The architecture studio Carlo Ratti Associati has designed the new canteen and restaurant for Mutti, a global Italian company specialising in the tomato sector. The project is located in the municipality of Montechiarugolo, in the province of Parma, Italy.

The innovative canteen, run by brothers Chicco and Bobo Cerea, renowned for their Michelin-starred restaurants, is raised above ground level, blending into its natural surroundings, allowing users to immerse themselves in the landscape.

The new design by Carlo Ratti Associati is created by excavating a section of the land, rising 5 metres above the ground. The large dining room is crowned with a green roof of compacted earth that allows it to blend into the natural environment, merging the natural with the artificial.

The garden, created by Italian landscape architect Paolo Pejrone, is a reinterpretation of the 18th century French concept. It seeks to surprise the viewer, while preserving an uninterrupted view of the landscape, allowing the project and users to blend in with the surrounding vegetation.

The main dining room becomes a meeting place, where users can gather in a space overlooking the surrounding landscape. In addition to the new dining room, a renovated old tavern, visible from the road, serves as a kitchen.

Michelin-Starred Canteen by CRA. Photograph by Melania Delle Grave, Agnese Bedini, DSL Studio.

Project description by Carlo Ratti Associati

International design and innovation firm CRA-Carlo Ratti Associati has completed the construction of Quisimangia (“Here we eat”), a new company Canteen for Mutti, a global leader in tomato-based products. The canteen, which will function as a restaurant by night, is located in Montechiarugolo (Parma), in the heart of Italy’s Food Valley. The structure was created by excavating a section of the site’s terrain and elevating it above ground level to integrate the space with its natural surroundings. This project marks a continuation of the partnership between CRA and Mutti, which began with the masterplan for a new factory and production site and was followed by “The Greenary,” a private residence that has become one of CRA’s most awarded buildings.

The new project features a dining hall crowned by a green roof made from compacted earth sourced directly from the site. Diners, seated in a recessed glass structure, are fully immersed in the surrounding vegetation, eating at the same level as the exterior meadow. The design evokes the image of a clod of earth lifted from the ground. The soil is elevated up to 5 meters above ground, covering an indoor area of almost 500 sq m (5,400 sq ft) for a total area of 1,200 sq m (13,000 sq ft).

Cantina estrella Michelin por CRA. Fotografía por Melania Delle Grave, Agnese Bedini, DSL Studio.
Michelin-Starred Canteen by CRA. Photograph by Melania Delle Grave, Agnese Bedini, DSL Studio.

Quisimangia will be managed by ViCook, the catering arm of brothers Chicco and Bobo Cerea, famed for their Michelin-starred Da Vittorio restaurants in Bergamo, St. Moritz, and Shanghai. It will be open to both Mutti employees and, in the near future, to the public. Adjacent to the new dining hall, an old tavern visible from the road has been renovated to serve as the canteen’s kitchen. The canteen will be an open space where people can meet in a friendly environment.

The gardens outside, a 1.1 hectare garden designed by Italian award-winning landscape architect Paolo Pejrone, showcase the bounty of the local region. The design reinterprets the 18th Century French concept of “ha-ha”, which means surprising the viewer by creating a vertical barrier while preserving an uninterrupted view of the landscape beyond from the other side, allowing guests to immerse themselves in nature.

Cantina estrella Michelin por CRA. Fotografía por Melania Delle Grave, Agnese Bedini, DSL Studio.
Michelin-Starred Canteen by CRA. Photograph by Melania Delle Grave, Agnese Bedini, DSL Studio.

“This project illustrates our quest to merge the natural with the artificial. This clod of earth rising from the ground creates a constant dialogue with nature. Instead of a ‘déjeuner sur l’herbe’ we could call it a ‘déjeuner sous l’herbe’, dining under the grass.”

Carlo Ratti, founding partner of CRA, professor at MIT, and curator of the Biennale Architettura 2025.

