The web that the spider builds, in proportion to its size, is a surprising mechanism of great technological interest. It isn't compact, nor is it unbreakable (despite its high proportional resistance); however, its implementation and the resulting structure are very interesting:

...Let's apply this to architecture, and for a moment think "what if" ... the individual stars and body "crashed" disappeared and we were conscious that reality is a constellation of small dots?

We brought to architecture what Bertolucci, who in the wake of Antonioni or Resnais conceived of as "The Spider's Stratagem," a film based on a story by Jorge Luis Borges, where if you change the figure of the spectator for the architect, the description is the same: the architect, faced with this new "movie", continually questions the data that in any other tape would be reliable: timeline, plot, beginning and end, space, order of the action; that is, the opposite of the conventional embodiment of the stories in traditional architecture, resulting in enormous confusion for the architect, even though at the end of the film the confusion becomes deep satisfaction when he puts the pieces together and makes sense of the story, that of the spider web.

It's been some time since the vast majority of architecture has been made to blush. Will we be able to create a new assembly, and innovative structures, using intelligence, one step ahead of what is conventionally expected of us? Will we be able to generate a "new realism", revise our ways of living, look at the past, relate to our surroundings, to look ahead?

This film, the one about architecture is only suitable for active spectators who interact with the "dilemmas" and "wilful forgetfulness" created by the current state of architecture, a challenge with an art form and absolutely captivating aesthetic, but also and fundamentally focused on the individuals who use it, who pass through it, or who surround it, and, therefore requires an effort on viewing. There are viewers eager to see this film. Are there actors for the filming? I'm sure there are, many. Action! Take one...

METALOCUS 026. Fall/winter/2009. José Juan Barba

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José Juan Barba (1964). Architect from the Madrid School of Architecture (ETSAM) in 1991. He received his PhD in Architecture from ETSAM in 2004, graduating summa Cum laude with the doctoral thesis "Inventions: New York vs. Rem Koolhaas, Bernard Tschumi, Piranesi." In 1991, he received a Special Mention in the Spanish National Graduation Awards. Until 1997, he worked as an advisor to several NGOs. In 1992, he founded his architectural practice in Madrid (www.josejuanbarba.com). 

He is an architectural critic and, since 1998, Editor-in-Chief of the internationally acclaimed bilingual architecture journal METALOCUS (Spanish/English), recipient of several national and international awards.

Barba is an Associate Professor at the University of Alcalá and a member of several research groups. He has been invited to participate in numerous international forums on architecture and urbanism, including the II Forum of Mexican World Heritage Cities, Urban Development, History and Modernity, organized by the Pan-American Committee for Urban Development and Historical Heritage; the World Urban Development Forum (FMDU), held in Culiacán, Sinaloa, Mexico; and the International Conference on Architecture and Urbanism from the Perspective of Women Architects. He has also been invited as lecturer and guest critic at numerous national and international institutions, including the National Building Museum, Roma Tre University, Politecnico di Milano, University of Genoa, Université Pierre Mendès France Grenoble, the Madrid and Barcelona Schools of Architecture, National Autonomous University of Mexico, the Faculty of Architecture in Montevideo, the Schools of Architecture of Medellín and Ecuador, Universidad Iberoamericana, IE University, as well as the Schools of Architecture of Zaragoza, Valladolid, Málaga, Granada, Seville, and A Coruña, among others.

He has extensive professional experience in architecture, urbanism, landscape intervention, and territorial regeneration. His work has received numerous awards, including First Prize in the “Gran Vía Posible” competition for Delirious Gran Vía, Madrid; recognition for the Rivers Interpretation Centre in Zamora, awarded and exhibited at the World Architecture Festival 2008; and recognition for the Santa Bárbara Park project in Toledo. He was also awarded the Erich Degner Prize for Architecture (1995), promoted by the BBVA Foundation. His project for a Day Centre for the Elderly was included in Volume 3 of the Madrid Architecture Guide published by the Official College of Architects of Madrid (COAM) in 2007. His work has been widely published in national and international books and journals.

He served as Maître de Conférences at the Institut d’Urbanisme de Grenoble, Université Pierre Mendès France Grenoble, during the 2013–14 academic year, following his appointment through a European open competition. His work has been published internationally. He regularly serves on academic and professional juries, including the editorial competition jury for the journal Quaderns (2011), the selection committee for the European Union Prize for Contemporary Architecture – Mies van der Rohe Awards (2007–present), and the jury panels for EUROPAN 13 (2015–16) and TRANSFER, Zurich (2019). He was also invited to participate in the Biennale di Venezia 2016 as part of the exhibition Spaces of Exception / Spazi d’Eccezione.

He has authored several books, including "The Dark Line. michele&miquel, dA Vision Design" (2024), "CONGRESO ANYWAY. La ciudad de las ciudades" (2020), "#Positions" (2016), and "Inventions: New York vs. Rem Koolhaas, Bernard Tschumi, Piranesi" (2015). He has also contributed to publications such as "Espacio público Gran Vía. La Ciudad del Turismo" (2020), "Spaces of Exception / Spazi d’Eccezione" (2016), "La manzana de la discordia" (2015), and "Contemporary Japanese Architecture: New Territories" (2015), as well as chapters in numerous books, including "Women Architects: A Professional Challenge" (2009), "21st Century Architectures" (2007), "Ruta de la Plata, New Conquerors of Space" (2019), and "The City of Tourism" (2020).

Selected awards include:

•    “SANTIAGO AMÓN” AWARD, award for the promotion of architecture, COAM Madrid, 2000.
•    “PANAYIOTI MIXELI AWARD,” SADAS-PEA, award for the promotion of architecture, Athens, 2005.
•    “PIERRE VAGO” ICAC. International Committee of Art Critics Award, London, 2005.
•    FAD Award 07, Ephemeral Interventions, First Prize, M.C. Escher Exhibition, Arquin-FAD, Barcelona, 2007.
•    World Architecture Festival, Center for Research and Interpretation of the Rivers, Tera, Esla, and Órbigo, Finalist, Barcelona, 2008.
•    Gran Vía Posible, First Prize, Delirious Gran Vía, Madrid, 2010.
•    Reform of the Río Segura Surroundings, Award, Murcia, 2010.

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Published on: November 4, 2009
Cite:
metalocus, JOSÉ JUAN BARBA
"26=X>10+1 METALOCUS. 10 years 25 issues" METALOCUS. Accessed
<https://www.metalocus.es/en/news/26x101-metalocus-10-years-25-issues> ISSN 1139-6415
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