MPavilion, an initiative by the Naomi Milgrom Foundation, opens its milestone oasis-like design for the MPavilion 10, designed by Japanese internationally renowned, Tadao Ando, in Queen Victoria Gardens, Melbourne, on 16 November.

MPavilion, which first began in 2014, has grown to become one of Australia’s most visited and impactful festivals, attracting more than 350,000 people during its ninth season.

The opening kicks off the five-month design festival of public programming offering over 150 free events.  Ten artists and designers were commissioned to commemorate the milestone anniversary, including Deborah Cheetham Fraillon AO’s 10th composition of Wominjeka Song Cycle, Davidov Architect’s Unique Circle | Square chair commission, and DN+J Paper’s Japanese-Inspired Uniforms, Among Others.
Tadao Ando’s design for MPavilion 10 —his first-ever project in Australia— reflects his signature use of striking geometric interventions in nature and his precise, assured use of concrete.
 
“I am honored to have completed my first project in Australia, and to have created a piece of living architecture that will have such an important role in the cultural life of Melbourne this summer,” said Tadao Ando, architect of MPavilion 10. “I hope that as people visit, they allow this space to enter their hearts, and allow their senses to tune into the light and breeze interacting with them and this space. I hope for them an experience of harmony with nature, with themselves, and with others.”


MPavilion 10 by Tadao Ando. Photograph by John Gollings. Courtesy of MPavilion.

Positioned within Melbourne’s cultural and botanic garden precinct, MPavilion 10 offers a memorable structure that is in dialogue with the park setting to create a space in harmony with nature. MPavilion 10 features a large canopy, a 14.4-metre aluminum-clad disc resting on a central concrete column. Two offset squares create two entrances that lead to the center of the pavilion.

Concrete walls of varying lengths partially enclose the space to create a tranquil sanctuary reminiscent of a traditional Japanese walled garden. A long (almost 17 meter x .225 meter) horizontal opening running both the length of the north and south walls frames views of downtown Melbourne and the parklands, connecting the city and lush greenery of Queen Victoria Gardens to MPavilion 10's interior.

The geometric forms and symmetry are reinforced by an internal arrangement that is half paved, and half reflecting pool, which mirrors the pavilion canopy, sky, city, and surrounding nature.
 
"There is a magic moment each season when an architectural vision becomes built reality, and when we welcome the public who gets to engage directly with the innovative space created by inspired architects,” said Naomi Milgrom AC, MPavilion Commissioner. “Tadao Ando has designed a new, iconic destination in Melbourne, one that will serve as both a contemplative spot, a temporary refuge from the bustle of the city, and as a dynamic site for creative discovery and vigorous discussion for those attending our public program.”

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Architects
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Local architect.- Sean Godsell.
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November 16, 2023.
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MPavilion 2023. Queen Victoria Gardens. Melbourne, Australia.
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Tadao Ando was born in Osaka, Japan, in 1941. Ando briefly worked as a professional boxer in his youth. At 17, he obtained a featherweight boxing license and participated in professional bouts in Japan. At the same time, he worked as a truck driver and carpenter, a trade in which he gained firsthand experience in constructing furniture and wooden structures.

Tadao Ando did not attend formal architecture school for economic and personal reasons. He came from a modest family in Osaka, and financial constraints prevented him from attending university. During this time, he began reading architectural books on his own, by Mies van der Rohe and other modern architects, including treatises by Le Corbusier, particularly the book Vers une architecture, which was decisive for his vocation. His alternative training consisted of reading, attending lectures, and learning from direct observation.

A self-taught architect, he spent time in Kyoto and Nara, where he studied firsthand the great monuments of traditional Japanese architecture. Between 1962 and 1969, he travelled to the United States, Europe, and Africa to learn about Western architecture, its history, and techniques. His studies of traditional and modern Japanese architecture profoundly influenced his work and resulted in a unique blend of these rich traditions.

In 1969, he founded Tadao Ando Architect and Associates in Osaka. He is an honorary member of the architecture academies in six countries; he has been a visiting professor at Yale, Columbia, and Harvard University; and in 1997, he became a professor of architecture at the University of Tokyo.

His notable works include the Water Church (1988) and the Light Church (1989) in Japan; the Naoshima Museum of Contemporary Art (1992); the Modern Art Museum of Fort Worth in Texas (2002); and the UNESCO Conference Center in Paris (1995).

In 1991, he completed Rokko Housing II, the second phase of a residential complex begun in 1983 in Kobe, which was expanded in a third phase in 1998.

Ando has received numerous architectural awards, including the Pritzker Architecture Prize in 1995. Tadao Ando was appointed to the Berlin Academy of Arts in 1995. In 1995, he was made a Chevalier of the Order of Arts and Letters by the French government. He was subsequently promoted to Officer in 1997 and to Commander in 2013.

In 1996, he received the Praemium Imperiale for Architecture from the Japan Art Association, and in 1997, he was awarded the Royal Institute of British Architects (RIBA) Gold Medal, the American Institute of Architects Gold Medal in 2002, and the Kyoto Prize for his outstanding career in the arts and philosophy in 2002.

His works have been exhibited at institutions such as the Centre Pompidou in Paris, MoMA in New York, and the Venice Architecture Biennale, where he has participated in multiple editions since 1985. His buildings can be seen in Japan, Europe, the United States, and India.

In the fall of 2001, as a follow-up to the comprehensive master plan commissioned by Cooper, Robertson & Partners in the 1990s and completed in 2001, Tadao Ando was selected to develop a new architectural master plan for the Sterling and Francine Clark Art Institute, to expand its buildings and enhance its 140-acre campus. The project included the construction of the new Stone Hill Center exhibition building (2008) and the expansion of the Clark Museum, which reopened in 2014.

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Published on: November 15, 2023
Cite:
metalocus, CRISTINA RODRÍGUEZ
"MPavilion, by Tadao Ando, opens in Melbourne, kicking off a milestone in its tenth year" METALOCUS. Accessed
<https://www.metalocus.es/en/news/mpavilion-tadao-ando-opens-melbourne-kicking-a-milestone-its-tenth-year> ISSN 1139-6415
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