The Life and Death of Marina Abramović, U.S. Premiere at the Park Avenue Armory, New York. Show dates December 12 - 21, 2013

At the intersection of theater, opera and visual art, director Robert Wilson’s reimagining of performance artist Marina Abramović’s extraordinary life and work begins with her difficult childhood in former Yugoslavia, and chronicles her journey to the present day. Abramović, who plays herself as well as her imposing mother, is joined by world-renowned actor Willem Dafoe and singer Antony, performing original music and songs created for this ‘quasi opera.’

Premiered at the Manchester International Festival in 2011, The Life and Death of Marina Abramović has played to sold-out audiences and rave reviews in Madrid, Basel, Antwerp and Amsterdam. For the Armory, Wilson is creating a new staging that uses the full sweep of the Wade Thompson Drill Hall to draw the audience in as though they are part of the story.

U.S. Premiere
Conceived and directed by Robert Wilson
With Marina Abramović, Antony, and Willem Dafoe

The Life and Death of Marina Abramović is commissioned by Manchester International Festival and Teatro Real Madrid with Theater Basel, Art Basel, Holland Festival, Salford City Council and deSingel.

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Marina Abramović, born in 1946 in Belgrade, Yugoslavia, is without question one of the seminal artists of our time. Since the beginning of her career in Yugoslavia during the early 1970s where she attended the Academy of Fine Arts in Belgrade, Abramovic has pioneered the use of performance as a visual art form. The body has always been both her subject and medium. Exploring the physical and mental limits of her being, she has withstood pain, exhaustion, and danger in the quest for emotional and spiritual transformation. Abramovic's concern is with creating works that ritualize the simple actions of everyday life like lying, sitting, dreaming, and thinking; in effect the manifestation of a unique mental state.

From 1975 until 1988, Abramovic and the German artist Ulay performed together, dealing with relations of duality. After separating in 1988, Abramovic returned to solo performances in 1989. Abramovic has presented her work with performances, sound, photography, video, sculpture, and ‘Transitory Objects for Human and Non Human Use’ in solo exhibitions at major institutions in the U.S. and Europe, and in many large-scale international exhibitions.

Since 2010, she has been working on the foundation of the Marina Abramović Institute (MAI), which will be the artist's legacy and homage to the inmaterial and time-based art. It will be a center for learning and performing about long durational performance.

Also, Marina Abramovic has taught and lectured extensively in Europe and America and, in summer of 2011, she have been awarded an Honorary Doctorate from the Art Institute in Chicago.

In 2021 she was awarded the Princess of Asturias Award for the Arts for "courage and the avant-garde" in art.

http://marinafilm.com

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