Continuing with the series of classics of Dutch modernity, today we bring one of the most iconic examples of domestic architecture in Rotterdam, designed and built by the same architects who were in charge of the Van Nelle factory, the Sonneveld house of the studio Brinkman and Van der Vlugt.

Located in the Museum Park (formerly Land van Hoboken), this work is a manifesto built of that living machine to which Le Corbusier referred in 1923, passed through the filter of the New Objectivity of the Netherlands.

Built between 1932 and 1933 commissioned by Albertus Sonneveld (one of the three directors of the Van Nelle factory), this house represented the second great milestone of the Rotterdam studio, and the great continuation of the factory planned four years earlier.
The house designed by Brinkman and Van der Vlugt stands out, even today, with its clean and white finishes in front of the green surroundings of the Museum Park, a central area of ​​the city that over time would gain the predilection of architects to build there his work.

If we were to make a checklist of the spatial and constructive concepts applied in the work, the first to mark would undoubtedly be Le Corbusier's five points. Only with a glance is enough to recognize the influence of the Swiss-French Master, Loos and the importance of the rationalist context in which the work was conceived.

As was normal at the time, the possibilities of building modern ideals, and new architectures in general, used to fall into the hands of the wealthiest families and this case is no exception. The privileged position of the Sonnevelds and their interest in avant-garde art made it possible not only to create a house with a slender metal structure and large glazing that favoured the entry of natural light but also to collaborate with other professionals from related disciplines such as the interiors and furnishings of WH Gispen, upholstery by Metz & co., Sculptures by John Rädecker and glassware by Andries Copier, among others.
 
"It’s a miracle that this house survived. Therefore, it’s special that we have something left from that time, such as Dutch functionalism at the Sonneveld House. It tells the story of an influential family, but also the history of Rotterdam. It really gives an idea of the way of living back then, and it demonstrates the incredible development the city has went through."
Hetty Berens. Curator of House Sonneveld 1

This New Construction classic has witnessed and survived one of the greatest catastrophes that the Dutch city experienced, the bombing of 1940. While many of the buildings in the city centre were sadly burning with the German attack, the Sonneveld house, like the now Chabot museum, observed the atrocities of the situation unmoved and are currently two of the best-preserved pieces of that historical and architectural period in the city.
 

The work, which has the status of a National Historic Monument, has undergone different restoration and conditioning processes, perhaps the most important being that of 2001, for which the state of the work at its completion was taken as a point of reference ( 1933) and had the contribution of the great archive of the NAI that contained an important number of plans and period photographs that helped to rebuild the house spatially.

Today the house has been converted into a house museum, and is one of the most iconic and visited monuments in Manhattan on the Maas. Since 2013, the museum managed by Het Nieuwe Instituut (NAI), has hosted important exhibitions curated by renowned artists such as Dominique Gonzales Foerster, Eva Rothschild, Santiago BorjaRichard Hutten and Petra Blaisse.
 
NOTES.-
1.- BERENS, Hetty (2018) In PUT, Ella. The history and essence of functionalism. Discover Benelux Magazine, Vol. 57, September 2018, p. 42.
 
BIBLIOGRAPHY.-
- BAKEMA, J.B. (1968) L.C. van der Vlugt. Art and architecture in the Netherlands. Amsterdam: Meulenhoff.
- GARCÍA GARCÍA, Rafael (1995) Nueva Objetividad en Holanda 1923-1940. Cuadernos de notas. Madrid: Universidad Politécnica de Madrid.
- MONTANER, Josep María (1997) La modernidad superada. Barcelona: Gustavo Gili.
- PUT, Ella. The history and essence of functionalism. Discover Benelux Magazine, Vol. 57, September 2018.

