Forty-one years after Christo and Jeanne-Claude's "Le Pont-Neuf Wrapped" (1985), "La Caverne du Pont Neuf" continues JR's tradition of creating large-scale trompe-l'œil projects, including those previously created at the Louvre, the Paris Opera, and various Italian palaces. Inspired by Plato's allegory of the cave and debates about perception, the installation explores illusion, deception, and the transformative power of art.
Spanning 120 meters long, 20 meters wide, and 18 meters high, the immersive experience designed by JR invites the public to explore it both day and night, establishing itself as an escape from the urban routine.

JR. "La Caverne du Pont Neuf". 2026. Photograph courtesy by Atelier JR.
JR's proposal transports visitors to unprecedented and unexplored universes, while its public nature fosters collective experience and a sense of community. Through the transformative power of art, the artist once again transforms the urban landscape of Paris: a historic monument still in use is transformed into a passage resembling a mountain tunnel, accompanied by the music of Thomas Bangalter—formerly of Daft Punk—and an interactive program designed to stimulate the senses.
“It’s a step into the unknown, a journey. I designed the crossing of the Cave as an experience where fullness and emptiness exist in balance.”
JR.

JR. "La Caverne du Pont Neuf". 2026. Photograph courtesy by Atelier JR.
Like the preparatory sketches made by Christo and Jeanne-Claude before their interventions, the works exhibited at the Perrotin gallery function as thematic extensions of the project. Through photography, drawing, collage, and assemblage on zinc sheets, JR develops compositions that document the creative process and anticipate the final experience of ""La Caverne du Pont Neuf."
Conceived as autonomous works, these pieces reflect the artist's interest in recomposing visual fragments and constructing new forms of perception, bringing together scattered elements in a search for reconciliation, harmony, and collective wonder.