Moving away from the conventional model European hospital, Herzog and de Meuron designed the project as a mini-city, closed to the outside. The scale of children, and the treatment of the space designed for people have been a priority when thinking about the new hospital. The combined use of the right angle with the circular shapes allow the architects for some spatial fluidity that is cut when they need to provide a space with privacy.

For the realisation of a new building in the Lengg district of Zurich, Kinderspital Zürich called a two-phase planning selection procedure with pre-qualification in 2010. On 3 May 2012, at the recommendation of the jury, the foundation board of Kinderspital Zürich – Eleonorenstiftung unanimously declared the design by Herzog & de Meuron as the winning project. The project is planned for completion in 2018.

The design for the Children’s hospital envisions two complementary buildings of contrasting typology, programme and urban design, that are nevertheless geometrically related. The main hospital building serves the examination and treatment of children and adolescents, while the teaching and research centre serves scientific work and mediation. 

The Children’s Hospital takes the form of a 3-storey building arranged around a series of courtyards like a small, introspective town. In-patients, out-patients and their relatives can move around as freely as possible between the different treatment areas. The 3-storey reflects the desire to create a child-friendly building, reminiscent in both scale and materiality of pavilion-style structures, and differs the usual hospital stereotype. Architecture and nature are interwoven here. The interior courtyards open up intermittently to the outside, allowing daylight to permeate the low, deep building.

Each of the three floors has a dedicated function, reflected in the layout of the rooms, and designed to provide maximum flexibility. Examination, treatment rooms and laboratories are located on the ground floor, as are the therapeutic facilities and the restaurant, while the doctors’ offices are situated on the first floor, and the wards on the top floor. Overlaying these three “ideal” geometries creates spatial variety and orientation. Wood is the predominant material of the facades and interiors, creating a more domestic atmosphere for children, their parents and hospital staff. The use of wood also echoes the rural surroundings of the Lengg district.

The Centre for Teaching and Research, a tall and round freestanding building, is positioned in an open space in the center of the health campus comprising several different clinics. It is an obviously public building in which everything revolves around scientific research and its dissemination. Six floors of research laboratories and offices are hovering above a kind of agora comprised of auditoria and seminar rooms. A central courtyard, also circular, follows the course of the sun.

Although the two building types are typologically different, they are architecturally related. Both feature an overlay of rectangular and circular geometries. In the children’s hospital, the circle is used to interfere the right-angled basic order and to mark specific areas of the building: points of orientation, sub-centres, meeting points, transitional areas. The round teaching and research centre is a meeting point in its own right, forming a sub-centre on the hospital campus. Within its circular shell, the rooms are arranged at right angles.

Jacques Herzog: “We chose to create a horizontal, finely structured building with a lot of natural light. The small scale and the material properties of this wooden building are factors that have already proved highly successful with our REHAB clinic in Basel. In the case of the children’s hospital, this seemed a particularly apt approach for the young patients and their parents.

Christine Binswanger: “We also placed a lot of importance on flexibility – the working methods of doctors, nurses and hospital staff are bound to undergo changes in future. The building has to be able to accommodate those changes.”

CREDITS OF THE PROJECT:

Architects: Jacques Herzog, Pierre de Meuron, Christine Binswanger (Partner in Charge).

Project Team : Mark Bähr (Project Manager), Jason Frantzen (Associate), Alexandria Algard, Alexander Franz, Ondrej Janku, Christoph Jantos, Johannes Kohnle, Blanca Bravo Reyes, Raúl Torres Martin, Mika Zacharias. Structural engineering: ZPF Ingenieure AG, Basel. Landscaping: August Künzel, Münchenstein. General planning: Gruner AG, Basel. Visualisation: Bloomimages, Hamburg.

Client: Kinderspital Zürich – Eleonorenstiftung, Zurich.

Competition: 1st Phase: March – May 2011. 2nd Phase: October – February 2012.

Total floor area: 84.579 sqm.

