Jean René) was born in Paris, France, on February 22nd 1983, and currently works in Paris and New York. He exhibits freely in public sites in cities around the world. His work mixes Art and Act, talks about commitment, freedom, identity and limit. After finding a camera in the Paris metro in 2001, he travelled Europe to meet those who express themselves on walls and facades, and pasted their portraits in the streets, underground, and on the rooftops of Paris.

Between 2004 and 2006, he created the series “Portrait of a Generation”. In 2007, with Marco, he made Face 2 Face, the biggest illegal exhibition ever. JR posted huge portraits of Israelis and Palestinians face-to-face in eight Palestinian and Israeli cities.

In 2008, he embarked on a long international trip for “Women Are Heroes”, in which he underlined the dignity of women who are often the targets of conflicts. That year, he also created “The Wrinkles of the City” in Cartagena, Shanghai, Los Angeles, Havana, Berlin and Istanbul. In 2010, his film “Women Are Heroes” was presented at the Cannes Film Festival. The same year, JR created “Unframed”, a project in which he uses images that are not his and reframes them in a new context, on a larger scale.

In 2011, he received the TED Prize, after which he created “Inside Out”. In a collaboration with New York City Ballet, he used the language of ballet to tell his story of the riots that happened in the French suburbs in 2005 and created “Les Bosquets”, a ballet and eponymous short film whose music was composed by Woodkid, Pharrell Williams and Hans Zimmer and which premiered at Tribeca Film Festival.

In 2014, he created an installation with 4,000 faces in and on the Pantheon in Paris. The concept of crowd will be used for a video installation at the CAC Malaga, and on the façade of the Assemblée Nationale and other monuments in Paris during the COP 21 summit at the end of 2015. The same year, he worked in the abandoned hospital of Ellis Island and directed the short movie ELLIS, starring Robert DeNiro. In 2016, he was invited by the Louvre and made the famous pyramid disappear through a surprising anamorphosis. He worked in Rio de Janeiro during the 2016 Olympics and created new gigantic sculptural installations using scaffolding, at the scale of the city, putting an emphasis on the beauty of the athletic movement.

His latest projects include a museum exhibition dedicated to children at Centre Pompidou, a permanent collaboration with the Brazilian artists Os Gemeos at Palais de Tokyo in Paris, in a space used to store stolen pianos during World War II, and a film with Agnès Varda, co-directing a movie with the Nouvelle Vague icon, traveling around France to meet people and discuss their visions. This Spring, JR will unveil a giant mural at Palais de Tokyo, in connection with a new project based in Clichy-Montfermeil. JR has been represented by Galerie Perrotin since 2011; he has had shows in Paris, Hong Kong, Miami and New York. In 2013, JR got his first museum retrospectives in Tokyo (Watari-Um) and CAC in Cincinnati, followed by Frieder Burda in Baden-Baden in 2014 and HOCA Foundation in Hong Kong in 2015.

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Published on: September 16, 2026
Cite:
metalocus, JOSÉ JUAN BARBA
"A wave at the Vatican. Diluvium by JR, at the Vatican Library" METALOCUS. Accessed
<https://www.metalocus.es/en/news/wave-vatican-diluvium-jr-vatican-library> ISSN 1139-6415
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