On the occasion of the Open House Madrid festival, in its special edition for 2020, from METALOCUS we want to present the Casa Carvajal, a residence created by the architect Javier Carvajal Ferrer for him and his family in 1966, with such spirit and skill that in 1969 was awarded the Fritz Schumacher Prize.

After more than 50 years of its construction, its brutalist-style, which was shown as a sculpture out of its time, blends in with the environment and nature; softens the hardness of concrete to be today's container of a particular Eden.
Casa Carvajal is a reinforced concrete house built in 1966 by the architect Javier Carvajal, one of the most famous Spanish architects of the 20th century, as his home.

The house that was inspired by the Alhambra in Granada, as a representative building of Spanish culture, has a very special layout. The rooms with unusual layout lead to living rooms that reveal the bedrooms.

The house is built around two interior courtyards that articulate the flow of the house in the shape of an 8, this generates a particular way of life that allows communication through different approaches and distances.

The whole house is covered by nature and has transformed over time from a sculpture to a container of an Eden, with sound to nature and water.

Influenced by F.L. Wright and Scarpa, the master's work is a unique and unforgettable journey that won the 1969 Fritz Schumacher Prize for Architecture for being recognized as the most enigmatic work of the moment.

On the other hand, the one-level house is built on a slope on three platforms that stick to the surface of the land. This is how the house is built for and with the land adapts. There are small slopes of 2 or 3 steps that at the same time delimit the spaces and mark the change of program. The house is divided into 4 zones; that of adults, that of children, the service areas, and common areas.

The patios and large windows with a very wide roof, make sure that there is always a soft and changing light in the house while allowing the observer to be attentive to nature and its change of seasons.

The garden and the flow of water in its fountains, as well as some invitations in the house to that double possibility of movement in each room, leads us to the sensations of the Alhambra at times.

Currently one of its inhabitants Cristina Rodríguez de Acuña Martínez published the book “cross looks. LA CASA CARVAJAL ”in which she presents a double look that crosses the interesting point of view of illustrious architects such as Alberto Campo Baeza, Vicens, Del Val, Eduardo Delgado Orusco; with the observation of the inhabitant who travels through time transforming her gaze.

-History of the house

Artists and various personalities have lived or worked in it, firstly Javier Carvajal who lived there for 10 years, but also the one who was his wife and writer Blanca García Valdecasas with the Fastenrath prize from the Royal Spanish Academy.

Antonio Saura made the movie La Madriguera en la casa, wherein the credits the house appeared as another actor in the film. The Chilean ambassador who also inhabited it was Enrique Campos Menendez, Chilean National Prize for Literature.

Currently, the Community of Madrid has proposed to the inhabitants that it be declared an Asset of Cultural Interest (BIC) as a Spanish Heritage Monument for being one of the most representative houses of the time in Spain.

More information

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Architects
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Javier Carvajal Ferrer.
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Client
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Javier Carvajal Ferrer.
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Area
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Plot 4,800 m². Constructed area 1000 m².
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Dates
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1966.
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Special thanks
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Cristina Rodríguez de Acuña.
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Location
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Street Talavera 7 - 28223 Pozuelo de Alarcón, Madrid, Spain.
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Photography
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Cristina Rodriguez de Acuña. Valeria Ozuna, Hector Martinez J. / METALOCUS.
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Francisco Javier Carvajal Ferrer (January 3, 1926, Barcelona - June 14, 2013, Madrid). He obtained the title of architect in 1953 from the Madrid School of Architecture, being the Extraordinary End of Degree Award; that same year he was Deputy Curator of Architecture and General Deputy Curator of Education at the II Bienal de Arte de Sao-Paulo, Brazil. In 1955 he was a pensioner from the Academy of Fine Arts in Rome where he lived until 1957, the year in which he won the Academy Award of Rome and received the title of Master Academic Honoris Causa from the Academia Mondiale Degli Artisti e Profesionisti di Roma.

In 1959, in collaboration with Javier García de Castro, the Barcelona School of High Mercantile Studies (today the School of Industrial Engineers) won the competition, inaugurated in 1961. This work, next to the residential building in the Plaza de Cristo Rey in Madrid (1954-58), will be one of his best known early works, in them characteristic features of his work are seen, with some invariants that will remain throughout his career.

