On May 1st 2015 Milan Expo was inaugurated, with the participation of 148 countries and international organizations, among which is Spain. The team of architects led by Fermín Vázquez, b720, was awarded with the first prize for its design under the title 'El lenguaje del sabor / The language of taste', according with Acción Cultural Española (AC/E) a proposal which makes uses of a 'clear and contained geometry'.

The main idea of ​​the Spanish Pavilion for 2015 Expo Milan, designed by b720, revolves around the Spanish tradition and food innovation, as well as about their materials and basic elements: an interior finishings that refer to tradition using materials such as cork, esparto or wood barrels.

The more than 2,000 square meters of program are housed in two buildings, each of which separately represent the tradicción and innovation, both being built by wooden structures. In the tradition's building they will remain seen, while in the innovation's one will be covered with stainless steel.

This 'clear and contained geometry' also leaves the ground releasing the ground floor in search of the higher permeability possible, making easier the accessibility and maximizing the visibility of the Spanish Pavilion.

Initially budgeted at € 918,146 the pavilion has finally reached a budget of € 12,0 million for all of its expenses.

Description of the project by b720.-

National Pavilions on universal exhibitions are a classic showcase for the transmission of certain national values and satisfying commercial strategies of every country. It also has the honor to accommodate the proper exhibition areas with the main goal of attracting a large number of visitors and act as an attractive claim for the visitors at the Expo.

b720 strategy for the Spanish pavilion at the Expo Milano 2015 is based on several purposes:

1. Generating a pavilion that clearly transmits the FUSION of qualities that Spain exports: TRADITION and INNOVATION.

The Spanish gastronomy reputation, based on the balanced combination of tradition and innovation, makes it a global reference on international markets. This fact has a relevant role on the generation of the pavilion, creating two separated areas -and applying different tectonics to them- according to this duality.

In the shed shaped side representing tradition, timber structural frames and the finishes of the boxes refer to traditional food culture: the cork of wine bottles, industry in which Spain a major world producer; the wooden wine barrels where the wine ages; and the esparto grass fabric used for pressing the oil.

In the shed shaped side representing innovation, structural frames are bright, polished stainless steel covered, and the material of the boxes that locate the exhibition and other areas are equally bright and reflective, colored as some of the most recognizably Spanish products such as olive oil and wine.

2. ASSOCIATE the image of the pavilion to the common productive ARCHITECTURE of the greenhouses.

Facing the challenge of providing a recognizable identity in an Expo dedicated to feeding the world, b720 considered an opportunity to dignify the greenhouse typology as a great, iconic structure, optimal in economy resources and leader in technological development, as it is at the time in Spain.

The greenhouses are a symbol of technological innovation, representing a very important sector of the Spanish agricultural production. They are geometrically simple but technologically complex, creating microclimates catalysts of solar energy and using infinite and renewable sources to grow the food that feed people.

The Pavilion occupies the entire long side of the L shape plot, covering in the simplest way the maximum occupation area (70%) and clearing the remaining with a “patio de naranjos" (orange trees courtyard), identity element of the Spanish architectural culture. This patio, as a representation of one of the key quality products Spain exports, will coexist with the shadow spaces underneath a strawberries hydroponic canopy, under which will be found restaurant and auditoria terraces.

The open air activities that characterize Spanish way of life will be therefore represented in this space, at the time that a little cocktail bar activities - such as DJs- will take place in a chill out atmosphere.
This set out of the pavilion creates an easily comprehensive object in the distance, whose structure of frames makes an effect of repetition that reinforces its singularity, resulting in an attractive and powerful image. The volumetric simplicity is enriched thanks to the perception of translucent views and textures of the boxes contained therein.

3. Create an attractive PERMEABLE space that allows all public to cross and participate of the space without queuing the exhibition.

Positioning the proper exhibition space -enclosed and organized areas where queues are traditionally intimidating some visitors- at the first level allows the pavilion to be crossed and accessed by all Expo visitors with no physical barriers. Restaurant, shops, auditoria and open areas are open at all time, providing continuous activity and allowing to enjoy the pavilion to all.

