The book Habitar el agua, by Ana Amado and Andrés Patiño, seeks to make visible the colonization programme of the Instituto Nacional de Colonización developed during Franco dictatorship. This programme triggered one of the main internal migratory movements in 20th century Spain.

In Habitar el agua (Inhabiting Water), the authors take an architectural and contemporary look at more than 30 villages scattered throughout Spain's river basins, and capture, through photography, the imprint of architecture and the passage of time in these places.

The book was recently selected as a finalist for the 63rd edition of the FAD awards, in the category of Thought and Criticism, which brings together the best texts dedicated to architecture published during the year 2020.
With this publication, Ana Amado and Andrés Patiño aim to make known the stories of the settlers and their descendants, closely associated with the villages they inhabited and which they proudly defend today as their own.

The National Colonisation Institute's programme stimulated Spain's post-war economy by creating new irrigation systems. To this end, dams and canals were built that brought water to three hundred new villages inhabited by settlers, migrants in their own country.  

After more than five decades, this book Habitar el agua visits and documents the actions of the INC, which programmatically and comprehensively transformed the landscape of the Spanish territory, as well as the lives of its protagonists, the settlers, who have been forgotten.

Habitar el agua is a book of an informative nature, and is divided into thematic blocks:
 
-Socio-political context, water policy and the INC.
-Propaganda, photography and architecture
-The settlers
-Populations and maps

The book combines photographs and texts by prominent authors with trajectories related to the subject matter of the book by the authors, Ana Amado and Andrés Patiño:
 
-La fruición de los ojos (The Fruition of the Eyes), by the architect and photographer Iñaki Bergera.

-Momentos Kindel (Kindel Moments), by the journalist Nativel Preciado.

- La arquitectura del NO-DO (The NO-DO architecture), by the writer Julio Lllamazares.

-De los colores invisibles (Of the invisible colours), by Jesús Marina and Elena Morón, historian and architect.

-Los ojos, el deseo y la memoria (The eyes, desire and memory), by Bea S. González Jiménez, architect, photographer and cultural manager.

-Una aproximación al patrimonio documental fotográfico y cinematográfico del Ministerio de Agricultura relacionado con la colonización (An approach to the photographic and cinematographic documentary heritage of the Ministry of Agriculture related to colonisation), by Juan Manuel García Bartolomé, PhD in Political Science and Sociology, in charge of editorial and documentary management in the central services of the Ministry of Agriculture.

-El río (The river), by the writer Ana María Matute, writer (1925-2014).

-Las obras hidráulicas y el riego en los poblados de colonización (Water works and irrigation in the colonisation settlements), by Carlos Nárdiz Ortiz, civil engineer.

-El abastecimiento del agua en los pueblos de colonización. Obra material y memoria colectiva (Water supply in the villages of colonisation. Material work and collective memory), by Esther Abujeta Martín, PhD in Art History and researcher of the colonisation villages.

-La política de colonización agraria en el contexto de la posguerra española (The policy of agrarian colonization in the context of the Spanish postwar period, by Cristóbal Gómez Benito), graduate in philosophy and literature and sociologist specialising in rural sociology research areas.

-La mirada sensible. José Luis Fernández del Amo (The sensitive gaze. José Luis Fernández del Amo), architect of the INC, by the architect Ángel Cordero.

-Los pueblos de colonización de José Luis Fernández del Amo (The colonisation villages of José Luis Fernández del Amo), by Rafael Fernández del Amo, architect and son of the architect and author of several of the colonisation villages.

-Espectáculo a vista de pájaro. La arquitectura experimental de los poblados de colonización (Bird's eye view show. The experimental architecture of colonisation villages ), by architect Silvia Blanco Agüera.

-Dos pueblos del blanco de España. El Priorato y Cerralba (Two white villages in Spain. El Priorato and Cerralba), by Antonio Frenández Alba, architect and author of the two colonisation villages he talks about.

-Una visión personal. Setefilla y Sacramento (A personal vision. Setefilla and Sacramento), by Fernando de Terán, architect, professor at the Escuela de Caminos and author of the two settlements he discusses.

-El arte en las iglesias de los pueblos de colonización (Art in the churches of the colonisation villages), by Miguel Centellas Soler, architect and researcher of the colonisation villages for decades.

-Colonos de la vida (Colonists of life) by photographer Sofía Moro.

-Mujer arrodillada con fondo moderno (Kneeling woman with a modern background), by María Ángeles Durán, professor of sociology and collaborator with UN Women.

-Pueblos de tierra (People of the Earth), by Pablo Rabasco Pozuelo, professor of Art History.

Habitar el agua has been promoted by the Ministry of Agriculture, Fisheries and Food and published by the Turner publishing house.
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Morón, Bea S. González Jiménez, Ana María Matute, Carlos Nárdiz Ortiz, Esther Abujeta Martín, Cristóbal Gómez Benito, Ángel Cordero, Rafael Fernández del Amo, Silvia Blanco Agüeira, Antonio Fernández Alba, Fernando de Terán, Eduardo Delgado Orusco, Miguel Centellas Soler, Sofía Moro, María Ángeles Durán, Pablo Rabasco Pozuelo, Antonio Pennacchi.
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Symbol Tatami White 150gr. Coral Book Ivory 100gr. Nettuno Blu Navy 140 gr.
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24 × 32 cm, 272 pages.
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Spanish.
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978-84-17866-16-7.
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Carlos Vitale.
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Felipe Trillo.
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Hardcover and cloth.
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2020.
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Ana Amado (Ferrol, A Coruña) is an architect, photographer and visual artist. Master's Degree in Photography from the Lens School of Visual Arts (Madrid), Master's Degree in Art, Museology and Contemporary Criticism from the USC (Santiago de Compostela), Post-Graduate in Creative Illustration from the EINA School (Barcelona), and architect from the ETSAC of architecture (University of A Coruña).

Multidisciplinary professional in the fields of architecture, photography, artistic direction in film / TV, illustration and comics, curating and exhibition design. She recently worked as an assistant to American photographer Mark Steinmetz in the USA. Currently, she combines her work as a photographer with the teaching of photography for adults and young people in schools of visual arts in Madrid.

Her personal work explores the interconnections between the various artistic manifestations, always seeking the approach of contemporary art to society. In her recent work, photography focuses on social content, where architecture is used as a framework to discuss issues such as the economic crisis or the revaluation of modern architecture in Spain.

Her work has been awarded and exhibited nationally and internationally, in Photo London 2018, the Sony World Photography Awards, PhotoEspaña2017 (Madrid), the Venice Biennale 2016 and 2018, the Royal Academy of Arts (London), Tent Gallery (Edinburgh), the International Festival Eme3 and Picasso Museum (Barcelona), or the International Prize "Obra Abierta 2016" (Plasencia), among others.
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Published on: June 6, 2021
Cite: "Habitar el agua by Ana Amado, Andrés Patiño" METALOCUS. Accessed
<https://www.metalocus.es/en/news/habitar-el-agua-ana-amado-andres-patino> ISSN 1139-6415
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