The "Apartamenty przy Warzelni"  building, commissioned to JEMS Architects studio, is the keystone of the urban transformation in Warsaw Breweries, very close to the heart of the capital of Poland. The building has a central location in the complex, between the most important routes and public spaces.

The building has grown where the largest post-war Polish brewery used to operate on an undeveloped area of 4.4 ha, now turned into a multifunctional area with residential, business and recreational development.
The architect practice behind the design, JEMS Architects, proposed a new nearly 30-meter apartment building with a façade made of mobile shutter panels with copper-coloured aluminium mesh, that transforms its form and filters the light inside. A tribute and dialogue to the former buildings of the Brewhouse, through their austerity and colours

The building is free-standing, its width when viewed from the Brewery Market corresponds to the width of the historic Brewhouse. Around it, has three squares of varying size and program - an intimate town square across the street, a green square behind the Brewhouse building and the so-called Central Square.

The building has 76 flats, ranging in size, from studios to two-storey penthouses on the top floors. All of them are accessible from three meticulously designed staircases. The design for the Brewhouse Apartments complex received the SARP award in 2021 for multi-family residential buildings, the Grand Prix of the President of Warsaw.


Warsaw Breweries by JEMS Architects. Photograph by Juliusz Sokołowski.


Warsaw Breweries by JEMS Architects. Photograph by Maria Kot.

 

Project description by JEMS Architects

The idea of the project was to “turn the city over to the City”. Few historic buildings, though constituting only a small part of the investment, became the most exposed objects in the new urban fabric. Using the character of existing buildings, the aim was to find a way for remodelling an empty area, to create a vibrant place that is inviting for inhabitants.

Warsaw Breweries, located in Wola, is relatively close to the city centre. Before the war, the area was formed by many either small or large factories and many industrial facilities. The city grew over time, factories deteriorated, various, empty patches of land interlaced with the newly-built office and residential buildings. In 2015, the area of future investment was also one of the largest, undeveloped areas in Warsaw’s city centre. An empty hole in the middle of the city. Today Breweries, according to the standard of a properly functioning city, are a mix of functions with no distinct divisions between them, the boundaries are being constantly blurred. The dense network of connections running through each building creates a place easy to access. Gate passages and interpenetration of squares and narrow streets create an atmosphere for further exploration.

The Breweries are strongly linked to neighbouring parts of the city. The consequences of the basic design assumptions have been translated into major functional and urban planning decisions. As a result, axes, openings, dominants, new streets and squares were shaped. Subsequently, solutions for urban interiors, façade tectonics, greenery management, the shaping of the interiors of the buildings, the choice of materials, textures, colours, small architecture, etc. were detailed. However, none of these components constituted an objective and were not self-contained, but interdependent with the others.


Warsaw Breweries by JEMS Architects. Photograph by Nate Cook.

An important part of the project was the search for proportions and combining them with the newly designed buildings by finding characteristic motifs. Despite various finishing materials and different characteristics of the buildings, the harmonious space has been maintained.

To avoid the effect of “artificiality”, the newly designed development is characterized by a “coherent diversity”, noticeable in buildings’ different facades. Nevertheless, the form, scale and details give the complex a homogeneous, though not monotonous character.

An important dilemma was the question of how to bring ruined historical buildings back to life. The technical condition of each of the surviving objects was terrible. The buildings themselves, which were rebuilt many times before, have long since lost their original shape. The lack of archival materials and the complete change of context limited ideas for possible reconstruction. However, we did not want to neglect and forget about the rich, although quite confusing, history of this place. It would be a shame to remove the accumulated traces of old times and subsequent reconstructions. Wherever possible, we decided to leave traces of different eras showing different phases of the "life" of these buildings, while always remembering to adapt these objects to their new purpose.

Therefore, the adopted materials and façade solutions are a nod to the historic buildings. They do not imitate the historic tissue by using identical forms and materials but discretely enter into a dialogue with it.