Equally, locating the exhibition at first level creates a second floor outdoors terrace, where vegetable gardens host children and other organized activities related to food production.

4. Create an ENVIRONMENTALLY FRIENDLY PAVILION, made from both recycled and natural materials, pre-industrialized and assembled on site to guarantee time, cost and quality.

The pavilion is basically constructed by a 1.50m series of laminated timber porticos, fastened by a sequence of uneven prismatic volumes made from CL timber. In between these porticos, light polycarbonate panels acting as canopies that protect from climate the outdoors areas underneath them.

To promote natural ventilation, fixed roof shutters are located to evacuate heat at high levels, in a similar mechanism to those used in greenhouses.

The depth and distance between porticos are calculated to provide a comfortable degree of shadow to the semi-external areas below, resulting in a major reduction of energy consumption in comparison to traditionally enclosed areas.

All the construction process is based in dry assembling, easy to mount, dismount and recycle.

5. The CONTENTS of the pavilion will emphasize three major subjects: 1. Explanation of the key issues in the success of the current gastronomy in Spain; 2. Balance between creativity and innovation to preserve the traditional, healthy Mediterranean food -based in high quality fresh products- to convert it in a contemporary, creative new cuisine; 3. A sustainable agricultural and livestock production as a tool for preserving the landscape, heritage and the development of alternative tourism models.

Read more
Read less

More information

Label
Architects
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Project team
Text
Fermín Vázquez, Peco Mulet, Albert Freixes, Eduardo Varas, Caterina Dominioni, Alberto Garcia, Alejandro García, Valerio Decrecchio, Gemma Ojea, Pablo Garrido, Iván Arellano, Javier Artieda, Julita Jaskulska, Ourania Pappa, Annie Michaelides, Zélia Alves, David Sebastián, Daniel Quadflieg.
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Collaborators
Text
Contents.- Manuel Artiz, Roberto Vásquez, Antoni Miralda. Local architects.- Arquipielago, B2fR Architetti. Structure engineering.- Miguel Nevado. Services engineering.- K2 Consulting sl. Lighting desing.- Artec 3. Landscape.- Manel Colomin. Exhibition Consultants.- Manuel Artiz, Antoni Miralda, Roberto Vásquez.
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Client Cliente
Text
Acción Cultural Española AC/E.
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Area
Text
Gross Area.- 2,341 sqm.
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Dates
Text
2014 (project), 2014-2015 (construction).

+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Cost
Text
Cost (building, equipment, contents, dismantling and operation).- € 12,000,000.
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Location
Text
Milano, Italy.
+ + copy Created with Sketch.
- + copy Created with Sketch.
Label
Photography
Text
Adrià Goula, Iñigo Bujedo
+ + copy Created with Sketch.
- + copy Created with Sketch.

Fermín Vázquez Huarte-Mendicoa (Madrid, 1961) architect since 1988. He studied at ETSAM (Madrid) and ETSAB (Barcelona). He leads b720 Fermín Vázquez Architects, which he set up with Ana Bassat in 1997, with offices in Barcelona, Madrid, São Paulo and Porto Alegre.

b720 is an international studio. It works globally, with offices in Brazil and Spain, on projects located in a dozen different countries.

The work of the studio, which has been shown in several events and museums, such as the Biennal of Venice, the Cité of París and MoMA of NY, has been awarded nationally and internationally with several prizes, among them are two RIBA Awards, a World Architecture Festival award, four awards ASPRIMA-SIMA, the Emporis Skyscraper Award and the European Public Urban Space award.

Among his best-known projects are the Agbar Tower -with Jean Nouvel Architectures-, Lérida's airport, the Plaza del Torico in Teruel, La Mola Conference Centre in Barcelona, the City of Justice of Barcelona and the building for the America Cup in Valencia -both with David Chipperfield Architects- and the Gran Casino Costa Brava in Lloret de Mar. Currently working, among other projects, on the new Mercat dels Encants in Barcelona, the new international airport of Cuzco in Perú, the regeneration of the Waterfront of Cais Mauá of Porto Alegre, a new neighbourhood for 70.000 residents in Brasilia and in several high buildings in São Paulo.

