Rafael Lorente was in charge of the restoration of this 1912 building, a National Heritage Site to create the Centro Cultural de España in Montevideo. Combining history and a contemporary spirit, the work sought to adapt the building to the needs of a 21st century cultural center.
The building remodelled by Rafael Lorente aims to respect the patrimonial value, especially in terms of its spatial organization and its constructive proposal, and was designed to respond to the technical and functional needs of a current Cultural Center.

The original structure and the installations have been made visible, and the use of industrial materials in opposition to the warm materials such as brick, sometimes exposed, seek to incorporate a contemporary aesthetic.

Its program includes an auditorium for 150 people, a scenic arts hall located in the basement and a large 350 m² exhibition hall on the ground floor and mezzanine. In addition, the building has a library, reading room and literary café on the first level, and classrooms and administrative offices on the top two levels.
 

Description of project by Rafael Lorente

This work was the result of a National Merit and Background Competition to select the Designer and Director of the Works organized by the Embassy of Spain, the Commission for Cultural and Artistic Heritage of the Nation and the Uruguayan Architects Society.

It is a historical building, constructed around 1912 as a hardware store for the old Casa Mojana. This building has been declared a Historical Landmark by the National Heritage Commission.

It consists of basement, ground floor and three top levels, about 3000 m² in total. The program’s needs include an auditorium for around 150 people and a performing arts hall located in the basement, and a large 350 m² exhibition hall located on the ground floor and mezzanine. The library, reading room and literary café are located on the first level, with the classrooms, the Cultural Center and the administrative offices occupying the top two levels.

The building has been conceived with the greatest respect for the original patrimonial values, especially regarding its spatial organization and its constructive proposal. It has been designed to respond effectively to the technical and functional needs of a Cultural Center as well as to incorporate a contemporary aesthetic image. 

The relationship between History and the present is radical and without stylistic concessions in order to enhance historical contributions by opposing them to the contemporary contribution. The spatial and structural organization of the Building have been fully respected, enhancing those original expressive aspects and their relationship with the current incorporated technologies. 

Special emphasis has been placed on the concept of flexibility and neutrality in spatial and constructive organization in order to allow the changes that have necessarily occurred both during the course of the work and those that will be required in the future.

Architecture is understood as a space for dialogue and interrelation between different actors over time. This conception is opposed to the concept of an Author's individual work allowing precisely the change and adaptation to new and different needs and technological and aesthetic values. 

The original structure and the installations have been left visible in order to enhance contemporary aesthetics. Also for the use of industrial materials as opposed to warm materials such as brick that has sometimes been discovered as well as the incorporation of color planes to characterize certain spaces generating climates according to their uses.

Finally the project foresees the incorporation of contemporary equipment in consonance with the spirit of the building and its purposes. This equipment will emphasize the creativity of young contemporary Spanish design.

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Architects
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Rafael Lorente. Collaborating architect.- Mariella Cleffi
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Collaborators
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Structure.- Magnone Pollio Ingenieros Civiles. Special structures.- Jorge Lambach. Electrical and lighting installations.- Ricardo Hofstadter. Thermal conditioning.- Mario Cabella. Sanitary installations.- Yamandú Silvera. Acoustic conditioning: Jorge Hakas.
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Contractor
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MTOP
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Executive Architect
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Gustavo Prenol
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Area
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3000m²
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Date
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1999
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Location
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629 Rincón St. 11000. Montevideo, Uruguay.
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Rafael Lorente, born in Montevideo on March 21, 1940, has developed a career that combines architecture with the visual arts, demonstrating brilliance in both fields. He began his teaching activity at the Taller Bayardo and graduated as an architect in 1966 from the Faculty of Architecture at the University of the Republic, Montevideo. That same year, he won first prize in the competition for the headquarters of the Association of Bank Employees of Uruguay, in collaboration with Rafael Lorente Escudero and Juan José Lussich. Between 1971 and 1975, he served as Head of Projects and Coordinator of the Housing Sector at the Centro Cooperativista Uruguayo, and in 1982, he participated in projects at the Automobile Department of the State Insurance Bank with Conrado Pintos. Later, in 1997, he collaborated on the Liceo Francés Jules Supervielle project alongside Jorge Gibert and Fernando Giordano.

In parallel, Lorente developed his artistic vocation as a student at the Taller Torres García, under the guidance of José Gurvich and Guillermo Fernández. His artistic work includes, among others, the Monument to Justice, located in front of the Supreme Court of Justice in Montevideo. In recognition of his career, he received the Morosoli Silver Award in 2001, and in 2015, the National Museum of Visual Arts in Montevideo held a retrospective exhibition showcasing the most significant achievements of his artistic career.

As an architect, Lorente has left a significant mark on the city of Montevideo and beyond. His projects include the rehabilitation of the Centro Cultural de España (2000–2003), the Embassy and Cultural Center of Mexico (2007), and the Museo Gurvich (2015), as well as the construction of the new building for the Liceo Francés, located opposite the Buceo port. His work on the tensegrity structure in the central Plaza Fabini is also notable, demonstrating his ability to integrate functionality and formal expression.

His work has been widely recognized: Morosoli Silver Award (2001), National Architecture Award (2002), UNESCO Special Mention for Educational Architecture (2004), and First Prize for Heritage Intervention at the Quito Architecture Biennale (2006). Lorente embodies a career in which architecture and art constantly dialogue, offering significant contributions to the culture and urban landscape of Uruguay.

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Published on: July 1, 2019
Cite:
metalocus, RAMIRO PÉREZ TOLEDO
"Modernizing heritage. Centro Cultural de España in Montevideo by Rafael Lorente" METALOCUS. Accessed
<https://www.metalocus.es/en/news/modernizing-heritage-centro-cultural-de-espana-montevideo-rafael-lorente> ISSN 1139-6415
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