More information

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Architects
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Johannes Brinkman. Leendert van der Vlugt. Restoration.- Molenaar & Van Winden Architecten
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Client
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Albertus Sonneveld.
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Owner
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People's Power Foundation Historic Monuments, Rotterdam.
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Management
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Dates
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Project.- 1929. Construction.- 1932-1933. Restoration.- 2001.
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Manufacturers
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Furniture.- Metz & Co (Bart van der Leck).  Willem Hendrik Gispen.
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Location
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Jongkindstraat 12, 3015 CG Rotterdam, The Netherlands.
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Photography
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The Brinkman and Van der Vlugt architectural office, one of the most important and successful in the Netherlands between the wars, was the primary exponent of Nieuwe Bouwen. Johannes Brinkman handled the technical aspects and left the design largely to Leendert van der Vlugt. In the early days, the firm’s main client was the coffee, tea and tobacco company Van Nelle. Brinkman and Van der Vlugt designed its iconic factory building in Rotterdam as well as sites in Leiden and Utrecht. They also designed homes for the company’s directors, including the Van der Leeuw and Sonneveld houses.

Johannes Andreas Brinkman (Rotterdam, 1902)

Son of architect Michiel Brinkman, he began working in his office while studying at the Technical University of Delft. After his death in 1925 he continued his study, incorporating Leendert Cornelis van der Vlugt. With him he formed an active studio between 1925 and 1936 - the date of Van der Vlugt's death -, which on occasions also collaborated with Willem van Tijen. Subsequently, Brinkman partnered with Johannes Hendrik van der Broek.

Brinkman and Van der Vlugt's main work was the Van Nelle tobacco, tea and coffee factory in Rotterdam (1926-1929), to which were added the headquarters of the Theosophical Union in Amsterdam (1925-1926) and the headquarters of Van Nelle in Leiden (1925-1927), as well as several residential buildings: the Van der Leeuw villa (1927-1928), the Sonneveld house (1932-1933) and the Boevé house (1934), all in Rotterdam. Another emblematic work of his was the Feyenoord stadium in Rotterdam-South (1935-1936). They also designed a telephone booth (1931) which over time has become an iconic element of the Dutch urban landscape.

With Van Tijen they built the Bergpolder building in Rotterdam in 1934, a ten-story housing complex with a steel structure and wooden walls and floors.

Leendert Cornelis van der Vlugt (Rotterdam, 1894)

Van der Vlugt was a Dutch architect who studied between 1910 and 1915 at the Academy of Fine Arts and Technical Sciences in Rotterdam. After several years of work in different architectural firms, in 1919 he settled on his own account.

He designed houses in Beukelsdijk, Rotterdam, the Netherlands (1921), the Higher Technical School and the Industrial School (1922), both in Groningen.

From 1925 he worked with Johannes Andreas Brinkman (1902-1949), son of the architect Michiel Brinkman, who had studied at the Higher Technical School in Delft. In the shared office Brinkman was in charge of organizational and technical matters and Van der Vlugt of architectural matters.

In the first stage of their collaboration they built the Theosophical Temple in Amsterdam (1927) and the Van der Leeuw House in Rotterdam (1928-1929). A wide window strip crosses the smooth front of the building and the garden facade, with a two-storey greenhouse, is fully glazed.

Later they built several houses, such as the De Bruyn house in Schiedam (1930-1931) and the Sonneveld house in Rotterdam (1929-1933). Despite its dimensions, the Van Nelle tobacco factory in Rotterdam (1926-1930), also built under the International Style sign, is light and not heavy due to its transparent mirror-glass curtain wall facade suspended in front of the metallic structure. A circular glass roof houses a cafeteria. The facade of the office building, accessed by a glass corridor, is arched.

The houses of the Bergpolder discoidal blue-collar skyscraper in Rotterdam (1933-1934, in collaboration with Willem van Tijen) open onto galleries. The stairs and the elevator are located behind the side façade, fully glazed, existing in the entrance part. On the death of Van der Vlugt, Brinkman worked in collaboration with Johannes Hendrik van der Broek.

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Published on: September 15, 2021
Cite: "A built Manifesto of European Modernity. Sonneveld House by Brinkman & Van der Vlugt" METALOCUS. Accessed
<https://www.metalocus.es/en/news/a-built-manifesto-european-modernity-sonneveld-house-brinkman-van-der-vlugt> ISSN 1139-6415
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