As the most characteristic element, the center has large roofs that emulate the "bamboo leaves" that surround the green tea fields around Anji. The organization of the complex generates a series of patios throughout the project that function as transitional elements that blur the boundaries between interior and exterior. These spaces between the representations of the bamboo leaves also allow for natural lighting within the center, transparency that will be carried over to the façade, which will be the tallest self-supporting glass wall in China.
The large theater and the conference center will be the only spaces with 2 and 3 floors, since the rest of the spaces will be arranged on a single ground floor, with the addition of a partial first floor.
Anji Culture and Art Center by MAD Architects. Photomontages by MAD Architects.
Project description by MAD Architects
MAD Architects, led by Ma Yansong has unveiled the design of Anji Culture and Art Center. Located in the Zhejiang Province in southeast China, near Shanghai, Anji is the only county to win the "United Nations Habitat Award" and has been praised as a “bamboo” and “white tea” town of China. The project is designed as a transitional connecting space between the natural and built environments of the region; on the east side lies the city, while the river and the mountains are in the distance on its west side.
Anji Culture and Art Center covers an area of about 149,000 square meters, with a total construction area of about 120,000 square meters. Six venues—including the Grand Theater, Conference Center, Leisure Center, Sports Center, Youth Activity Center, and Art Education Center—are spread out beneath the "bamboo leaves" roof surrounding the green tea fields unique to Anji.
"We pursue the unique aura of this region and integrate it into everyday life,"
Ma Yansong
Anji Culture and Art Center by MAD Architects. Photomontages by MAD Architects.
The project is a porous meeting space that will be accessible to the public from all directions and at all times of the day. It is arranged along the axis of the visual corridor on both sides to allow the central corridor to become an open outdoor platform where visitors can take in framed views of the mountains and the sky above.
The volume of the building is evenly distributed beneath the white tiled roof, whose undulating silhouette echoes the shape of the surrounding hill planted with Anji white tea. Multiple courtyards across the site function as programmatic gaps that dissolve the boundaries between indoor and outdoor space. On the west side of the project, a large stage can be used as an outdoor venue for performances, concerts, and exhibitions.
Anji Culture and Art Center by MAD Architects. Photomontages by MAD Architects.
The high point of Anji Culture and Art Center is a series of overlapping metal roofs resembling scattered bamboo leaves with ridges that add visual complexity to the breathtaking landscape. The gaps between them allow natural light to enter the interior, while the main facade is highly transparent to additionally invite natural light through its side elevations. The main façade is up to 17 meters, which will be the highest self-supporting glass wall in China when it is completed.
The main interior space of the Grand Theater and the Conference Center is a two-to-three-story layout, while the other four venues are a first-floor plus a partial second-floor layout. The auditorium of the Grand Theater can hold 1,300 seats; The main hall of the Conference Center can accommodate 2,000 people for events and meetings. To optimize energy use, the project adopts roof greening, permeable pavement, recessed green space, and rainwater resource utilization.
The Anji Culture and Art Center has begun construction and is expected to be completed and used in 2025.
