Traditional shapes and contemporary technique in the new Tsuruoka Cultural Hall by SANAA
10/04/2018.
[Tsuruoka] Japan
metalocus, JOAQUIN MINAYA
metalocus, JOAQUIN MINAYA
Description of project by SANAA
SHOGIN TACT TSURUOKA (Tsuruoka Cultural hall) is a multipurpose hall that serves as a base for cultural and artistic activities in the region. The surrounding site is characterised by its abundant nature, and is located in a cultural precinct of the city filled with historic buildings, universities and galleries. A building was sought to expand local civic activities, while incorporating the old cultural hall which has been the heart of cultural activities to the students and local arts groups.
As a "hall for the community" where citizens become participants, observers and actors, we proposed a large hall wrapped by a corridor, resembling traditional Japanese ‘Saya-do’ construction. The corridor is open to the public on a daily basis, and can be active in various places without distinguishing “front” or “backhouse” spaces. Whenever a professional performance takes place, partitions above and below the stage can create private back of house spaces.
By keeping the depth of the large central hall as small as possible, the audience and performer are bought together with a sense of unity. The hall is designed in a vineyard style, where sound echoes through the entire hall and there is a direct path to the stage from any seat.
The exterior of the building looks like an assembly of many small roofs. Each small roof become lower towards the perimeter of the building, and it becomes as low as a one story building along the road. By controlling the volume in this way, we sought to make a building that is in harmony with the adjacent historic building and the surrounding cityscape.
Textures of sheet metal, plastered concrete finishes, curved steel framing, and the naturalness and warmth given by the wooden louvres – gives a sense of architecture created by human hands. The warmth of humanness is felt throughout the building, and creates a dialogue with the surrounding nature. The architectural elements interact with the natural environment, and their expressions change according to natural conditions such as time and light. We hope the Tsuruoka Cultural Hall will become a part of the city’s beautiful landscape, supporting the cultural and artistic activities of the local community.
Kazuyo Sejima (Ibaraki, Japan, 1956) and Ryue Nishizawa (Kanagawa, Japan, 1966) worked independently from each other before founding the SANAA Ltd. studio in 1995. Having studied architecture at the Japan Women’s University, Sejima went on to work for the renowned architect Toyo Ito. She set up her own studio in 1987 and in 1992 was proclaimed Young Architect of the Year in Japan. Nishizawa studied architecture at the Yokohama National University. In addition to his work with Sejima, he has had his own practice since 1997.
The studio has built several extraordinarily successful commercial and institutional buildings, civic centres, homes and museums both in Japan and elsewhere. These include the O Museum in Nagano (1999) and the N Museum in Wakayama (1997), the Day-Care Center in Yokohama (2000), the Prada Beauty Store in Tokyo and Hong Kong (2001), the Issey Miyake and Christian Dior Building in Tokyo (2003) and the 21st Century Museum of Contemporary Art in Kanazawa (2004). Sejima also designed the famous Small House in Tokyo (2000), the Toledo Museum of Art Glass Pavilion, Toledo, Ohio (2001-2006), the extension to the Institut Valencia d’Art Modern, Valencia, Spain (2002 – ), the Zollverein School, Essen, Germany (2003-2006), the New Museum of Contemporary Art, New York (2003-2007) and the Novartis Campus WSJ-157 Office Building, Basle, Switzerland (2003 – ).
In 2004 Sejima and Nishizawa were awarded the Golden Lion at the 9th Venice Architecture Biennale for their distinguished work on the Metamorph exhibition.
Kazuyo Sejima and Ryue Nishizawa have won the 2010 Pritzker Prize.
The 12th International Architecture Exhibition, was directed by Kazuyo Sejima, the first woman to direct the venice architecture biennale, since its inception in 1980.
Ryue Nishizawa and Kazuyo Sejima. Kazuyo Sejima