OMA completes its First Scientific Building, the New Engineering School of CentraleSupélec
31/08/2017.
[PAR] France
metalocus, JOSÉ JUAN BARBA
metalocus, JOSÉ JUAN BARBA
Description of project by OMA
In an era of privatization, cities are facing a major challenge: investment in the public domain depends increasingly on the private sector. As a result of this reframing of the collective agreement, the role of architecture is often reduced to the visual impact of its shape and surface rather than contributing to a new educational, social and civic dimension. The competition launched by the Ecole Centrale Paris for the design of a new engineering school has become the perfect opportunity to explore ways to answer this demanding challenge.
Laboratories are typically planned as linear buildings, a large box divided by endless corridors. Such a typology creates a "blackout" of the urban conditions; the building becomes a gigantic wall due to its extremely isolated and internalized programs. We can instead imagine laboratories as a collection of discreet parcels in an open plan grid; in this way, a city can accommodate endless configurations of programs and activities. This method provides a stable framework for constantly changing requirements; the program may be reconfigured or intensified as necessary.
This re-contextualization implies freedom to formulate new types of learning styles that promote community, plurality and diversity of the population within a dense field of knowledge, while ensuring the pure operation of the engineering school as an educational incubator. OMA's design integrates urbanism with the school, supplanting the previous homogeneous experience of the campus.
Thus, the concept of a Lab City was formed. The architecture of the Lab City generates an open urban school, with creative disorder framed under a structural skeleton. By creating a main street, cutting diagonally across the Lab City, the design allows a seamless experience between the building and its surroundings, providing a convenient public route between the future heart of the neighbourhood and the future subway station. Around this urban spine, the program is spread in different buildings of various typologies and sizes, organized on an urban grid served by secondary streets. A unique lightweight roof covering the entire complex completes the scheme by creating a strong link between the different buildings and allowing "external" protected spaces to be used freely all year long.
Office for Metropolitan Architecture (OMA) is an international practice operating within the traditional boundaries of architecture and urbanism. AMO, a research and design studio, applies architectural thinking to domains beyond. OMA is led by eight partners – Rem Koolhaas, Reinier de Graaf, Ellen van Loon, Shohei Shigematsu, Iyad Alsaka, Chris van Duijn, Jason Long, and Managing Partner-Architect David Gianotten – and maintains offices in Rotterdam, New York, Hong Kong, Doha, and Australia. OMA-designed buildings currently under construction are the renovation of Kaufhaus des Westens (KaDeWe) in Berlin, The Factory in Manchester, Hangzhou Prism, the CMG Times Center in Shenzhen and the Simone Veil Bridge in Bordeaux.
OMA’s completed projects include Taipei Performing Arts Centre (2022), Audrey Irmas Pavilion in Los Angeles (2020), Norra Tornen in Stockholm (2020), Axel Springer Campus in Berlin (2020), MEETT Toulouse Exhibition and Convention Centre (2020), Galleria in Gwanggyo (2020), WA Museum Boola Bardip (2020), nhow RAI Hotel in Amsterdam (2020), a new building for Brighton College (2020), and Potato Head Studios in Bali (2020). Earlier buildings include Fondazione Prada in Milan (2018), Garage Museum of Contemporary Art in Moscow (2015), De Rotterdam (2013), CCTV Headquarters in Beijing (2012), Casa da Música in Porto (2005), and the Seattle Central Library (2004).
AMO often works in parallel with OMA's clients to fertilize architecture with intelligence from this array of disciplines. This is the case with Prada: AMO's research into identity, in-store technology, and new possibilities of content-production in fashion helped generate OMA's architectural designs for new Prada epicenter stores in New York and Los Angeles. In 2004, AMO was commissioned by the European Union to study its visual communication, and designed a colored "barcode" flag, combining the flags of all member states, which was used during the Austrian presidency of the EU. AMO has worked with Universal Studios, Amsterdam's Schiphol airport, Heineken, Ikea, Condé Nast, Harvard University and the Hermitage. It has produced Countryside: The Future, a research exhibited at Solomon R. Guggenheim Museum in New York; exhibitions at the Venice Architecture Biennale, including Public Works (2012), Cronocaos (2010), and The Gulf (2006); and for Fondazione Prada, including When Attitudes Become Form (2012) and Serial and Portable Classics (2015). AMO, with Harvard University, was responsible for the research and curation of the 14th Venice Architecture Biennale and its publication Elements. Other notable projects are Roadmap 2050, a plan for a Europe-wide renewable energy grid; Project Japan, a 720-page book on the Metabolism architecture movement (Taschen, 2010); and the educational program of Strelka Institute in Moscow.
Ellen van Loonjoined OMA in 1998 and became Partner in 2002. She has led award-winning building projects that combine sophisticated design with precise execution. Recently completed projects led by Ellen include the shop-in-shops for Jacquemus at Galeries Lafayette and Selfridges (2022), the temporary showroom in Doha and store on Avenue de Montaigne in Paris for Tiffany & Co. (2022-23), Monumental Wonders exhibition for SolidNature in Milan (2022). Bvlgari Fine Jewelry Show (2021), Brighton College (2020), BLOX / DAC in Copenhagen (2018), Rijnstraat 8 in The Hague (2017), and Lab City CentraleSupélec (2017). Other projects in her portfolio include Fondation Galeries Lafayette (2018) in Paris; Qatar National Library (2017); Amsterdam’s G-Star Raw Headquarters (2014); De Rotterdam, the largest building in the Netherlands (2013); CCTV Headquarters in Beijing (2012); New Court Rothschild Bank in London (2011); Maggie’s Centre in Glasgow (2011); Casa da Musica in Porto (2005) – winner of the 2007 RIBA Award; and the Dutch Embassy in Berlin (2003) – winner of the European Union Mies van der Rohe Award in 2005. Ellen is currently working on The Factory Manchester – a large performing arts venue for the city; the renovation of Kaufhaus des Westens (KaDeWe) Berlin – Europe’s biggest department store – and the design of Lamarr, a new department store in Vienna; and the Palais de Justice de Lille.