He usually combines professional practice with teaching. He has been a teacher at ETSAB, l'École d'Architecture et Paysage de Burdeos, and Universidad Europea de Madrid, and he has given courses and conferences at large universities and institutions all over the world.

Read more

Adrià Goula Sardà is an architect (ETSAB, 2000) and since 2004 combines architectural photography with personal works of an interdisciplinary nature. As an architectural photographer, he has completed more than two thousand commissions for renowned architects and for various public and private institutions, both nationally and internationally.

His photographs have been published in multiple magazines, monographs, books and specialized publications. In 2023 he was curator of the book Survey Barcelona, ​​commissioned by the Barcelona City Council to offer a photographic overview of the actions carried out in the city during the last eight years.

He currently teaches the Master of Architecture at La Salle Campus Barcelona – URL and the Master of Landscape Design. He was a professor at Elisava in the subject of Space Communication between 2015 and 2019, and a professor of architectural photography at the Escuela Sert of the COAC between 2010 and 2015.

His personal work is based on photography, which functions as a starting point, as notes on certain topics of interest that are later deepened and expanded through works in different formats, such as installation, sculpture, drawing or video.

He has participated in conferences, talks and workshops at different congresses and schools of architecture such as ETSAB, ETSAV, IED, Elisava, Eina, the University of Alcalá, the University of Navarra, the School of Architecture of Umeå (Sweden), the Bienal de Arquitectura de Buenos Aires 2017, the Euskal Herriko Unibertsitatea and will be a speaker at the next UIA congress, which will be held in Barcelona in July 2026.

In 2011, the Esteyco Foundation published the monographic book De-Construcción, in which images of elements under construction were compared with elements under demolition, creating visual parallels between them.

Awards and recognitions.-

-His work Re-Edificatoria, about buildings under rehabilitation, was part of the Spanish Pavilion at the Venice Biennale in 2016, awarded the Golden Lion.
-Received the Bienalba Award for Photographic Production in Architecture at the 2017 Buenos Aires Architecture Biennial.
-In 2020 he received the Silver and Bronze Lux awards in the Architecture and Interior Photography category.
-In 2021 he was awarded in the Spanish Biennial of Architecture and Urbanism in the photography section.
-An image from the Cota 0 project, about the floods in Valencia, was a finalist in the AENA25 Awards and was exhibited at Las Naves de Gamazo in Santander, while the complete project was presented at the ArtPhotoBcn26 Festival at the DHub in Barcelona with the H2O Gallery.

Exhibitions.-

-The Monochroms project was exhibited at Arts Santa Mònica on the occasion of Art Photo Bcn (2020). -Participated with the Càmera Glòries installation in the Barcelona Model Architecture Festival (May 2022)
-The multidisciplinary project Cel·la Nòmada, arising from an investigation into the cell of the Barcelona Model prison in which his grandfather was imprisoned during the dictatorship, has participated in group exhibitions at the Felícia Fuster Foundation (October 2020), at Lab36 at the Senda Gallery (June 2020), at MAC (Mataró Art Contemporani, February-March 2022), and was the subject of a monographic exhibition at the Gallery H2O (2021). It has also evolved into new proposals presented at the Lluèrnia Festival (November 2022), at the La Bianyal Festival (October 2022) and at an exhibition in Cal Xerta de Sant Pere de Riudebitlles (July 2022).
-The Dream City project has been exhibited in the Galería Antoni Pinyol (May 2023), in the Centro Cívico Pati Llimona in Barcelona (September 2023), in the DHub in Barcelona as part of the Art Photo Bcn Festival (October 2023) and in the Festival Fonament 2026 in Calonge (October 2025).

Read more
Published on: May 5, 2015
Cite:
metalocus, ALEX DURO
"Spanish Pavilion at 2015 Expo Milano by b720" METALOCUS. Accessed
<https://www.metalocus.es/en/news/spanish-pavilion-2015-expo-milano-b720> ISSN 1139-6415
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...
Loading content ...