We are interested Sami Rintala's work from years ago and we always try to follow his interesting projects. The Office has grown in recent years, along with Sami Rintala, now are Dagur Eggertsson and Vibeke Jenssen. The ideas and projects are still clear and with the same intensity. We show you the latest work by Rintala Eggertsson Architects, the result of a workshop builded in the spring of this year and the unmistakable photos by Pasi Aalto. An excellent and great work!

Western Ghats.  The start of the spring semester 2012 was a three weeks workshop placed in Kagal close to the coastal city of Kumta in the Indian state of Kanataka. The surrounding coastal regions of Uttara Kannada are embedded between the Arabian Sea and the Western Ghats. The Western Ghats, is a 1600 km long mountain range on the western side of the indian continent with a maximum elevation of 1200 meters. This mountainrange is one of the worlds ten "biodiversity hotspots" with 5000 species of fiowering plants, 139 mammal species, 508 bird species and 179 amphibian species.

On a 14 km long beach in this biodiversity hotspot, many kilometers away from the tourist beaches of Goa, and the noisy, polluted and vibrating mega city regions, a team consisting of experts of various fields, students and volunteers was formed under the authority of the Panchabhuta Conservation Foundation. By combining science, technology and activism the aim of the foundation is to develop locally anchored products that minister sustainability on all levels. It is from these grounds the Hut-to-hut prototype grows. In order to produce these products nurturing the design process has been a search among varieties of knowledge.

Water. Water in local wells is salty, and is used for animals, gardening and washing. The huts will featured with rainwater collectors for showers. The fresh mountain spring water is to be distributed in to the village for easier household use.

The concept of the hut. As commercial tourism in India is developing, the untouched places and pristine ecosystems are declining. The coastal villages are replaced by hotel complexes and the nature of former untouched places is on its way to become a framing for the tourism industry instead of being its own. It becomes hard to change the direction of upper and middle-class tourism pointing towards a commercial movement. Establishing projects that are affecting the "bottom of the pyramid", and try to make people think of a more sustainable way of living might be a way to rewrite the future of the few last quiet retreats on earth. This is where the Panchabhuta foundation and Eco-Tourism are rooted.

Eco-Tourism. Ecotourism is a form of tourism involving visiting fragile, pristine, and usually protected areas, intended as a low impact and often small scale alternative to standard commercial tourism. Its purpose may be to educate the traveler, to provide funds for ecological conservation, to directly benefit the economic development and political empowerment of local communities, or to foster respect for different cultures and for human rights. 

Site plan.

While other concepts of tourism have faced declines due to reasons such as the financial crisis, ecotourism continues to expand. In fact, it is today the fastest growing segment of the tourist industry. Several standards and certificates are developed to secure an honest development of the section. Nevertheless, one must suspect a certain degree of inflation within the ecotourism term. As ecotourism is "responsible travel to natural areas that conserves the environment and improves the well-being of local people." (TIES, 1990) it is an approach that caters for a sensible line of action. How to make sure it meets the objectives?

Ecotourism is a paradox: The more popular it gets, the more difficult it is not having a cultural or environmental impact. Even though having the best of intensions, you interfere with systems containing vulnerable mechanisms. In this context you can't really be conscious enough. As more people visit a natural location, the bigger the odds of degrading local eco-systems and biodiversity gets.

The ability for the project to engage the local community will be a key issue in order to accomplish its goals. One of the intentions is to create new local livelihoods while sustaining the existing ones. There are good possibilities for local people to generate income and new knowledge from both tourism and conservation of the environment. Tourism will also generate money to enhance local infrastructure. Nevertheless, there are some obstacles as corruption and other power structures may be revealed. How can you make sure the economic benefits of such projects does not go to the elite or govemment officials?

Another interesting aspect is the scenario where an eco-tourist business is starting to place its wounds in the environment, but still very financial favourable. Will the business reduce its activity in order to secure the surroundings, or will the temptation of further economic development get too big?