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Herzog & de Meuron Architekten is a Swiss architecture firm, founded and headquartered in Basel, Switzerland in 1978. The careers of founders and senior partners Jacques Herzog (born 1950), and Pierre de Meuron (born 1950), closely paralleled one another, with both attending the Swiss Federal Institute of Technology (ETH) in Zürich. They are perhaps best known for their conversion of the giant Bankside Power Station in London to the new home of the Tate Museum of Modern Art (2000). Jacques Herzog and Pierre de Meuron have been visiting professors at the Harvard University Graduate School of Design since 1994 (and in 1989) and professors at ETH Zürich since 1999. They are co-founders of the ETH Studio Basel – Contemporary City Institute, which started a research programme on processes of transformation in the urban domain.

Herzog & de Meuron is a partnership led by five Senior Partners – Jacques Herzog, Pierre de Meuron, Christine Binswanger, Ascan Mergenthaler and Stefan Marbach. An international team of 38 Associates and about 362 collaborators.

Herzog & de Meuron received international attention very early in their career with the Blue House in Oberwil, Switzerland (1980); the Stone House in Tavole, Italy (1988); and the Apartment Building along a Party Wall in Basel (1988).  The firm’s breakthrough project was the Ricola Storage Building in Laufen, Switzerland (1987).  Renown in the United States came with Dominus Winery in Yountville, California (1998). The Goetz Collection, a Gallery for a Private Collection of Modern Art in Munich (1992), stands at the beginning of a series of internationally acclaimed museum buildings such as the Küppersmühle Museum for the Grothe Collection in Duisburg, Germany (1999). Their most recognized buildings include Prada Aoyama in Tokyo, Japan (2003); Allianz Arena in Munich, Germany (2005); the new Cottbus Library for the BTU Cottbus, Germany (2005); the National Stadium Beijing, the Main Stadium for the 2008 Olympic Games in Beijing, China; VitraHaus, a building to present Vitra’s “Home Collection“, Weil am Rhein, Germany (2010); and 1111 Lincoln Road, a multi-storey mixed-use structure for parking, retail, a restaurant and a private residence in Miami Beach, Florida, USA (2010), the Actelion Business Center in Allschwil/Basel, Switzerland (2010). In recent years, Herzog & de Meuron have also completed projects such as the New Hall for Messe Basel Switzerland (2013), the Ricola Kräuterzentrum in Laufen (2014), which is the seventh building in a series of collaborations with Ricola, with whom Herzog & de Meuron began to work in the 1980s; and the Naturbad Riehen (2014), a public natural swimming pool. In April 2014, the practice completed its first project in Brazil: the Arena do Morro in the neighbourhood of Mãe Luiza, Natal, is the pioneering project within the wider urban proposal “A Vision for Mãe Luiza”.

Herzog & de Meuron have completed 6 projects since the beginning of 2015: a new mountain station including a restaurant on top of the Chäserrugg (2262 metres above sea level) in Toggenburg, Switzerland; Helsinki Dreispitz, a residential development and archive in Münchenstein/Basel, Switzerland; Asklepios 8 – an office building on the Novartis Campus in Basel, Switzerland; the Slow Food Pavilion for Expo 2015 in Milan, Italy; the new Bordeaux stadium, a 42’000 seat multifunctional stadium for Bordeaux, France; Miu Miu Aoyama, a 720 m² boutique for the Prada-owned brand located on Miyuki Street, across the road from Prada Aoyama, Tokyo, Japan.

In many projects the architects have worked together with artists, an eminent example of that practice being the collaboration with Rémy Zaugg, Thomas Ruff and with Michael Craig-Martin.

Professionally, the Herzog & de Meuron partnership has grown to become an office with over 120 people worldwide. In addition to their headquarters in Basel, they have offices in London, Munich and San Francisco. Herzog has explained, “We work in teams, but the teams are not permanent. We rearrange them as new projects begin. All of the work results from discussions between Pierre and me, as well as our other partners, Harry Gugger and Christine Binswanger. The work by various teams may involve many different talents to achieve the best results which is a final product called architecture by Herzog & de Meuron.”

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Published on: June 25, 2012
Cite: "Children’s Hospital in Zurich. Winning project" METALOCUS. Accessed
<https://www.metalocus.es/en/news/childrens-hospital-zurich-winning-project> ISSN 1139-6415
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