In 1963 he was awarded first prize in the competition for the Spanish pavilion at the New York World's Fair. Completed in 1964, it was an Award from the Rockefeller Foundation, obtained great international recognition and the Institute of American Architects awarded it a certificate of excellence for the project. From this work he began his work with prefabricated elements on the façade. In 1968, the Technical University of Hannover awarded him the “Fritz Schumacher” prize for the best architectural work built in Europe, for the houses he designed and built in Somosaguas. During the 1960s he was responsible for creating the new aesthetics of Loewe stores.

Also noteworthy are works such as the apartments on Calle Montesquinza, from 1966. In 1968, he built a residential and office building in León, a test of what would later become the Torre de Valencia (1968-1973), the Library of the Faculty of Law de Madrid (1971). In 1972 he created the Madrid Zoo-Aquarium, which has sculptures by José Luis Sánchez and Josep María Subirachy, in 1974, the House of Sweden, in Chile (1976), shortly before the Adriatic in the Paseo de la Castellana in Madrid, the Banco Industrial de León building on Calle Serrano. From his last stage remember the houses of Pozuelo and de la Moraleja, the Embassy of Spain in Warsaw, the palaces of Tabuk and Gassim (1982-1984) in Saudi Arabia, a hotel for the Universal Exposition of Seville in 1992, and finally its last work: the General Library of the University of Navarra (1998).

His teaching work began in 1954 as an assistant professor at the Madrid School of Architecture. In 1960, after his stay in Rome, he was appointed professor in charge of the chair; two years later, in 1962, he obtained a doctorate. And in 1965 he won the chair, becoming the first professor at the Madrid School to achieve it by building modern architecture; in 1967 he was appointed Deputy Director of the School, in 1968 extraordinary professor at the Menéndez Pelayo International University of Santander and in 1971 ordinary professor of Urban Planning courses at the Institute of Local Administration of Madrid. In 1972 he was appointed Director of the School of Barcelona, ​​being the following year founder of the second Higher Technical School of Architecture at the University of Vallés in this city. In 1974 he became Director of the ETSA of Las Palmas de Gran Canaria and in 1976 Professor of Projects at the School of Architecture of the University of Navarra, of which he was also since 1982 extraordinary professor of History of Architecture. In 1997 he was appointed Professor Emeritus of the Madrid School of Architecture.

This teaching work also made her compatible with various positions; thus, in 1971 he would be appointed Dean of the Madrid College of Architects and re-elected in 1973, the year in which he was also appointed Delegate Commissioner of the Ministry of Education and Science, for the Reform of Architecture Education in Spain. In 1964 he became a member of the Editorial Board of the magazine Arquitectura, of the College of Architects of Madrid. In 1965 he was appointed Commissioner of Spain at the IV International Art Biennale in Paris and in 1966 representative of the Official College of Architects of Madrid on the Board of Trustees of the School of Architecture of the Polytechnic University of Madrid and Secretary of the Teaching Commission of the Council Superior of the Colleges of Architects of Spain. In 1971 he acted as Consultant Architect for the implementation of the Architecture Degree in Costa Rica, in 1972 he was appointed by the Ministry of Education and Science as Delegate Commissioner for the reform of Architecture education and the following year General Director of Tourism Planning. In 1994 he was Director of the Cultural Foundation of COAM.

They also stand out as the apartments on calle Montesquinza, from 1966. In 1968, he built a residential and office building in León, a test of what would later become the Torre de Valencia, and in 1974, shortly before the Adriatica on the Paseo de la Castellana de Madrid, the building of the Banco Industrial de León on Serrano Street. From his last stage remember the houses of Pozuelo and de la Moraleja, the Embassy of Spain in Warsaw, a hotel for the Universal Exhibition of Seville in 1992, and finally his last work: the General Library of the University of Navarra.
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Published on: September 17, 2020
Cite: "Carvajal House by Javier Carvajal Ferrer, in the VI edition of Open House Madrid" METALOCUS. Accessed
<https://www.metalocus.es/en/news/carvajal-house-javier-carvajal-ferrer-vi-edition-open-house-madrid> ISSN 1139-6415
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