When standing in a so to say untouched area like Kagal, it is tempting to ask the question if this place wouldn't be better off without any tourism. Is the balance between ecology, economy and local culture that ecotourism seeks even possible to tune? Could ecotourism become nothing more than a cloak to develop and da~ge the last pieces of true, untouched nature?

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Rintala Eggertsson Architects. A Norway architecture studio, based in Oslo, founded by  Sami Rintala and Dagur Eggertsson, in 2007, which bases its activities around furniture design, public art, architecture and urban planning. In 2008 Eggertsson and Rintala were joined by Vibeke Jenssen who is now a full partner in the company. All three studied under Juhani Pallasmaa in Helsinki, and are informed by his phenomenological and cross-disciplinary thinking. Since its establishment, Rintala Eggertsson Architects have developed projects around the world and their work has been exhibited at the Maxxi Museum in Rome, the Victoria & Albert Museum in London, the National Art Museum of China and with the special project “Corte Del Forte” at the 2018 Venice Biennale.

The company has received prestigious awards over the years such as The Global award for Sustainable Architecture, the Wan 21 for 21 Award, Architizer A+Award, Travel & Leisure Award, American Architecture Award, and the International Architecture Award. Their projects and texts have been published in architecture magazines such as Abitare, Area, METALOCUS, Architectural Review, A+U, L'Architecture d'Aujourd'hui, D'A Magazine, AMC architecture, Detail, Domus, Topos, and Wallpaper as well as New York Times and Wall Street Journal.

Eggertsson and Rintala have taught architecture in Europe, Australia, and North America and in 2019 as Gensler Visiting Professors at Cornell University in New York.
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Dagur Eggertsson was born in 1965.He is an architect with a professional background from a number of the most prominent offices in Oslo.  After his professional degree from the Oslo School of Architecture in 1992, he started his collaboration with architect Vibeke Jenssen, as NOIS architects.  In 1996 he finished a post-professional master’s degree at the Helsinki University of Technology, where he started experimentation with building full scale architectonic objects, under the supervision of Professor Juhani Pallasmaa.

Along with his professional practice, Eggertsson has taught architecture in Norway, Iceland and Sweden.  He is currently a project examinator at the Oslo School of Architecture.

In 2007, Eggertsson started collaboration with architect Sami Rintala, which resulted in establishment of the office Rintala Eggertsson Architects. The office is based in Oslo and Bodø, Norway.


 

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Vibeke Jenssen borns 1964 is an architect with a long experience from housing and planning. She received her professional degree in 1993 from the Oslo School of Architecture, whereafter she started her collaboration with architect Dagur Eggertsson, as NOIS architects with a focus on small scale architectural public art.

In 2009, she joined Rintala Eggertsson Architects as a full time member of the team and from 2012 also as a partner.

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Sami Rintala was born in 1969.He is an architect and an artist, with a long merit list after finishing his architect studies in Helsinki Finland 1999. He established architect office Casagrande & Rintala 1998, which produced a series of acknowledged architectural installations around the world during the next five years until 2003. These works combine architecture with critical thinking of society, nature and the real tasks of an architect, all within a cross-over art field using space, light, materials and human body as tools of expression.

Rintala had his first wider recognition in 1999 with the project Landescape, three abandoned wooden barns were raised on 10 meter high.

In Venice Biennale 2000 Sixty Minute Man was realized; A ship sailed to Arsenal with a garden inside. The park was planted on sixty minutes of human waste from the city of Venice, becoming together with the old boat a three dimensional collage.

In 2008, Rintala started a new architect office with Icelandic architect Dagur Eggertsson, called Rintala Eggertsson Architects. The office is based in Oslo, South Norway and Bodø, North Norway.

Important part of Rintala’s work is teaching and lecturing in various art and architecture universities. Teaching takes place usually in form of workshops where the students often are challenged to participate the shaping of human environment on a realistic 1:1 situation.
 

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