“We are pleased to continue our collaboration with CRA to bring this visionary project to life. The Mutti Canteen is much more than a dining hall; it is the finest expression of our commitment to quality and sustainability. Integrating the natural beauty of our surroundings with cutting-edge design, we are offering an environment where our employees can connect with both the land and each other in a meaningful way.”

Francesco Mutti, CEO of Mutti.

Cantina estrella Michelin por CRA. Fotografía por Melania Delle Grave, Agnese Bedini, DSL Studio.
Michelin-Starred Canteen by CRA. Photograph by Melania Delle Grave, Agnese Bedini, DSL Studio.

The principles of circularity are evident throughout the building’s design. The canteen also features a unique floor made from tomato skins—byproducts of Mutti’s production line. It is estimated that more than 3 tons of waste material were used to create this floor. The facility is equipped with advanced environmental control technologies to minimize energy consumption.

CRA’s designs emphasize the relationship between the natural and the artificial, pushing the boundaries of innovative construction materials. During Milan Design Week 2019, the “Circular Garden” installation explored the architectural potential of fungal root mycelium. In 2024, “sunRice” experimented with rice as an adaptable material. In 2020, CRA, in collaboration with Italo Rota, Matteo Gatto, and F&M Ingegneria, developed the “Italian Pavilion” for Expo 2020 Dubai, a living laboratory for advancing circularity in architecture, incorporating coffee grounds, recycled plastics, and algae into the structure. CRA’'s work on “The Greenary” and its collaboration with BIG on the “CapitaSpring” skyscraper in Singapore, which includes indoor public gardens, exemplifies their approach to integrating nature within artificial spaces.

More information

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Architects
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Carlo Ratti Associati. Creative lead.- Italo Rota.

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Project team
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Carlo Ratti, Andrea Cassi (partner-in-charge), Francesco Strocchio (partner-in-charge), Giulia Tolu, Nicolette Marzovilla, Rodolfo Siccardi, Anna Morani, Mario Daudo, Matteo Zerbi, Gary Di Silvio, Pasquale Milieri, Gianluca Zimbardi.

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Collaborators
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Structural Engineering.- INGEMBP (Corrado Curti, Marco Bertelli, Giuseppe Coco).
MEP Systems Engineering.- PROJEMA (Ivan Pavanello, Simone Graziano, Emanuele Lenta, Diego Dellerba).
Acoustics.- 2LD Acustica S.r.l. (Diego Dellerba).
Fire safety.- ARCHING (Stefano De Pippo).
Authority Approval, Health & Safety Lead.- Aldo Trombi.
Interior & Furniture Contractor.- Tecnoarredamenti S.r.l.
Landscape Contractor.- Arcadia Vivai Impianti.

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Client
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Mutti.

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Builder
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Ing.Ferrari S.p.A.

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Dates
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2024.

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Location
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Montechiarugolo, Parma, Italy.

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Photography
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Carlo Ratti Associati (born in 1971 in Turin, Italy) is an international design and innovation office based in Torino, Italy, with branches in New York and London. Drawing on Carlo Ratti’s research at the Massachusetts Institute of Technology Senseable City Lab, the office is currently involved in many projects across the globe, embracing every scale of intervention – from furniture to urban planning. The work of the practice merges design with cutting-edge digital technologies, so as to contribute to the creation of an architecture “that senses and responds”.

Noteworthy achievements at the urban and architectural scale include the masterplan for a creative hub in the City of Guadalajara, the renovation of the Agnelli Foundation HQ in Torino, the Future Food District at Expo Milano 2015, and the Digital Water Pavilion at Expo Zaragoza 2008. Product design projects range from experimental furniture for Cassina to light installations for Artemide, to responsive seating systems with Vitra.

