The Museum of Architectural Drawing explores the dialogue between architecture, drawing, and photography with the exhibition "Kengo Kuma – The Flow of Lines Through the Lens of Erieta Attali." The exhibition focuses on 86 hand-drawn sketches by the internationally renowned Japanese architect Kengo Kuma, which are given a new visual dimension through 18 artistic photographs selected by Erieta Attali.

Kengo Kuma is one of the most important voices in contemporary architecture. His internationally acclaimed projects, such as the Tokyo National Stadium, the V&A Design Museum Dundee, the Tiffany & Co. store in Tokyo's Ginza district, and many others, are characterized by a particular sensitivity to materials, light, and landscape, as well as to the history of their sites.

The exhibition is curated by Nadejda Bartels, director of the Museum of Architectural Drawing. A catalogue accompanies the exhibition.

The works by Kengo Kuma exhibited in this show offer an exceptional glimpse into the architect's creative process, complementing and resonating with the photographs of Erieta Attali. These drawings are not mere sketches or preliminary studies, but rather stand-alone works that distill ideas, movement, and spatial concepts. However diverse the projects may be, the sketching technique remains deliberately simple. With the exception of a few early works, most are monochromatic and executed in pencil or charcoal.

Water Glass. Kengo Kuma – The Flow of Lines through the Lens of Erieta Attali. Photograph by Erieta Attali.

Water Glass. Kengo Kuma – The Flow of Lines through the Lens of Erieta Attali. Photograph by Erieta Attali.

Throughout a long collaboration, Attali has created artistic interpretations of numerous Kuma projects. Her photographs capture the light, atmosphere, transitions, and subtle relationship between the buildings and their surroundings. Attali's perspective highlights light, shadow, and texture, revealing how Kuma's lines unfold in real space.

The exhibition is conceived as a dialogue between two artistic approaches. In both Kuma's drawings and Attali's photographs, architecture is conceived as something in motion and in constant transformation. Visitors are invited not only to observe the architecture but to experience it as a fluid, sensory process: a flow of lines.

V&A Dundee. Kengo Kuma – The Flow of Lines through the Lens of Erieta Attali. Photograph by Erieta Attali.

V&A Dundee. Kengo Kuma – The Flow of Lines through the Lens of Erieta Attali. Photograph by Erieta Attali.

Tchoban Foundation. Museum of Architectural Drawing
The Tchoban Foundation's Museum of Architectural Drawing opened in 2013 on the site of the former Pfefferberg brewery. In 2009, architect and collector Sergei Tchoban established the foundation with the aim of promoting the art of architectural drawing. The museum presents three annual exhibitions, featuring works from its own collection, as well as loans from the collections of renowned institutions such as the Sir John Soane Museum in London, the École Nationale Supérieure des Beaux-Arts in Paris, the Albertina in Vienna, the German Architecture Museum in Frankfurt am Main, the Architecture Museum of the Technical University of Berlin and the Berlin Art Library, in addition to private collections.

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Exhibition
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Kengo Kuma – The Flow of Lines through the Lens of Erieta Attali.

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Authors
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Curator
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Nadejda Bartels.

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Organization
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Dates
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13 June – 13 September 2026.

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Opening hours. Mon–Fri.- 14h00 – 19h00; Sat–Sun.- 13h00 – 17h00; admission.- €6 / concessions €4.
Panel discussion. 12 June 2026.- 16h00 Aedes Metropolitan Laboratory Christinenstr. 18–19, 10119 Berlin with Kengo Kuma, Erieta Attali, Sergei Tchoban and Barry Bergdoll.
Press preview.- 12 June 2026, 18h00.
Exhibition opening.- 12 June 2026, 19h00.

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Location
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Tchoban Foundation. Museum for Architectural Drawing, Christinenstraße 18a, 10119 Berlin, Germany.

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Photography
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Kengo Kuma was born in Yokohama (Kanagawa, Japan) in 1954. He studied architecture at the University of Tokyo, finishing his degree in 1979. In 1987, he opened the "Spatial Design Studio". In 1990 he founded "Kengo Kuma & Associates" and extended the study to Europe (Paris, France) in 2008. Since 1985 and until 2009, has taught as a visiting professor and holder at the universities of Columbia, Keio, Illinois and Tokyo.

Notable projects include Japan National Stadium (2019), V&A Dundee (2019), Odunpazari Modern Art Museum (2019), and The Suntory Museum of Art (2007).