More information

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Architects
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Project team
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Olgierd Jagiełło (1947 Poland); Paweł Majkusiak (1971 Poland); Marek Moskal (1966 Poland); Maciej Rydz (1979 Poland); Marcin Sadowski (1965 Poland); Grzegorz Artymiński (1974 Poland); Izabela Bednarska (1970 Poland); Zygmunt Borawski (1987 Poland); Tytus Brzozowski (1984 Poland); Mieszko Burmas (1981 Poland); Małgorzata Charazińska (1980 Poland); Łukasz Chaberka (1995 Poland); Anna Dubois (1982 Poland); Aleksandra Dutkowska (1993 Poland); Marcin Giemza (1987 Poland); Wojciech Gruszczyński (1985 Poland); Michał Iwaniuk (1993 Poland); Szamil Jachimczyk (1995 Poland); Katarzyna Janczura (1995 Poland); Rafał Jóźwiak (1988 Poland); Radosław Kacprzak (1975 Poland); Urszula Kos (1957 Poland); Łukasz Krzesiak (1978 Poland); Katarzyna Kuźmińska (1988 Poland); Magdalena Litaszewska (1985 Poland); Beata Momot (1995 Poland); Grzegorz Moskała (1984 Poland); Marta Najder (1989 Poland); Bartłomiej Najman (1985 Poland); Maciej Olczak (1986 Poland); Mariusz Olszewski (1977 Poland); Katarzyna Piotrowska (1987 Poland); Maks Potapow (1976 Poland); Agnieszka Rokicka (1968 Poland); Aleksandra Rusin (1994 Poland); Łukasz Stępnik (1988 Poland); Bartosz Śniadowski (1977 Poland); Marta Świątek-Piziorska (1971 Poland); Anna Świderska (1975 Poland); Mateusz Świętorzecki (1975 Poland); Piotr Waleszkiewicz (1979 Poland); Izabela Wencel (1954 Poland); Marcin Zaremba (1978 Poland); Agata Żak (1977 Poland).
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Collaborators
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Landscape.- RSAK, architects Dorota Rudawa, Patryk Zaręba, Anna Wiechetek-Moczulska.
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Client
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ECHO Investment.


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Contractor
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Mota-Engil Central Europe.
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Area
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Total plot area.- 45,000 m².
Gross floor area.- 182,071 m².
Usable floor area.- 120,000 m².
Number of apartments.- 76.
Number of floors.- 7.
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Dates
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Year began.- 2017.
Completion.- 2021.
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Location
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Warsaw, Poland. LatLng: (52.23492719999999, 20.9871012).
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Photography
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JEMS Architects is an architecture studio founded by Maciej Rydz and Olgierd Jagiełło in 1988, but the team that formed the studio has been working together continuously since the early 1980s.

JEMS, which began as an independent practice at a time of democratic change in Poland, joined the push for the restoration of Polish architectural culture. Currently eight owners and partners form the core of the team.

The cooperation between partners carried out through the office-workshop formula, in which all JEMS staff participate, offers an inspiring space for debates and searches, for the exchange of ideas and points of view. JEMS is a place for open discussion and debate. This is our core value.

They treat reality as a fabric in the creative process and as a framework for their activities. They try to read its complexity through a filter of culture, history and tradition, through the context of the place. They seek inspiration in this multi-layered impression of reality, as well as in the limitations and conflicts inherent to our times.

They normally work in areas that often do not offer any possibility of reaching a quick, unambiguous and synthetic answer to the design problem. They have never had a universal method, a strategy.

Its architecture avoids dazzling with form, seeking the essence of things as much as the things themselves. They refer to timeless things: order, mass, the fascination with the natural properties of materials, light, the passage of time, proportions and the rules that govern the structure of form.
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Published on: May 26, 2024
Cite: "Centrality and dialogue through color and shape. Apartamenty przy Warzelni by JEMS Architects" METALOCUS. Accessed
<https://www.metalocus.es/en/news/centrality-and-dialogue-through-color-and-shape-apartamenty-przy-warzelni-jems-architects> ISSN 1139-6415
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