The Monasterio de Santa María de El Paular is a former Carthusian monastery located just northwest of Madrid, Spain, in the town of Rascafría, sits in the Valley of Lozoya below the Sierra de Guadarrama.

Construction is believed to have begun in 1390 by orders of Enrique II de Castilla, and construction proceeded for fifty years under during the reign of his son, Juan I de Castilla. In 1403, a small adjacent palace was built by Rodrigo Alonso. Multiple architects contributed to the complex, including Juan Guas, Rodrigo Gil de Hontañón, Francisco Hurtado and Vicente Acero.

In 1835 with the confiscation of Mendizábal, the monastery was dissolved, and not till 1876 was some state protection afforded to the site. Since 1954, part of the monastery was occupied by the Benedictine order; while part was a private luxury hotel, operating as the Sheraton Santa Maria de El Paular, until it closed in 2014.
Within the renovation, rehabilitation, maintenance and conservation programs carried out by the Ministry of Culture, according to the Master Plan drawn up in 1996, and which have been carried out in recent years in the Santa María de El Paular Monastery, in Rascafría, It is necessary to remember the important work carried out for several decades by Eduardo Barceló and the architectural firm of which it is a part, bab Arquitectos.

The three projects presented are published according to the time sequence in which they were completed from 2010 to 2017.
 

Project description by bab Arquitectos Asociados

The adaptation of the Cloister museum, coordinated with the El Prado Museum to receive "los Carducho" and the creation of new exhibition spaces represent an important advance in the revitalization of the entire monastery.

The actions in this project include on the one hand the adaptation of the interior of the Cloister and on the other the rehabilitation of the annexed premises.

The main purpose of the adaptation and restoration of the interior of the cloister is to enable the installation of paintings belonging to the charterhouse, nowadays deposited in the Prado Museum. Therefore, the program of this first objective resides in studying the physical and technical conditions, constructive, environmental, security, etc. that allow the possibility of installation and contemplation of said paintings in the existing cloister. For this, a complete conditioning of the space is carried out to provide the paintings with the appropriate conditions both for their enjoyment and for their conservation and maintenance in the future.

The rehabilitation of the outbuildings attached to the cloister consists fundamentally of their change and adaptation to museum use, particularly the area occupied by the old cells of the western panda, with an approximate area of ​​400 m². The museum use that is proposed is of a broad nature, in order to be able to exhibit large format pieces or minor elements. To do this, the spaces between cells are opened, maintaining the original spaces and creating contemporary open spaces for the exhibitions.

The west panda at the end of the 20th century was completely dilapidated, which has allowed a new exhibition area to be designed. A space has been created that occupies the five cells, preserving the exterior walls and the gabled roof. The interior partition walls have been torn creating a continuous space of 255 m² and a single height.

The outer spaces of the cells have been recovered, generating interesting plastic effects. The cell located to the north has conserved an arrangement in three heights, recalling the original structure of the Carthusian cell, although with new elements, including a vertical communication nucleus, which allows access to a walkway from which you have interesting views of the space. . The new exhibition hall allows the exhibition of large pieces, and aims to be the location of temporary exhibitions.

We understand that the criterion that must prevail over the others is respect for the building, which implies the study and deep knowledge of it and its surroundings, both from an architectural, historical and artistic point of view, as well as typological, structural or constructive.

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Architects
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Project Team
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Eduardo Barceló de Torres, Mercedes Álvarez García, Ignacio Barceló de Torres, Carlos Martín Echevarría, Javier Galiana, María Barceló.
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Collaborators
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Quantity surveyor.- Javier Moralo Iza. Archaeologist.- Stratum Archeology.
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Developer/Client
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Subdirección General del Instituto del Patrimonio Cultural de España. Ministerio de Educación, Cultura y Deporte.
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Area
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1,591.14 m²
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Dates
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2010
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Budget
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Material Execution Budget.- € 3,225,552.0
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Photography
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BAB arquitectos was founded in 2001, although its founding partners, Eduardo Barceló de Torres, Mercedes Álvarez García and Ignacio Barceló de Torres, collaborated together since 1975. In 2017, three new professional partners joined, who had long been part of from the BAB team of architects: Rafael Canneti Heredia, María Barceló Álvarez and Enrique Barceló Cabeza.

The team has extensive experience of more than 30 years in the development of architectural projects, both new construction and rehabilitation and renovation of historic buildings, and intervention projects on the urban scene and in the landscape. It has the resources and knowledge necessary to provide an integral service to the client and to carry out the multidisciplinary development of the works, with the participation of architects, landscapers, technical architects, engineers, geographers, archaeologists, historians and restorers.

BAB arquitectos has had a continuous relationship with the teaching activity participating in masters, conferences and congresses and has dedicated an extensive space to the documentation and publication of their work.

Awards.-
- Culture Prize of the Community of Madrid 2018 to Eduardo Barceló de Torres and team for the contribution of their actions on the historical heritage to the sociocultural development of the Community of Madrid.
- National Award for Restoration and Conservation of Cultural Property 2014 in the modality "Best project for the conservation of cultural property carried out or made public during 2013", for the Master Plan for the Recovery of the Cultural Heritage of Lorca.
- Finalist category in the XII Biennial of Architecture and Urbanism 2013: "New Plaza del Cerrillo and sociocultural facilities".
- Selected category in the XII Biennial of Architecture and Urbanism 2013: "Rehabilitation of the Maestro Almeida house-museum".
- EUROPA NOSTRA 2001 Diploma for the Protection of the European Architectural and Natural Heritage: "Remodeling of the Plaza de Segovia de Navalcarnero".
- Mention in the XII Urbanism, Architecture and Public Works Awards 1997 of the Madrid City Council: "Remodeling of the Plaza de la Paja in Madrid".
- 1998 Architecture and Housing Quality Award of the Autonomous Community of Madrid: "Restoration of the Transparent of the Monastery of Santa María de El Paular".
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Published on: April 10, 2020
Cite: "Museum adaptation of Santa María de El Paular Monastery, west panda, by bab arquitectos [I]" METALOCUS. Accessed
<https://www.metalocus.es/en/news/museum-adaptation-santa-maria-de-el-paular-monastery-west-panda-bab-arquitectos-i> ISSN 1139-6415
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