In all these circumstances, the studio investigated the ways in which new technologies, including digital sensors and portable devices, are changing both the built environment and everyday life. The works of the practice have been featured in publications worldwide, including The New York Times, Financial Times, Wall Street Journal, The Guardian, BBC, Wired, Boston Globe, Der Spiegel, Corriere della Sera, and Domus. The studio's projects have been exhibited in cultural venues such as the Venice Biennale, New York’s MoMA, Istanbul Design Biennial, and many others.

Carlo Ratti Associati is the only design firm whose works have been featured twice in TIME Magazine’s “Best Inventions of the Year” list – respectively with the Digital Water Pavilion in 2007 and the Copenhagen Wheel in 2014. In the last years, the office has been involved in the launch of Makr Shakr, a startup producing the world’s first robotic bar system.
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The Italian architect and designer Italo Rota (Milan, October 2, 1953 - Milan, April 6, 2024) focused his professional career of more than thirty years on constant and advanced interdisciplinary research, from contemporary art to robotics, developing innovative projects in which humanistic beauty and sustainability became integral and disruptive elements.

He graduated from the Milan Polytechnic and worked for many years with Vittorio Gregotti and Franco Albini. In the early 1980s, together with Gae Aulenti and Piero Castiglioni, he won the competition to design the interior spaces of the Musée d'Orsay. He moved to Paris, where, together with Gae Aulenti, he designed the renovation project for the Museum of Modern Art at the Centre Pompidou. He opened his own studio in the French capital and designed the exhibition halls of the French School in the Louvre's Cour Carré, the lighting of Notre Dame Cathedral and the Seine riverbank, and the renovation of Nantes' city center.

In the early 1990s, he returned permanently to Milan, where he developed design projects and architectural works in Italy and around the world, including: the renovation of the Civic Museums of Reggio Emilia, the new Elatech Robot Factory in Brembilla, the grand Teatro dei Bambini in Maciachini, Milan, the new Noosfera Laboratory Pavilion at the Milan Triennale, the Kuwait Pavilions for EXPO Milano 2015, the Italian Wine Pavilion, and the Arts and Food Pavilion.

With the Italian Pavilion project at Expo 2020 Dubai, Rota began a collaboration with Studio Carlo Ratti, which continued with numerous projects until his death. Among the works that symbolize his poetic work are the Museo del Novecento in Milan's Piazza Duomo, the Center for Graduate Studies at Columbia University in New York, and the Dolvy Hindu Temple in India. He was responsible for countless exhibitions in major museums, as well as publications, installations, and pavilions, including the thematic Central Pavilion at Expo Zaragoza 2008.

His work was presented in the Italian Pavilion at numerous editions of the Venice Biennale International Architecture Exhibition: Innesti/Grafting, curated by Cino Zucchi, with Studio Italo Rota & Partners (2014 Architecture Biennale, curated by Rem Koolhaas); Ailati. Reflections from the Future, curated by Luca Molinari, with Studio Italo Rota & Partners (2010 Architecture Biennale, curated by Kazuyo Sejima); Italy Close to Home, curated by Francesco Garofalo (2008 Architecture Biennale, curated by Aaron Betsky).

He was Scientific Director of NABA, the New Academy of Fine Arts in Milan; Professor at the Shanghai Academy of Fine Arts, Wusong International City of Art; and advisor to Tsinghua University in Beijing.

He has received numerous awards, including the Gold Medal of Italian Architecture for Public Spaces, the Gold Medal of Italian Architecture for Culture and Leisure, the Landmark Conservancy Award in New York, and the Grand Prix for Urbanism in Paris. On November 2, 2024, his name was added to the Famedio di Milano, the Temple of Fame in the Monumental Cemetery.

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Published on: December 19, 2024
Cite:
metalocus, MARÍA DEL PINO SÁNCHEZ
"Integration into the landscape. Michelin-Starred Earthen canteen by Carlo Ratti Associati " METALOCUS. Accessed
<https://www.metalocus.es/en/news/integration-landscape-michelin-starred-earthen-canteen-carlo-ratti-associati> ISSN 1139-6415
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