Kengo Kuma proposes architecture that opens up new relationships between nature, technology, and human beings. His major publications include Zen Shigoto(The complete works, Daiwa S hobo)Ten Sen Men (“point, line, plane”, IwanamiShoten), Makeru Kenchiku (Architecture of Defeat, Iwanami Shoten), Shizen na Kenchiku(Natural Architecture, Iwanami Shinsho), Chii sana Kenchiku (Small Architecture, IwanamiShinsho) and many others.

Main Awards:

· 2011 The Minister of Education, Culture, Sports, Science and Technology's Art Encouragement Prize for "Yusuhara Wooden Bridge Museum."
· 2010 Mainichi Art Award for “Nezu Museum.”
· 2009 "Decoration Officier de L'Ordre des Arts et des Lettres" (France).
· 2008 Energy Performance + Architecture Award (France). Bois Magazine International Wood Architecture Award (France).
· 2002 Spirit of Nature Wood Architecture Award (Finland).
· 2001 Togo Murano Award for “Nakagawa-machi Bato Hiroshige Museum.”
· 1997 Architectural Institute of Japan Award for “Noh Stage in the Forest”. First Place, AIA DuPONT Benedictus Award for “Water/Glass” (USA).

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Erieta Attali was born in 1966 in Tel Aviv, Israel. Is an architectural and landscape photographer specializing in fine art, whose work spans from Eurasia to Australia and the Americas.

Attali has dedicated more than two decades to exploring the relationship between architecture and landscape in the far reaches of the world. Her photography investigates how extreme conditions and challenging terrains drive humanity to reorient itself and rediscover itself through architectural responses.

After studying photography at Goldsmiths, University of London, she continued her research at the Columbia University Graduate School of Architecture in New York, with support from the Fulbright Foundation, and at Waseda University in Tokyo, with support from the Japan Foundation. She completed her PhD at the RMIT School of Architecture and Design in Melbourne, Australia.

Between 1992 and 2002, Attali extensively photographed archaeological sites and finds for the Greek Ministry of Culture, working throughout Greece and at various monuments and archaeological sites in Italy, Turkey, France, and the United Kingdom, specializing in underground burials and wall paintings.

Attali has received several prestigious awards and grants from the Fulbright Foundation, the Japan Foundation, the Graham Foundation in Chicago, the Dreyer Foundation in Denmark, the Danish Arts Council, the Norwegian Embassy in Copenhagen, the Chilean Ministry of Culture in Santiago, and the Marie Curie Research Fellowship, among others.

His photographic work has been exhibited internationally and published by prestigious international design magazines and publishing houses.

Between 2003 and 2018, she taught architectural photography at Columbia University's GSAPP and has lectured at numerous universities worldwide, including the University of Tokyo, the University of Sydney, the Architectural Association in London, the Catholic University of Santiago, Chile, RMIT University in Melbourne, and the Technion in Haifa, among others. Attali has been an adjunct professor of architectural photography at the Irwin S. Chanin School of Architecture at Cooper Union, New York, since January 2020, and a visiting professor at the National University of Singapore since January 2021.

She is the editor and co-author, with Kengo Kuma, of the monograph "Glass | Wood: Erieta Attali on Kengo Kuma," published by Hatje Cantz (Berlin, 2015), and the editor and co-author, with Marc Mimram, of the three-volume monograph "Marc Mimram: Structure | Light, Landscapes of Gravity Through the Lens of Erieta Attali,” published by Hatje Cantz (Berlin, 2019).

Her photographic monograph, Periphery | Archaeology of Light, published by Hatje Cantz, was awarded the prestigious German Photography Prize 19|20 in the Conceptual Art Photography category.

She is currently preparing three new photography monographs in collaboration with Spector Books in Leipzig, ArchiTangle Books in Berlin, and Hartmann Projects Verlag in Stuttgart.

Attali is a visiting researcher at Paris 1 Panthéon-Sorbonne University in Paris, France, and an artist-in-residence at the Cité Internationale Universitaire de Paris.

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Published on: May 24, 2026
Cite:
metalocus, CAMILA DOYLET
"Kengo Kuma – The Flow of Lines through the Lens of Erieta Attali" METALOCUS. Accessed
<https://www.metalocus.es/en/news/kengo-kuma-flow-lines-through-lens-erieta-attali> ISSN 1139-6415
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